“If you want to see your dog alive again, be at Rowan Oak at five o’clock. And come alone.”

“Rowan Oak?”

“If you call the police, the dog’s… dog meat.”

“I dumped you!”

But he’d already hung up.

She wouldn’t do it. She wouldn’t let him manipulate her. But not long after the store closed, she found herself on the highway heading toward William Faulkner’s legendary home in Oxford. Colin had made it possible for her to see Delilah, and she owed him this. Still, she wished he didn’t have to make everything so hard.

The house and grounds closed to the public at four o’clock, but someone obviously had important connections because a burgundy Lexus sat in the otherwise empty parking lot and the wooden gate was open. Having grown up in northeastern Mississippi, Sugar Beth had been to Rowan Oak many times-with a Girl Scout troop, church youth groups, the Seawillows, and during senior year, in a big yellow bus with Mr. Byrne’s English classes. William Faulkner had bought the decrepit Greek Revival plantation in the early 1930s. At the time the house had no indoor plumbing or electricity, and Faulkner’s wife was rumored to have spent her days sitting on the stoop crying while her husband began making the house livable. Until his death in 1962, Faulkner had lived here, gotten drunk here, frightened his children with stories of a ghost he invented, and written the novels that had eventually won him the Nobel Prize for literature. In the early 1970s, his daughter had sold the house and grounds to the University of Mississippi, and since then, visitors from all over the world had come to see the state’s most famous literary landmark.

She approached the two-story white frame house through the imposing avenue of cedars that had been planted during the nineteenth century. Long before she reached the end of the old brick walk, she saw Colin leaning against one of the house’s square columns with Gordon lying at his feet.

“Pat Conroy called Oxford the Vatican City of Southern letters,” he said as he stepped off the porch.

“I didn’t know that, but I do love the man’s books.” She scratched Gordon’s head. “My dog’s still alive, I see.”

“I’m nothing if not merciful.”

He wore a white sweater and an immaculate pair of gray slacks. The outdoor work had left him tan, and she was once again struck by the contrast between his masculinity and his elegance. He was a mass of contradictions, haughty and cynical, but also tender and a lot more sentimental than he let anyone see. How his wife’s suicide must have devastated him. “What’s this about?” she asked.

“I have something I want to give you.”

“You’ve given me more than enough. That plane ticket-”

“Faulkner has always been my favorite American writer,” he said, cutting her off.

“Not surprising. You share a fascination for the same literary landscape.”

“We don’t, however, share the same facility with language. The man was a genius.”

“I suppose.”

“Don’t even contemplate saying anything disrespectful about William Faulkner.”

“As long as I don’t have to read another one of his books, I’ll be completely respectful.”

“How can you say that? Faulkner is-”

“He’s a man, and I have a limited patience with dead white male writers. Or even living ones for that matter, you and Mr. Conroy being notable exceptions. Now Jane Austen, Harper Lee, Alice Walker, their books deal with things women care about.” She let herself rattle on. “Margaret Mitchell isn’t p.c. anymore, but that was one heck of a page-turner. Then there’s Mary Stewart, Daphne du Maurier, LaVyrle Spencer, Georgette Heyer, Helen Fielding-but only the first Bridget Jones. Nope, Faulkner just doesn’t make my final cut.”

“Your list is a little heavy on romance for my tastes.”

“You try spending six months sitting at somebody’s bedside waiting for them to die and then tell me that the happy-ending love story isn’t one of God’s good gifts.”

He planted a quick kiss on her forehead, and the tenderness of the gesture nearly undid her. “Let’s go inside.”

He opened the door for her, and as they entered the empty house, she gazed at the foyer, where a set of stairs led to the second floor. “Can you get me into George Clooney’s place, too?”

“Some other time.”

They wandered through the hallways of Faulkner’s home, gazing into each room but not entering. She couldn’t resist pointing out the stack of paperback potboilers on display in Faulkner’s bedside bookshelves, but Colin was more fascinated by his office. As he took in the old Underwood typewriter, he contemplated how modern word processing might have changed Faulkner’s writing. Sugar Beth refrained from pointing out that Microsoft wasn’t doing a thing for Colin’s output, and the only work being done at Frenchman’s Bride these days involved stone.

They left the house and walked around the grounds. Dusk was settling in, but she could still see the forsythia and wild plum blooming in Bailey’s Woods behind the house. Before long, the dogwood would be in flower. Gordon waddled at Colin’s side, occasionally stopping to investigate a shrub or sniff at a clump of grass. As they returned to the house, Colin took her hand. “I’ve missed you this week.”

She felt the hard ridge of calluses on his palm and didn’t want to draw away, but what was the point in torturing herself. “You’re just horny.”

He stopped walking and ran his finger along her cheek, regarding her with such tenderness that her heart missed a beat. “I want more from you than sex, Sugar Beth.”

She had a saucy comeback all loaded and ready to fire, but she fumbled with the trigger. “You… you know I don’t do windows.”

“Please stop it, darling.” The request was gently uttered, and the endearment, which would have sounded pompous coming from anyone else, fell over her like cherry blossoms.

She swatted an imaginary bug to give herself an excuse to move a few steps away. “What do you want?”

“I want you to give us time. Is that too much to ask?”

“Time for what? I’m a three-time loser, Colin. Four if you count Ryan.” She tried to sound saucy, but she was afraid she’d merely sounded sad. “I feed off men. I lure them with my sexual tricks, then bite off their heads while they sleep.”

“Is that how Emmett felt about you?”

“He was the exception that proved the rule.”

“I’m not too worried about my untimely decapitation, so I don’t see why you should be.”

“Okay, I finally understand why you’re being so persistent about this. You want to make me fall so desperately in love with you that I can’t think of anything else. Then, when I’ve turned into a big bowl of mush, and I’m begging for a few crumbs of your affection, you’ll laugh in my face and walk away. This is what you’ve been planning from the beginning, isn’t it? Your ultimate revenge for what I did to you in high school?”

He sighed. “Sugar Beth. The romance novels…”

“Well, it’s not going to happen, bucko, because I’ve spent way too much class time in the school of hard knocks. I’m past my obsessive need to center my life around another piece of beefcake.”

“As much as I appreciate the description, I think you’re just afraid.”

Something snapped inside her. “Of course I’m afraid! Relationships do bad things to me.” He started to respond, but the pain had gone on long enough, and she didn’t want to hear it. “You know what I want? I want peace. I want a good job and a decent place to live. I want to read books and listen to music and have time to make some female friendships that are going to last. When I wake up in the morning, I want to know that I have a decent shot at being happy. And here’s what’s really sad. Until I met you, I was almost there.”

His face set in hard lines. She knew she’d hurt him, but better this sharp, quick pain than a dull ache that never stopped. “I’m sick of this,” she forced herself to say. “I told you I didn’t want to see you anymore, but you wouldn’t listen. Well, it’s time to pay attention. I’m tired of you stalking me. Now get the message and leave me alone.”

His face paled, and his eyes emptied of all expression. “My apologies. It wasn’t my intention to stalk.” He snatched up a manila envelope from behind one of the columns and thrust it at her. “I know you’ve been looking for this, and now you have your very own copy.”

She watched him walk away, proud and haughty, his powerful stride devouring Faulkner’s lawn. “Gordon! Come back here,” she cried.

But her dog had a new master, and he paid no attention.

She heard the sound of his car driving away. Finally, she gazed down at the envelope and drew out what he’d brought her.

A copy of Reflections.

Colin was thirty miles outside Oxford when he heard the siren. He glanced at his speedometer and saw he was going eighty. Brilliant. He backed off and pulled over. Gordon sat up on the seat. The perfect ending to a miserable day.

A stalker. Was that how she saw him?

As he handed over his license, he thought about how much differently the evening had unfolded than what he’d planned. Getting Sugar Beth out of Parrish had seemed like a good idea, and Rowan Oak a convenient choice. He’d tried to impress her with a private tour, and he’d imagined the combination of a romantic setting and his personal charm would lull her enough so he could talk to her about Reflections, so he could explain. But he’d forgotten personal charm wasn’t his long suit, and she’d undoubtedly grown immune to contrived romantic settings before her twenty-first birthday. He hadn’t planned on throwing the book at her, that was for certain. He’d intended to lead up to it gradually, to explain how he’d felt when he’d been working on it and point out that he’d finished writing it months before she’d come back. Most of all, he’d planned to warn her. And then he was going to tell her about the painting.

“You’re the author,” the trooper said, gazing at Colin’s license. “The one who wrote that book about Parrish.”

Colin nodded but didn’t try to strike up a conversation. He saw no honor in attempting to talk himself out of a ticket he deserved. But the trooper had a book-loving wife and a basset hound, and he sent him on with only a warning.

Colin reached the edge of town, but instead of heading directly for Frenchman’s Bride, he drove aimlessly through the quiet streets. There’d been a fierceness about her tonight that scared him. She wasn’t playing games. She’d meant every word she’d said. And he’d fallen in love with her.

The knowledge felt old and familiar, as though it had been part of him for a very long time. With his lifelong appreciation of the ironic, he should be amused, but he couldn’t find a laugh anywhere. He’d misjudged, misplayed, and misbehaved. In the process, he’d lost something unbearably precious.

Sugar Beth wanted to be alone when she read Reflections, so she declined Winnie’s invitation to join her for church on Sunday morning. As soon as her car pulled away, she threw on a pair of jeans, grabbed an old blanket, and set off for the lake. She’d have liked to bring Gordon with her, but he hadn’t come back. It was beginning to look as though he never would.

She laid out the blanket in a sunny spot not far from the deserted boat launch and gazed down at the cover of the book. It was marked “Uncorrected Proof Not for Sale,” which meant he’d given her one of the editions printed up for reviewers and booksellers before the real book came out in another month. She ran her hand over the cover and braced herself for what she was fairly certain he’d written about her mother. Diddie might have been high-handed, but she’d also been a force for progress, and if Colin hadn’t acknowledged that, she’d never forgive him.

A church bell tolled in the distance, and she began to read:

I came to Parrish twice, the first time to write a great novel, and more than a decade later, because I needed to make my way back home.

He’d put himself in the book. She was startled. He hadn’t done that in Last Whistle-stop. She rushed through the opening chapter, which told of his first days in Parrish. In the second chapter he used an encounter with Tallulah-Your hair is far too long, young man, even for a foreigner-to take the story back to the late 1960s, when the town’s economy had begun to fall apart. His account of the near bankruptcy of the window factory read like a thriller, the tension heightened by funny, hometown tales such as the Great Potato Salad rivalry at Christ the Redeemer Church. As he moved into the 1970s, he personalized the human cost of the town’s racial politics through Aaron Leary’s family. And, as she’d suspected he would, he wrote of Diddie and Griffin. She didn’t care so much about the portrait he’d painted of her father, but her cheeks burned with anger as he showed her beautiful, high-handed mother marching through town trailing cigarette ash and condescension. Although he didn’t neglect her accomplishments, it was still a devastating portrayal.