Don’t jump to conclusions. I warn myself from being giddy. This is the same man who warned me off of him. That tells me I need to research my dates to know who’s dangerous and will hurt me when I least expect it.

I sit back up and grab my computer. I immediately replay the song and open up another window to search Google. I type in “Colton Donavan.” The search is immediately populated with page upon page of links referencing him; racing sites, the Speed Channel, fan-created sites, and so many more.

I decide to narrow the search and type in Colton Donavan Enterprises. I click on the company’s website. The opening page is a back-dropped picture of what I assume is Colton’s racecar next to a picture of the office facility. I click through the menu and am led through a corporate mission statement, history, products, media, and race team information. It’s all very impressive, but I stop when I click on the tab “drivers” and Colton’s face fills the screen. It is a close-up, candid shot of him in his fire suit. He is looking intensely at something off-camera, and his green eyes are clear and intrigued. He has a half-smile on his face as if he is remembering a fond moment, the dimple in his right cheek winking. His hair is in need of a cut and curls over the neck of his suit.

I suck in my breath. My God, the man is sex on a stick.

I bookmark the picture for good measure before I force myself to change the page and search anew. I switch to Google Images and reluctantly type in his name, afraid of what I’ll see. The page refreshes and dozens of images of him pop up on the screen, most of them with a gorgeous woman draped on his arm or looking up in obvious adoration of him. I know I have no reason to be jealous for these pictures are dated, but I find myself rolling my shoulders to ease my agitation. Knowing I should close the page, I do just the opposite and find myself clicking on each picture. Staring. Comparing. None of the captions refer to the women as girlfriends, rather as just dates or companions.

A pattern starts to evolve with my continued scrutiny of the images, and I realize that most of his escorts are long, leggy blondes, stick thin, with some type of plastic enhancement. And all are drop-dead gorgeous. Much to my chagrin, I realize they look very similar to Haddie, except hers are real. Ironically, the pale hair next to his dark features makes him seem more aloof and edgier somehow.

I note that each girl exists through a context of time, except for one. One particular stunner is scattered through different periods of time, and I wonder why that is. Is she an escort? The one he takes when his other arrangements have fallen through and he needs a date? Or is she the one he keeps going back to because there is really something there? After clinking on several of their pictures together, I finally get a caption that offers her name. Tawny Taylor. The caller on his phone yesterday. What is she to Colton? I know I could dwell on this for hours so I force myself to push it to the back of my head and resolve to think about it at another time even though I’m afraid to know the answer.

I look like none of them. I may be tall, but I’m definitely not petite on their anorexic scale. I’m thin but I have curves in all the right places, unlike their ruler-straight physiques. I have an athletic body that I’m proud of—that I work hard at to maintain—whereas they look like they have no need to even think about exercise. I have curly hair in a rich chocolate brown color that stops midway down my back; it is unruly and a pain, but it suits me. I continue the comparisons until I tell myself that I need to just get off the page before I become depressed. That my hatred toward them has nothing to do with them in particular.

I go back to Google and type in “Colton Donavan childhood.” The first few pages reference children’s organizations that he is involved with. I quickly scan through the links, looking for one mentioning his childhood in particular.

I finally find an old article written five years ago. Colton was interviewed in connection with a charity he was supporting that benefited new changes speeding up the adoption process.

Q: It is public knowledge that you were adopted, Colton. At what age?

CD: I was eight.

Q: How was the adoption process for you? How would you have benefited from these new initiatives that this foundation supports?

CD: I was lucky. My dad literally found me on his doorstep, took me in, for lack of better term, and I was adopted shortly after that. I didn’t have to go through the lengthy process that occurs today. A process that makes kids who desperately crave a home, a sense of belonging, wait months to see if an application will be approved. The system needs to stop looking at these kids as cases, as paperwork to be stamped with approval after months of red tape, and start looking at them as delicate children who need to be an integral part of something. A part of a family.

Q: So what was your situation, prior to being adopted?

CD: Let’s focus less on me and more on the passing of these new measures.

Does he not want to talk about it because it draws attention away from the charity, or was it so bad he just doesn’t talk about it? I scan the rest of the article but there is nothing else about his childhood. So he was eight. That leaves a lot of time to be damaged, conditioned as he’s said, by whatever situation he was in.

I stare at the screen for a couple of minutes imaging all kinds of things, mostly variations of the kids who have come through my care, and I shudder.

I decide to look up his parents, Andy and Dorothea Westin. The pages are filled with Andy’s movie credits, Oscar nominations and wins, and top-grossing movies, amongst other things. His family life is referenced here and there. He met Dorothea when she had a bit part on one his movies. At the time she was Dorothea Donavan. Another piece clicks into place. I wonder why he uses his Mom’s surname and not his Dad’s. I continue scanning and see the basic Hollywood mogul background, less the tabloid drama or stints in rehab. There are a few mentions of his children, a son and a daughter, but nothing giving me the answers I’m looking for.

I return to search again and scan through the different links that mention Colton’s name. I see snippets about a fight in a club, possible altercations with current-generation brat-pack actors, generous donations to charity, and gushing comments from other racers about his skill and the charisma he brings to his sport that had been tinged after the CART and IRL league split years ago; a wide range of information on such an enigmatic man.

I sigh loudly, my head filled with too much useless information. After over an hour of research, I still don’t know Colton much better than I did before. I don’t see anything to validate the warnings he keeps giving me. I can’t help myself. I open up the page again for CDE and click on the picture of him. I stare at it for sometime, studying every angle and every nuance of his face. I glance up and sadness fills my heart as the picture on my dresser of Max catches my eye. His earnest smile and blue eyes light up the frame.

“Oh, Max,” I sigh out his name, pressing the heel of my palm to my heart where I swear I can still feel the agony. “I will always miss you. Will always love you,” I whisper to him, “but it’s time I try to find me again.” I stare at his picture, remembering when it was taken, the love I felt then. Seconds tick by before I look back at my computer screen.

I close my eyes and breathe deeply, strengthening my resolve as the song on my computer, Colton’s referenced song, repeats itself for the umpteenth time. It’s time. And maybe Haddie is right. Colton may be the perfect person to lose and find myself in at the same time. For however long he lets me, anyway.

I look back at my phone, suppressing the overwhelming urge to text him back. To connect with him. If I’m going to do this, I at least need to make sure a couple things are on my terms.

And chasing after him is definitely not going to allow me to achieve that.


CHAPTER 11


I barely recognize the girl in the mirror who stares back at me. Once again, Haddie has gone all out with her preparations for the launch party tonight thrown by the public relations company she works for. She spent almost an hour blowing my ringlets out so that my hair hangs in a straight, thick curtain down my back. I keep staring at myself in the mirror trying to adjust to this different person. My eyes are subtly smoked so the dark smudges have an opalescent quality, reflecting the violet in my irises. My lips are lined with nude liner and lip-gloss, making the slight touches of bronzed blush on my cheeks stand out.

She has talked me into wearing a little black number that shows off more skin than I’m comfortable with. The bust of the dress runs into a deep V, hinting suggestively at my abundant bra-proffered cleavage without being trashy. Just a suggestive hint at my curves. The straps go over the shoulders and connect the non-existent back with thin gold chains that drape loosely and attach at the swell of my butt. I tug down on the hemline for it falls mid-thigh, something I’m not altogether used to.

I look again in the mirror and smile. This is not me, the girl I know. I sigh shakily as I add chandelier earrings to complete the look. This may not be me, I think, but this is the confident girl I want to be again. The new me who’s going to go out tonight, let loose, and have fun. The girl who has resolved to have a night of fun and gain some self-assurance before I undertake all that is Colton and his warning-laced pursuits.

“Holy shit!” Haddie walks into my bathroom, a whistle blowing from her lips. “You look hot! I mean—” she stumbles over her words, “I’m at a loss here. I don’t think I have ever seen you this smokin’ sexy, Ry.” I smile widely at her praise. “You’re going to have them lining up tonight, baby. Hot damn, this is going to be fun to watch!”

I laugh at her response, my self-esteem bolstered. “Thanks. You’re not so bad yourself,” I compliment her harlot-red dress that shows off all of her best assets. I slip my heels, wincing at the feel of them, and smirking at the memory of the last time I wore them. “Give me a sec and I’ll be ready.”

I grab my clutch and stuff my driver’s license, money, and keys into it. When I grab my phone to place in the small purse, I realize I never asked Haddie about the voicemails from her I’d listened to earlier.

“Had? I never asked you what was so exciting about the event tonight. What hot celebrity did you guys secure as a carpet walker?”

She gives me an enigmatic smile. “Oh, it fell through,” she dismisses casually. I shake off the feeling that for some reason she is laughing at me. I quirk my head at her and she turns around, effectively changing the subject, “Let’s go!”

***

The entrance to the trendy club downtown is quite the spectacle, complete with criss-crossing searchlights, velvet ropes, and a red carpet ready for stars to walk for media photo opportunities. The entrance is complete with a backdrop displaying Merit Rum, the new product being launched. We park in predetermined spots for Haddie and her fellow PRX employees at the trendy, upscale hotel that owns and is somehow or another physically connected to the club. Haddie flashes her credentials, which allows us to whisk past the hoopla and within moments we are inside the populated club, the dull throb of the music pulsing through my body.

It has been years since I’ve been in a club like this and it takes me a while to acclimate to the dim lighting and loud music and not feel intimidated. I think Haddie realizes my nerves are kicking in and that my confidence is waning despite my sexed-up appearance for within moments she has pushed us through the throng of people to the bar. With disregard to the numerous bottles of Merit lining the slick countertop, Haddie orders us each two shots of tequila.

“One for luck,“ she grins at me.

“And one for courage,” I finish for her, our old college toast. We clink glasses and toss back the liquid. It burns my throat. It’s been so long since I’ve done a shot of tequila, I wince at the burn and put the back of my hand to my mouth to try and somehow stifle it.