He shook out the books first. He knew Caufield liked to pretend he was educated, even erudite, though he'd had no more schooling than Hawkins himself. There was nothing in the volumes of Shakespeare and Steinbeck but words.

Hawkins searched under the mattress, through the drawers in the bureau. Since Caufield's pistol wasn't around, he decided the man had tucked it into his knapsack before setting off to find Lilah. Patient, Hawkins looked behind the mirrors, behind drawers, beneath the rug. He was beginning to think he had misjudged his partner when he turned to the closet.

There, in the pocket of a pair of jeans, he found the map.

It was crudely drawn on yellowed paper. For Hawkins, there was no mistaking its meaning. The Towers was clearly depicted, along with direction and distance and a few out–of–proportion landmarks.

The map to the emeralds, Hawkins thought as he smoothed out the creases. A bitter fury filled him while he studied each line and marker. The double–dealing Caufield had found it among the stolen papers and hidden it away for himself. Well, two could play that game, he thought. He slipped out of the room as he tucked the paper into his own pocket. Wouldn't Caufield have a fine rage when he discovered his partner had snatched the emeralds out from under his nose. Hawkins thought it was almost a pity that he wouldn't be around to see it.


He found Christian. It was so much easier than Max had supposed that he could only sit and stare at the book in his hand. In less than a half day in the library, he'd stumbled across the name in a dusty volume titled Artists and Their Art: 1900–1950. He had patiently dug away through the A's, was meticulously slogging through the B's, when there it was. Christian Bradford, 1884–1976. Though the given name had caused Max to perk up, he hadn't expected it to be so easy. But it all fell into place.

Though Bradford did not come to enjoy any real success until his last years, his early work has become valuable since his death.

Max skimmed over the treatise on the artist's style.

Considered a gypsy in his day, due to his habit of moving from one location to another, Bradford often sold his work for room and board. A prolific artist, he would often complete a painting in a matter of days. It is said he would work for twenty hours straight when the mood was on him. It remains a mystery why he produced nothing during the years between 1914 and 1916.

Oh God, Max thought, and rubbed his damp palms on his slacks.

Married in 1925 to Margaret Doogan, Bradford had one child, a son. Little more is known about his personal life, as he remained an obsessively private man until his death. He suffered a debilitating heart attack in the late sixties, but continued to paint. He died in Bar Harbor, Maine, where he had kept a cottage for more than a half century. He was survived by his son and a grandson.

"I've found you," Max murmured. Turning the page, he studied the reproduction of one of Bradford's works. It was a storm, fighting its way in from the sea. Passionate, violent, frenzied. It was a view Max knew–the view from the cliffs beneath The Towers.

An hour later, a half–dozen books under his arm, he arrived home. There was still an hour before he could pick up Lilah at the park, an hour before he could tell her they had jumped the next hurdle. Giddy with success, he greeted Fred so exuberantly that the dog raced up and down the hall, running into walls and tripping on his tail.

"Goodness." Coco trotted down the stairs. "What a commotion."

"Sorry."

"No need to apologize, I wouldn't know what to do if a day went by without a commotion. Why, Max, you look positively delighted with yourself."

"Well, as it happens, I–"

He broke off when Alex and Jenny came bounding down, firing invisible laser pistols. "Dead meat!" Alex shouted. "Dead meat!"

"If you must kill something," Coco said, "please do it outside. Fred needs an airing anyway."

"Death to the invaders," Alex announced. "We'll fry them like bacon."

In total agreement, Jenny aimed her laser at Fred and sent the dog scampering down the hall again. Deciding he made a handy invader, they raced after him. Even with the distance, the sound of the back door slamming boomed through the house.

"I don't know where they get those violent imaginations," Coco commented with a relieved sigh. "Suzanna's so mild tempered, and their father..."

Something dark came into her eyes when she trailed off. "Well, that's another story. So tell me, what has you so happy?"

"I was just in the library, and I–"

This time it was the phone that interrupted. Coco slipped off an earring as she picked up the receiver. "Hello. Yes. Oh, yes, he's right here." She cupped a hand over the mouthpiece. "It's your dean, dear. He'd like to speak to you."

Max set the books on the telephone stand as Coco began to straighten pictures a few discreet feet away. "Dean Hodgins? Yes, I am, thank you. It's a beautiful spot. Well, I haven't really decided when I'm coming back...Professor Blake?"

Coco glanced back at the alarm in his voice.

"When? Is it serious? I'm sorry he's ill. I hope... I beg your pardon?" Letting out a long breath, Max leaned back against the banister. "I'm very flattered, but–" He lapsed into silence again, dragging a hand through his hair. "Thank you. Yes, I understand that. If I could have a day or two to consider. I appreciate it. Yes, sir. Goodbye."

When he simply stood, staring into space. Coco cleared her throat. "I hope it wasn't bad news, dear."

"What?" He focused on her, then shook his head. "No, well, yes. That is, the head of the history department had a heart attack last week."

"Oh." Immediately sympathetic, Coco came forward. "How dreadful."

"It was mild–if you can term anything like that mild. The doctors consider it a warning. They're recommending that he cut back on his work load, and he's taken them seriously, because he's decided to retire." He gave Coco a baffled look. "It seems he's recommended me to take over his position."

"Well now." She smiled and patted his cheek, but she was watching him carefully. "That's quite an honor, isn't it?"

"I'd have to go back next week," he said to himself. "To take over as acting head of the department until a final decision's made."

"Sometimes it's difficult to know what to do, which fork in the road to take. Why don't we have a nice cup of tea?" she suggested. "Then I'll read the leaves and we'll see."

"I really don't think–" The next interruption relieved him, and Coco clucked her tongue as she went to answer the banging on the door.

"Oh, my" was all she said. With her hand pressed to her breast, she said it again. "Oh, my!"

"Don't just stand there with your mouth hanging open, Cordelia," a crisp, authoritative voice demanded. "Have someone deal with my bags."

"Aunt Colleen." Coco's hand fluttered to her side. "What a...lovely surprise."

"Ha! You'd as soon see Satan himself on the doorstep." Leaning on a glossy, gold–tipped cane, she marched across the threshold.

Max saw a tall, rail–thin woman with a mass of luxurious white hair. She wore an elegant white suit and gleaming pearls. Her skin, generously lined, was as pale as linen. She might have been a ghost but for the deep blue eyes that scanned him.

"Who the hell is this?"

"Urn. Urn."

"Speak up, girl. Don't stutter." Colleen tapped the cane impatiently. "You never kept a lick of the sense God gave you."

Coco began to wring her hands. "Aunt Colleen, this is Dr. Quartermain. Max, Colleen Calhoun."

"Doctor," Colleen barked. "Who's sick? Damned if I'm going to stay in a contagious house."

"That's a Ph.D., Miss Calhoun." Max offered a cautious smile. "It's nice to meet you."

"Ha." She sniffed and glanced around the hall. "Still letting the place fall down around your ears. Best if it was struck by lightning. Burned to the ground. See to those bags, Cordelia, and have someone bring me some tea. I've had a long trip." So saying, she clumped off toward the parlor.

"Yes, ma'am." Hands still fluttering, Coco sent Max a helpless look. "I hate to ask..."

"Don't worry about it. Where should I take her luggage?"

"Oh, God." Coco pressed her hands to her cheeks. "The first room on the right on the second floor. We'll have to stall her so that I can prepare it. Oh, and she won't have paid the driver. Tightfisted old... I'll call Amanda. She can warn the others. Max–" she clutched his hands "–if you believe in prayer, use it now and pray that this is a very short visit."

"Where's the damn tea?" Colleen demanded in a bellow and thumped her cane.

"Just coming." Coco turned and raced down the hall.


Pulling all her rabbits out of her hat, Coco plied her aunt with tea and petits fours, dragged Trent and Sloan away from their work and begged Max to fall in. Arrangements were made for Amanda to pick up Lilah and for Suzanna to close early and pitch in to prepare the guest room.

It was like preparing for an invasion, Max thought as he joined the group in the parlor. Colleen sat, erect as a general, while she measured her opponents with the same steely eye.

"So, you're the one who married Catherine. Hotels, isn't it?"

"Yes, ma'am," Trent answered politely while Coco fluttered around the room.

"Never stay in 'em," Colleen said dismissively. "Got married quick, wouldn't you say?"

"I didn't want to give her a chance to change her mind."

She almost smiled, then sniffed and aimed at Sloan. "And you're the one who's after Amanda."

"That's right."

"What's that accent?" she demanded, eyes sharpening. "Where are you from?"

"Oklahoma."

"O'Riley," she mused for a moment, then pointed a long white ringer. "Oil."

"There you go."

"Humph." She lifted her tea to sip. "So you've got some harebrained notion about turning the west wing into a hotel. Better off burning it down and claiming the insurance."

"Aunt Colleen." Scandalized, Coco gaped at her. "You don't mean that."

"I say what I mean. Hated this place most of my life." She shifted to brood up at the portrait of her father. "He'd have hated seeing paying guests in The Towers. It would have mortified him."

"I'm sorry, Aunt Colleen," Coco began. "But we have to make the best of things."

"Did I ask for an apology?" Colleen snapped. "Where the hell are my grand–nieces? Don't they have the courtesy to pay their respects?"

"They'll be along soon." Desperate, Coco poured more tea. "This was so unexpected, and we've–"

"A home should always be prepared for guests," Colleen retaliated with relish, then frowned at the doorway when Suzanna came in. "Which one is this?"

"I'm Suzanna." Dutifully she came forward to kiss her great–aunt's cheek.

"You favor your mother," Colleen decided with a grudging nod. "I was fond of Deliah." She shot a look at Max. "You after her?"

He blinked as Sloan struggled to turn a laugh into a cough. "Ah, no. No, ma'am."

"Why not? Something wrong with your eyes?"

"No." He shifted in his chair as Suzanna grinned and settled on a hassock.

"Max is visiting for a few weeks," said Coco, coming to the rescue. "He's helping us out with a little–historical research."

“The emeralds." Eyes gleaming, Colleen sat back. "Don't take me for a fool, Cordelia. We get newspapers aboard ship. Cruise ships," she said to Trent. "Much more civilized than hotels. Now, tell me what the hell is going on around here."

"Nothing, really." Coco cleared her throat again. "You know how the press blows things out of proportion."

"Was there a thief in this house, shooting off a gun?"

"Well, yes. It was disturbing, but–"

"You." Colleen hefted her cane and poked it at Max. "You with the Ph.D. I assume you can articulate clearly. Explain the situation, briefly."

At the pleading glance from Coco, Max set his unwanted tea aside. ' "The family decided, after a series of events, to investigate the veracity of the legend of the Calhoun emeralds. Unfortunately, news of the necklace leaked, causing interest and speculation among various people, some of them unsavory. The first step was to catalogue old family papers, to verify the existence of the emeralds."

"Of course they existed," Colleen said impatiently. "Haven't I seen them with my own eyes?"