"It's for you to do," Rowena said quietly. "It was always for you to do."

Malory clutched the key tighter in her fist. Her chest was so full it hurt and still seemed incapable of containing the galloping racing of her heart. She tried to draw a calming breath, but it came out short and sharp. As she stepped closer, those lights seemed to fill her vision, then the room. Then the world.

Her fingers wanted to tremble, but she bore down. She would not do this thing with a shaking hand.

She slid the key into the first of the three locks worked into the glass. She saw the light spread up the metal and onto her fingers, bright as hope. And she turned the key in the lock.

There was a sound—she thought there was a sound. But it was no more than a quiet sigh. Even as it faded, the key dissolved in her fingers.

The first lock vanished, and there were two.

"It's gone. Just gone."

"A symbol again, for us," Rowena said and laid a hand gently on the box. "For them. Two are left."

"Do we…" They were weeping inside that glass, Dana thought. She could almost hear them, and it ripped at her heart. "Do we pick now, which one of us goes next?"

"Not today. You should rest your minds and hearts." Rowena turned to Pitte. "There should be champagne in the parlor. Would you see to our guests? I'd like a private word with Malory before we join you."

She lifted the glass box herself, carefully placed it back in the chest. When she was alone with Malory she turned. "Pitte said we owe you a debt we can never pay. That's true."

"I agreed to look for the key, and I was paid," Malory corrected. She looked at the chest, imagined the box within. "It seems wrong now to have taken the money."

"The money is nothing to us, I promise you. Others have taken it and done nothing. Others have tried and failed. And you've done something brave and interesting with the money."

She crossed over, took Malory's hands in hers. "That pleases me. But it isn't dollars and cents I speak of when I speak of debt. If not for me, there would be no Box of

Souls, no keys, no locks. You wouldn't have had to face what you faced today."

"You love them." Malory gestured toward the chest.

"As sisters. Young, sweet sisters. Well…" She walked over to look at the portrait. "I have hope to see them like this again. I can give you a gift, Malory. It's my right to do so. You refused what Kane offered you."

"It wasn't real."

"It can be." She turned back. "I can make it real. What you felt, what you knew, what you had inside you. I can give you the power you had in his illusion."

Dizzy, Malory groped for the arm of a chair, then slowly lowered herself into it. "You can give me painting."

"I understand the need—and the joys and pain of having that beauty inside you, feeling it leap out." She laughed. "Or fighting to get it out, which is every bit as brilliant. You can have it. My gift to you."

For a moment, the idea of it swarmed through Malory, intoxicating as wine, seductive as love. And she saw Rowena watching her, so calm, so steady, with a soft smile on her lips.

"You'd give me yours," Malory realized. "That's what you mean. You would give me your talent, your skill, your vision."

"It would be yours."

"No, it would never be mine. And I would always know it. I… painted them because I could see them. Just as I could see them in that first dream. As if I were there, in the painting. And I painted the key. I forged the key, was able to because I loved enough to give it up. I chose the light instead of the shadow. Isn't that right?"

"Yes."

"Having made that choice, knowing it was the right one, I can't take what's yours. But thank you," she said as she rose. "It's nice to know I can be happy doing what I do. I'm going to make a beautiful shop, and a successful business. And a damn good life," she added.

"I have no doubt. Will you take this, then?" Rowena gestured, smiling when Malory let out a shocked gasp.

" The Singing Goddess ." She rushed to the framed canvas that rested on a table. "The painting I did when Kane…"

"You painted it." Rowena joined her, laid a hand on her shoulder. "Whatever his trick, this was your vision, and your heart that found the answer. But if having this, if seeing it is painful, I can put it away."

"No, it's not painful. It's a wonderful gift. Rowena, this was an illusion. You brought it into my reality. It's solid. It exists." Bracing herself, she stepped back, kept her eyes level with Rowena's. "Can you—have you done the same with emotions?"

"You question if your feelings for Flynn are real?"

"No. I know they are." She pressed a hand to her heart. "This is no illusion. But his for me—if that's some kind of reward… it's not fair to him, and I can't accept it."

"You would give him up."

"No." Her expression went combative. "Hell, no. I'd just deal with it, and him, until he fell in love with me. If I can find some mystical key, I can sure as hell make Michael Flynn Hennessy realize I'm the best thing that's ever happened to him. Which I am," she added. "Which I absolutely am."

"I like you, very much," Rowena said with a grin. "And I'll promise you this. When Flynn walks into this room again, whatever he feels or doesn't feel will be a true reflection of his heart. The rest is up to you. Wait here, I'll send him in."

"Rowena? When will we begin the second round?"

"Soon," Rowena called out as she left the room. "Very soon."

Which one of them would be next? Malory wondered as she studied the portrait. And what would the second one risk? What would she win or lose in the search?

She'd lost one love, she thought, lifting her painting. One love, so briefly tasted. And now, with Flynn, she had to risk another. The most vital love of her life.

"I brought you some of this very jazzy champagne," Flynn said, walking in with two brimming flutes. "You're missing the party. Pitte actually laughed. It was a moment."

"I just needed a couple of minutes first." She set the painting down and reached for a glass.

"What's this? One of Rowena's?" He hooked an arm companionably around Malory's shoulder, and she felt his body stiffen when he understood. "It's yours? This is what you did? The painting you did in the attic, with the key. It's here."

He brushed his fingers over the gold key, only painted now, at the feet of the goddess. "It's amazing."

"Even more when you're the one who reached into a painting and pulled out a magic key."

"No. I mean, yeah, that's out there. But I meant the whole thing. It's beautiful, Malory. Hell, it's stupendous. You gave this up." He spoke softly, then looked over at her. "You're the one who's amazing."

"I'll have this. Rowena clicked her heels together, twitched her nose, whatever she does, and brought it here for me. It means a lot to have it. Flynn…"

She had to take a drink, had to put some distance between them. Whatever she'd said to Rowena, she understood now that she was a about to do something much more wrenching than giving up a talent with paint and brush.

"This has been a strange month, for all of us."

"And then some," he agreed.

"Most of what's happened, it's beyond the scope of anything we could have imagined, anything we might have believed a few weeks ago. And what's happened, it's changed me. In a good way," she added, turning toward him. "I like to think it's a good way."

"If you're going to tell me you turned the key in that lock, and now you don't love me anymore, that's too damn bad for you. Because you're stuck."

"No, I'm… Stuck?" she repeated. "What do you mean stuck ?'

"With me, my ugly couch and my sloppy dog. You're not wiggling your way out of it, Malory."

"Don't take that tone with me." She set the flute down. "And don't think for one minute you can stand there and tell me I'm stuck with you, because you're stuck with me ."

He set his flute beside hers. "Is that right?"

"That's exactly right. I've just outwitted an evil Celtic god. You're child's play for me."

"You want to fight?"

"Maybe."

They both grabbed for each other. With his mouth on hers, she let out a strangled sigh. And held on for her life. She drew back, but kept her arms linked around his neck.

"I'm exactly right for you, Flynn."

"Then it's really handy that I'm in love with you. You're my key, Mal. The one key to all the locks."

"You know what I want right now? I want a hot bath, some soup, and a nap on an ugly couch."

“Today's your lucky day. I can arrange that for you." Taking her hand, he led her from the room.

Later, Rowena leaned her head against Pitte's shoulder as they watched the cars drive away.

"It's a good day," she told him. "I know it's not over, but today is a good day."

"We have a little time before we begin the next."

"A few days, then the four weeks. Kane will watch them more carefully now."

"So will we."

"Beauty prevailed. Now knowledge and courage will be tested. There's so little, really, that we can do to help. But these mortals are strong and clever."

"Odd creatures," Pitte commented.

"Yes." She smiled up at him. "Odd, and endlessly fascinating."

They stepped back into the house, closed the door. At the end of the drive, the iron gates quietly swung shut. The warriors that flanked them would stand vigil through the next phase of the moon.