“I liked your sketch quite well.”

“What did you like about it?” Because in five minutes, he’d be on his horse and disappearing into the winter landscape, and Jenny had to know what he’d seen in her work, even if he’d seen only trite, unprepossessing efforts.

“You are good, Lady Genevieve. Your accuracy is effortless, you’re quick, and your technique very proficient for one who has likely had little professional instruction.”

Those compliments would have distracted her, had she not been watching his eyes. His soul was not in those terse compliments, and he’d be gone in four minutes.

“But?”

He captured her hand and placed it on his arm, moving with her down the last flight of stairs. “But you rendered me tired and rumpled, when I was quite sure the fellow in that nursery was the most charming exponent of English artistry ever to aspire to membership in the Royal Academy. You also made me look…” He glanced around as they gained the empty foyer. “Lonely.”

“Amanda said you looked like a papa. I tried to convey the affection with which you—”

“I miss…” He frowned, unwound his arm from Jenny’s, and stepped back. “I have many younger siblings. It’s natural I should miss them from time to time. That you saw in me something I’d ignored in myself confirms your talent rather than denies it.”

Somewhere in that grudging admission was a true compliment, though likely one he hadn’t intended.

“Thank you.”

Which left nothing more to say. The footmen being derelict or preoccupied with decorating some other part of the house, Jenny took Mr. Harrison’s greatcoat down from the hook and held it up to him. Next she passed him his scarf, then held his hat and gloves while he buttoned up.

And then their time together was over, and Jenny heard the sound of many heavy coaches rumbling, not toward her artistic inclinations, but more in the direction of her heart. “Safe journey, Mr. Harrison.”

“My thanks for your hospitality.” He tapped his hat onto his head and pulled on his gloves. “Have you considered corresponding with old Monsieur Antoine? He’s very generous with his guidance, and not at all opposed to encouraging the talented amateur, regardless of gender.”

His suggestion cut in several ways, though it was intended as another compliment—to a talented amateur of the inconvenient feminine persuasion. “Monsieur is, as you say, very generous, but his eyes are failing.”

Mr. Harrison tossed the ends of his scarf over his shoulders in a gesture more Continental than English. “I didn’t know that.”

“Few people do. He has been helpful, though now when I call at his gallery, we spend our conversations on his reminiscences. He’s very proud of you.”

Mr. Harrison glanced up, as if entreating the heavens, then grimaced. “The Yuletide season has officially started.” He pointed to the crossbeam over the antechamber, where a swag of mistletoe had been hung.

“Louisa and Joseph are quite enamored of all things—”

Whatever nonsense Jenny had intended to spout one minute before Elijah Harrison trotted out of her life, she forgot as he put a gloved hand on her shoulder. “It’s a harmless tradition,” he said. “One I’ve had occasion to appreciate.”

With that, he kissed her, and not on the cheek as a proper gentleman ought. He touched his mouth to hers softly, a lingering, gentle kiss that conveyed… something. Regret perhaps, at having to face the miserable winter day.

Before he drew back, he whispered, “You’ll want to look at the sketchbook I used, and, Genevieve?”

He bore the scent of rosemary and lavender, and he was leaving.

“Mr. Harrison?”

“You draw wonderfully. Be proud of yourself.” He gave her cheek a quick buss and passed through the door.

Jenny held his compliment close to her heart—the real compliment, the one he’d whispered. She held his kisses closer.

Three

“Yon beast will not go sound.” Joseph Carrington, Earl of Kesmore, scowled at Elijah’s horse as the gelding was led from the Kesmore stables. “Listen to the footfalls, Harrison. Your hind end is off rhythm.”

And people called artists eccentric.

“Kesmore, good morning. My hind end is traveling down the lane posthaste, though you have my thanks for providing shelter for the night in absentia.”

Kesmore’s frown—the man’s dark features had an entire repertoire of frowns, scowls, glowers, and glares—turned affectionate. “You will forgive my countess for not greeting you here in the yard. She must see to our son’s safe passage up to the house.”

Lady Kesmore, accompanied by a maid, was wending her way from the coach house up a shoveled path toward the manor.

“Congratulations on the birth of an heir,” Elijah said. “I thought you had only the two daughters.”

Kesmore’s affectionate scowl became a long-suffering affectionate scowl. “According to my wife, when the child’s nappies want changing, that boy is my son. When he’s charming every female in the shire, he’s her ladyship’s son. Weren’t you to have immortalized my daughters on canvas at some point?”

He would recall that, and likely recall that Elijah had dodged the commission. Now, Elijah needed juvenile portraits in his portfolio if the Royal Academy was to look favorably upon him, else he wouldn’t be ruralizing away his holidays.

“I apologize for not being here to receive you in person,” Kesmore said as Elijah’s horse was led away. “My lady and I had business in Surrey, and last night we tarried at her sister Sophie’s household rather than push homeward in dirty weather. The womenfolk must disappear into the nursery and exchange maternal intelligence while my brother-in-law and I disappear into his study and say nothing of any consequence beyond, ‘I’ll have one more tot, thank you.’”

“I see.” Marriage had turned the taciturn Kesmore into a chatterbox. The transformation was both disconcerting and… endearing.

“You don’t, but should the Almighty bless you with children, you shall.”

“If the Almighty would see fit to let me get to my next destination without further mishap, I will be most grateful.”

As Kesmore’s wife disappeared into the house, Kesmore resumed his perusal of Elijah. “I trust Lady Jenny made you welcome?”

“Very.” Kesmore’s eyes narrowed, and like an idiot, Elijah babbled on. “She is knowledgeable about art, and her company is enjoyable.” Also a sore trial to his self-restraint, which was why departure this morning was a relief.

Mostly a relief.

The thwack of Kesmore’s riding crop against his boot punctuated the soft whistle of the winter wind. “Lady Jenny can handle the hellions gracing my nursery, which ought to recommend her to half the bachelor princes in Europe. She talks horses with me, poetry with Louisa, politics with His Grace, recipes with—”

Kesmore broke off and waved one black-gloved hand in the direction of the house—a silly wave, hand up, fingers waggling madly. Elijah followed the man’s gaze and saw a woman in a third-floor window with a child in her arms. In a gesture ubiquitous among mothers, she was waving the baby’s tiny hand in Kesmore’s direction.

“The child probably can’t even see you, Kesmore, and he has no notion why you’re fluttering your hand around.”

“Neither do I, and someday, neither will you.” This time Kesmore waved his riding crop at the mother and child, who waved right back. Beside Lady Kesmore, Lady Jenny appeared in the window, a feminine incandescence in an otherwise prosaic tableau.

Elijah did not wave. Not to the baby, not to the baby’s mother, not to his aunt.

“Here comes your noble steed,” Kesmore said. “This is Bacchus. He’s a sensible lad once he gets the fidgets worked out, and he’s not particular about the footing.”

The sensible lad was about the size of an elephant, the same color as an elephant, and possessed of a hair coat worthy of a mastodon. The beast was also making shameless eyes at Kesmore.

“He looks sturdy enough.”

“Much like you, Harrison, he’s a treasure whose subtle gifts can only be appreciated over time. If you’ll excuse me, I’m off to interrogate my sister-in-law regarding the offenses committed by my offspring in my absence. I will take on this thankless burden without my countess’s fortifying presence, while her ladyship tends to obligations in the nursery I am biologically incapable of assisting with.”

This was more married-man-papa blather about Elijah knew not what. To see what a short trip to the altar had done to a decorated veteran of the Peninsular Campaign, a bruising rider, and halfway friend was unnerving.

And yet, Kesmore was… happy. Scowlingly though radiantly happy.

“If you had to choose one of Aesop’s fables as your favorite, Kesmore, which one would it be?”

Kesmore paused midstride toward the manor and turned a puzzled frown on Elijah. “In what regard? A favorite moral, a favorite story? A favorite because the tale is brief and will get my daughters most quickly into bed?”

“Your favorite. The one you liked best when you were a boy.”

The frown disappeared, replaced by a half smile. “‘The Cock and the Jewel,’ I suppose. When a fellow is famished, all the gems in the world will not satisfy his craving for a simple crust of bread, no matter how others might value the pretty jewel.”

Elijah felt a whiff of relief. Little girls could draw roosters and gemstones, particularly with some assistance from their aunt.

“Be off with you,” Kesmore said with a flourish of his whip that had Bacchus looking nervous. “And you”—Kesmore pointed the whip at the horse—“no mischief, or Father Christmas will make you do pony rides all Christmas Day for both girls.”

The horse stood docile as a lamb at the mounting block. Once Elijah was in the saddle, Bacchus turned down the snowy drive without an instant’s hesitation, though Elijah cast one last glance back at the empty third-floor window.

* * *

“What is this?” Louisa, Countess of Kesmore, marched across the nursery and thrust a sketch pad under Jenny’s nose. “It doesn’t look like your work, Sister.”

Louisa did not glide about the house. She did not make small talk. She appropriated neither the airs and graces of a countess nor those of a recently published author whose poetry was acclaimed by the most discerning of the literati. She was simply Louisa: blunt, beautiful, and unfailingly genuine. Jenny loved her for those qualities but was not so enamored of Louisa’s unrelenting curiosity.

“It’s a sketch pad, dearest. The girls leave them all over the house.” With a brother underfoot, they’d learn, as Jenny had, to keep sketches under lock and key.

“I know it’s a sketch pad, Genevieve Windham, but what’s this?” Louisa held out the tablet, flipped open to a pencil drawing of… Jenny, sketching.

Jenny regarded the page with something between dread and fascination. Her hand closed around the sketch pad while her feet clamored to leave the room. “I suppose Mr. Harrison drew it. Some artists must draw compulsively.”

“Like you.” Louisa’s expression held only sympathy. “He’s good, though not as good as you are.”

Louisa was loyal to a fault too.

“Elijah Harrison is the most sought-after portraitist in London, unless you count Sir Thomas Lawrence, who is flooded with commissions and at the regent’s beck and call.”

“Which you ought to be. His sketch of you is quite good.” Louisa came closer to study the drawing. “He’s caught how fiercely you concentrate, like a raptor focusing on her prey.”

“Louisa, I know you are a poetess, but that image is hardly flattering to a lady.”

“Elijah Harrison has also caught you as a woman, Jenny. He drew you full of curves and energy, a female body engaged in a passion, not some drawing-room artifact showing off her modiste’s latest patterns. He sees that your beauty is not merely physical.”

Was that why he’d kissed her, or had it been merely a passing holiday gesture? “You are fanciful, Louisa.”

“I am honest.”

Both could be true, but one didn’t argue logic with Louisa and win unless one was Joseph. “Why do you say I’m better than Mr. Harrison?”

Louisa flipped back to the sketch of Fleur. “Look at this.”

“It’s very accurate, and if he had time to sketch me, as well, he drew both quickly.”

And why had he sketched Jenny, and then told her specifically to examine this sketch pad as he’d trotted out of her life?

“Portraiture is not exclusively about rendering an accurate image,” Louisa said. “Fleur is a happy little soul. She doesn’t have Amanda’s inquisitive nature or impulsivity; she likes to make others happy. Fleur is quick to sense others’ feelings, like my Joseph, but she hasn’t Joseph’s analytical bent.”