Tarryn Fisher - Mud Vein

Isaac pushes the box closer to where I’m sitting so that I’m able to reach inside. The pages are all pulled from their binding, lined in four rows. I lift another page. The style lines up with the first book, lyrical with an old-fashioned feel to the prose. There is something strange about the writing, something I know I should remember, and cannot. I start pulling out pages at random. Separating the pages of Nick’s book from the new one. I work quickly, my fingers lifting and piling, lifting and piling. Isaac watches me from where he leans against the wall, his arms folded, lips pursed. I know that underneath his lips his two front teeth slightly overlap. I don’t know why I have this thought, at this time, but as I sort pages my thoughts are on Isaac’s two front teeth.

I am about halfway through the box when I realize that there is a third book. This one is mine. My fingers linger over the bright white pages—white because I told the publisher if they printed on cream I would sue them for breach of contract. Three books. One written for MV, one written for Nick … but the third…? My eyes reach over to the unknown pile. Who belongs to that book? And what is the zookeeper trying to tell me? Isaac pushes himself off the wall and steps toward the pile that belongs to Nick.

“We have to finish reading this one,” he says. My face drains of blood and I can feel a tingling along the tops of my shoulders as they tighten.

I hand him the pile. “It’s out of order and the pages aren’t numbered. Good luck.” Our fingers touch. Gooseflesh rises on my arms and I look away quickly.

We work to set the books in order. Through the longest night, the night that never ends. It’s good to have something to do, to keep you from waltzing down crazy street—not that we haven’t already been there. It’s a street you only want to visit a couple times in your life. We have power again … heat. So we take advantage by not sleeping, our fingers flying over pages, our brows creased with the strain. Isaac has Nick’s book. I take on the task of the other two—mine and…? It seems that there are too many pages to make up only three books. I wonder if we will discover a fourth.

Even as I come across pages of Knotted and hand them to Isaac, it is the nameless book that catches my attention. Each page has a line that pulls at my eyes. I read them, re-read them. No one I know writes this way, yet it is so familiar. I feel a lust for this author’s words. A jealousy at being able to string such rich sentences together. The first line keeps coming back to me with each subsequent line I read. The punishment for her peace was upon him, and he gave her rest.

I don’t notice when Isaac disappears from the room to make us food. I smell it when he comes back and hands me a bowl of soup. I set it aside, intent on finishing my work, but he picks it up and places it back in my hands.

“Eat it,” he instructs me. I don’t realize how hungry I am until I reluctantly place the spoon in my mouth, sucking the salty brown broth. I set the spoon aside and drink from the bowl, my eyes still scanning the piles set neatly around me. My leg is aching, as is my back, but I don’t want to stop. If I ask Isaac to help me move he will guess at my discomfort and force me to rest. I rub the small of my back when he’s not looking, and press on.

“I know what you’re doing,” he says, as he leans over his pile of pages.

I look up in surprise. “What?”

“When you think I’m not looking, I am.”

I flush, and my hand automatically reaches for my aching muscles. I pull back at the last minute and curl my hand into a fist instead. Isaac snickers and shakes his head, turning back to his work. I’m glad he doesn’t press the issue. I pick up another page. It’s my own. The story I wrote for Nick. Instead of putting it on its pile, I read it. True and trite. It was my call to him. The first line of the book went like this:

Every time you want to remember what love feels like, you look for me.

That line grabbed every woman who had ever offered their throbbing little heart to a man. Because we all have someone who reminds us of what love stings like. That unreliquished love that slips between our fingers like sand. The second line of the book confused them a little. It’s why their eyes kept following my trail of words. I was dropping breadcrumbs for the disaster that was to come.

Stay the fuck away from me.

I only wrote the book because he wrote one for me. It seemed fair. Most people text, or call, or write e-mails. My love and I write each other books. Hey! Here’s a hundred thousand words of ‘Why the hell did we break up anyway?’ It was Nick who had finally crippled me; it was Nick who took my belief away. And I decided sometime after I filed the restraining order against Isaac that it was a story worth telling.

When we broke up it was his choice. Nick liked to love me. I was not like him, and he valued that. I think I made him feel more like an artist because he didn’t know how to suffer until I came into his life. But he didn’t understand me. He tried to change me. And that was our destruction. And then Isaac read that book to me, perched on the edge of my hospital bed, my breasts sitting in a medical waste container somewhere. Suddenly I was hearing Nick’s thoughts, seeing myself as he saw me, and I heard him calling to me.

Nick Nissley was perfect. Perfect looking, perfectly flawed, perfect in everything he said. His life was graceful and his words were whetted to poignancy—both written and spoken. But he didn’t mean any of them. And that was the greatest disappointment. He was a pretender, trying to grasp what it felt like to live. So, he found me looking at a lake and grabbed me. Because I wore a shroud of darkness and he wanted desperately to understand what that was like. I was charmed for a while. Charmed that someone so gifted was interested in me. I thought that by being with him, his talent would rub off on me.

I was always waiting to see what he would do next. How he would handle the waitress who spilled an entire dish of pumpkin curry on his pants (he took his pants off and ate his meal in boxers); or what he would say to the fan who tracked him down and showed up at his door while we were having sex (he signed her book half leaning out the door with his hair ruffled and a sheet wrapped around his waist). He taught me how to write by simply existing—and existing well. I can’t say for sure when it was that I fell in love with him. It might have been when he told me that I had a mud vein. It might have been days later when I realized it was true. But whatever moment it took for my heart to decide to love him, it decided swiftly, and it decided for me.

God knows I didn’t want to be in love. It was cliché—men and women and their social conformities to celebrate love. Engagement pictures made me want to vomit—especially when they were taken on railroad tracks. I always pictured Thomas the Train rolling over them, his smiley blue face beaded with their blood. I didn’t want to want those things. Love was good enough, without the three-layered almond/fondant wedding cake and the sparkly blood diamonds encased in white gold. Just love. And I loved Nick. Hard.

Nick loved wedding cake. He told me so. He also told me that he’d like for us to have one someday. In that moment, my heart rate slowed, my eyes glazed and I saw my entire life flash before my eyes. It was pretty—because it was with Nick. But I hated it. It made me angry that he’d expect me to live that way. The way normal people lived.

“I don’t want to get married,” I told him, trying to control my voice. We used to have this game we’d play. As soon as we’d see each other, we’d dialogue the physical description of what the other person looked like. It was a writer’s game. He’d always start with, button nose, limpid eyes, full lips, freckles.

Now he was looking at me like he’d never seen me before. “Well, what do you want to do then?”

We were sitting on our knees in front of his coffee table, sipping warm sake and eating lo mein with our fingers.

“I want to eat with you, and fuck and see things that are beautiful.”

“Why can’t we do that after the wedding?” he asked. He licked each of his fingers and then mine, and leaned back against the couch.

“Because I respect love too much to get married.”

“That’s bitter.”

I stared at him. Was he kidding?

“I don’t think I’m bitter just because I don’t want the same things you want.”

“We can come to a compromise. Be like Persephone and Hades,” he said.

I laughed. Too much sake. “You’re not brooding enough to be Hades, and unlike Persephone, I don’t have a mother.”

My mouth clamped shut and I started sweating. Nick’s head immediately tilted to the right. I wiped my mouth with a napkin and stood up, grabbing the containers of food and carrying them to the kitchen. He followed me in there. I wanted to kick him off my heels. Nick’s mother was still married to his father. Thirty-five years. And from what I’d seen they were happy, uncomplicated years. Nick was so well balanced it was ridiculous.

“Is she dead?”

He had to ask twice.

“To me.”

“Where is she?”

“Off being selfish somewhere.”

“Aha,” he said. “Do you want dessert?”

And that’s what I liked about Nick. He was only interested in what you were interested in. And I was not interested in my past. He liked that I was dark, but he didn’t know why. And he didn’t ask. He definitely didn’t understand. But for all of our differences he took me as I was. I needed that.

Until he didn’t. Until he said that I was an emotional fort. Until nothing about me came easy, and he grew tired of trying. Nick and his words. Nick and his promises of never-ending love. I believed them all and then he left me. Love comes slow, but God does it go fast. He was beautiful—then he was ugly. I esteemed him, then I esteemed him not.

Dr. Saphira Elgin had tried to teach me to control my anger. She wanted me to be able to pinpoint the source of it so I could rationalize my feelings. Talk myself down. I can never pinpoint the source. It runs around and around in my body without a point of origin.

I blew her off. I always blew her off. But now I try to pinpoint it. I’m angry because…

Isaac is touch, and he is sound. He is smell and he is sight. I tried to make him a single sense like I did with everyone else, but he is all of them. He overpowers my senses and that is exactly why I ran from him. I was afraid of feeling brightly—afraid I would become used to the color and sounds and smells, and they would be taken from me. I was a self-fulfilling prophecy; destroying before I could be destroyed. I wrote about women like that, I didn’t realize I was one. For years I believed that Nick left me because I failed him. I couldn’t be what he needed because I was empty and shallow. That’s what he insinuated.

“Why can’t you love wedding cake, Brenna?”

“Why can’t I take your darkness away?”

“Why can’t you be who I need?”

But, I didn’t fail Nick. He failed me. Love sticks, and it stays and it braves the bullshit. Like Isaac did. And I am mad at Isaac because he is all of that. And I am all of this. It’s irrational.

We finish our project—the page project, as we call it. In the end we have four piles and only three books: Mine, Nick’s, and the nameless book. The fourth pile is the thickest and the most confusing. I stack each one with care that is mostly habit, lining up the corners until none of the pages poke past each other. The problem is, there is nothing on the pages. Each one is bone white. I have the fleeting thought that the zookeeper wants me to write a new book, then Yul Brenner reminds me that my personal Annie Wilkes didn’t leave me a pen. Can’t write a book without a pen. I wonder if I can resuscitate the old Bic we used when we first woke up here.

It must be symbolic, like the pictures hung all over the house—pictures of hollow sparrows, and bearers of death. I stare at the piles of paper while Isaac makes us tea. I can hear the tinkle of the spoon as it hits the sides of the ceramic cup. I murmur something to the books spread out around me, my lips moving in incantation. We may have separated them, but without page numbers they are still out of order. How do you bring order to a book you’ve never read? Or maybe that’s point of this little exercise. Maybe I’m supposed to bring my own personal order to the two books I’ve never read. Either way, I’m telling them to sort themselves out and speak to me. Voices have been, and always will be, too afraid to speak with as much volume as a book. That’s why writers write—to say things loudly with ink. To give feet to thoughts; to make quiet, still feelings loudly heard. In these pages are thoughts that the zookeeper wants me to hear. I don’t know why, and I don’t care except to get out of here. To get Isaac out of here.