“Eventually I’ll take someone’s, and it won’t be the reporter who started my day out on the wrong side of the door.” I enter the gallery and lock the door behind me.

Bright white floors gleam beneath my feet and a memory slams into me. It was near closing and I’d heard our salesperson Mary in a conversation with a customer. Something about the unknown female’s voice had compelled me to seek her out. Rebecca. I remember the moment I first saw her, her green eyes alight with excitement, her long brown hair windblown and sexy. I couldn’t look away, and I’d known she was special, that she belonged here. That she belonged with me. Damn it, she’s supposed to be here now.

Forcefully I shove aside the thoughts and reenter the present. Somehow I’m standing still. Out of myself. Out of control. Setting my feet back in motion, I push through the entryway to the offices and my attention turns to the reception desk where our receptionist, Amanda, is taking a message on a call while the often flippant but always efficient accounting manager, Ralph, is kneeling at a drawer to remove a file.

I lean on the wall and watch them, wondering when they’ll notice me. Amanda groans as she finishes the call and three more lines begin to ring, shoving her hands through her long brunette hair. “This is insanity,” she wails. “They won’t stop ringing. The press and the questions are driving me nuts.”

Ralph grabs the lines one after another and quickly takes inquiries, then puts them all on hold. “All press,” he says. “Focus on putting them on hold and getting to customers and the talent who support this place.”

“Ralph, you’re not hearing me. They won’t stop calling.”

“There’s an ancient Chinese saying about the press,” he tells her, referencing his heritage.

“What is it?” she asks. “And it better be good.”

“I don’t remember. I’ll ask my grandmother.”

Amanda growls at him, “Ralph, this is serious.”

“It says,” I interject, “that if you put the press on hold, leave them on hold.”

They both whirl around to face me, all but jumping out of their skins, a feeling I understand too well right now.

“Mr. Compton,” Ralph says, straightening fully. “We weren’t sure if we’d see you today or not.”

“I’m hoping to get a plan of action in place here and return to New York in the next few days.”

Amanda answers another call and puts it on hold. “Another reporter.”

“I wasn’t joking,” I reply. “Put them on hold and leave them on hold.” Considering Mary was arrested for trying to pass off counterfeit art and Sara resigned from her job to pretend fairy tales come true with one of the richest artists on the planet, I add, “Put the phones on the answering service and just check them for important calls once an hour. I don’t want an intern in here who could say the wrong thing. I assume I have a stack of messages?”

“All on your desk,” she says, giving me a concerned look I really don’t need right now. “How is your mother?”

“Recovering and hopefully going home on Thursday.” I glance at the two of them. “We’re going to keep the gallery shut for the next two weeks except for private showings, and that includes all scheduled events.”

“Oh, good,” Amanda breathes out. “I was afraid we’d have to deal with reporters in person.”

“We will, but not until I’m here to do it myself.” I glance at Ralph. “You’re picky and obnoxiously honest about people. Go through the sales resumes and prescreen. Send me your top ten by e-mail. I’ll look them over for the future.”

“Obnoxiously honest,” he repeats. “I’ll try to live up to that observation.”

“See that you do.”

Amanda clears her throat and surprises me with, “Speaking of Sara, can we ask her to come back when she returns from Paris with Chris Merit? She’s so good with people, and, well, the questions about Mary and Rebecca are awkward.”

I glance at Ralph expectantly and he quickly says, “I’m handling the Mary questions for Amanda.”

“How?”

“Nonanswers and more fortune cookie quotes.”

I arch a brow and he happily supplies, “Confucius says there are answers in silence. Confucius says speak not, listen not.” He shrugs. “Whatever pops into my head. It works. They ask what the saying means and what I’m trying to tell them, and forget what the question was.”

Amanda interjects, sounding distressed again. “All the regular customers want to know if Rebecca’s really dead. I keep telling them she left the country and this could all be a mistake. She could be alive.”

Anger spirals through me and my gaze lands hard on her, and I speak from the gnawing ball of emotion in my gut. “She’s dead, Amanda.”

She pales. “But—”

“Her passport shows her return. Ava got to Rebecca before she got to me. So I repeat. She’s dead. We can’t bring her back by pretending otherwise.”

Amanda sobs and Ralph makes some kind of choking sound. “Denial only drags the hurt out. I’ll be in my office.” I turn and head down the hallway, refusing to look at the office that was once Rebecca’s.

Reaching my office I enter and shut the door, then lean against it facing my desk. I stare at the damnable mural behind my desk that Chris painted that reminds me of him and his warning that I was pushing Rebecca too hard and too far.

“Damn it to hell,” I murmur, running my hand over my face. I tell myself I was doing Amanda a favor. She has to deal with the truth.

No. Fuck. That back there wasn’t about Amanda.

It was about me. I have to deal with it.

Shoving off the door, I pull out my cell and dial Crystal, far more concerned about the New York press where she is than I am by the press I am dealing with here, and wait as her phone begins to ring.

She answers, “Mr. Compton.”

Mr. Compton, not Mark—and I somehow know that means she’s with employees, just as Rebecca had addressed me formally at work and as Master elsewhere. “The press is all over me here,” I say. “What’s the story there?”

“Knock on wood, we’re without incident.”

“And Mac Reynolds?”

“He made my cranky seller in L.A. look like The Good Witch of the North, he’s such a jerk. He wanted us to pay for expert reappraisals on every piece he’s bought through us, under threat of him going public.”

“And you told him what?”

“Turns out his company does business with my father’s company, and while I don’t like to use those connections, I talked to my father, who gave me a free ticket to use him on Riptide’s behalf. So I dropped my father’s name and made it clear I’m influential with his business choices. I then offered to pay for the reappraisals Mac wanted and buy back the items if they were found to be counterfeit, but since I knew they wouldn’t be, it would end up being at his expense. He’s going to keep his mouth shut.”

“Well done, Ms. Smith. I’m impressed.”

“Thank you, Mr. Compton. I do aim to please.”

“That could be debated.”

“Not successfully.”

I’m surprised to find my lips curving and my body relaxing into my leather chair. “You can convince me another time.”

“I will,” she assures me. “In the meantime, is there anything else I can do for you?”

There’s a softness to her voice, real concern I don’t want to notice, but I do. “Just be you, Ms. Smith. It seems to be working.”

“One day you’ll say that and mean it.” Her phone beeps. “Before I go . . . I’m going to see your mother tonight. I’ll call you afterwards.”

She hangs up before I can reply and I turn in my chair and stare at the mural again, remembering Chris’s warning. You’re pushing her too hard, taking her places she doesn’t want to go. I kept telling myself Rebecca was just another sub, when she was never just a sub. She always wanted what I wasn’t willing to give. What I’m not sure I have to give.

She wanted love, a façade of happiness that rips out a person’s heart and leaves them bleeding. Exactly why I told her I don’t do love. And yet my heart is on the ground, and it’s damn sure bleeding.

I need Sara back. It’s the conclusion I come to after hours of picking apart the gallery’s books and analyzing the impact of closing for the next few weeks. She won’t be influenced by the media, and she knows how to handle customers for private showings. She’d also be able to help me plan a grand reopening. Chris’s attending that opening wouldn’t hurt, either. Getting him to agree to Sara’s return or his own participation, though, is another story, due to Ava throwing accusations of an affair at us.

Moving on with other options, I decide I’ll have to bring in someone from Riptide. Once I’m there, I’ll decide who. In the meantime, I start Amanda and Ralph on making plans. We set a date, and begin the guest lists. By the evening I have calls out to several high-profile artists, and I’ve sent Amanda and Ralph home. By eight thirty I’ve left my father two messages: to check on my mother, and one for Crystal, who I know will stop by the hospital.

And I’m now sitting in a high-rise building at a conference table with a view of the city lights. “Tiger,” my new attorney, sits at the head of the table and is the polar opposite of Dean. Dean, like me, wears his light brown hair short and neat, his suit perfectly pressed. Tiger is in jeans and a T-shirt, his long black hair tied at his nape, his face sporting at least a two-day shadow. He reminds me of Chris Merit, who can drop that casual persona and knock someone down ten notches in sixty seconds flat with lethal precision.

“Here’s the down and dirty,” Tiger says, leaning back in his chair. “Dean filled me in fully and I know all about the club you own and his involvement. I’ll start out with the reality we face. Election years suck. Everyone has extra pressure on them, including those unfortunate enough to be caught in a mess like this one.”

“So you’re telling me they’re coming after me,” I state.

“I haven’t talked to them yet,” Tiger says, “but the bottom line here is that they don’t have a body, but they do have a young, missing girl. That’s big news, and it’s scary news to the public.”

“Ava confessed,” I argue. “And she tried to kill Sara. Ryan, Sara, Chris, and I were witnesses to that fact. We were all there that night.”

“Sara and Chris need to get back to the States,” Dean complains. “Right now it looks like they ran.”

“Chris lives half the year in Paris,” I remind him. “It’s not like it’s some random out-of-the-country location. And I’m sure their attorney has whatever their situation is under control. Chris has money and expert advice.”

“It would look better if they were here,” Tiger agrees. “And a good attorney will use the public’s lack of information about BDSM to paint you as some sort of fetish monster who commanded Ava to take the fall for you.”

“What about the attempted murder?”

“If they discredit you and the other witnesses,” Tiger replies, “it’ll be a hard case to make.”

I press my fingers to my forehead and curse.

“This sounds bad,” Dean comments,“but it’s all smoke and mirrors to get Ava off. They have no evidence.”

Dropping my hands, I say, “We hope. And what stops this from ruining me and my family in the process, not to mention the privacy of the members of the club?”