Perhaps “scuttling” wasn’t exactly the right word, as Lola hadn’t scuttled but had walked in pulling her Louis Vuitton rollerboard behind her like she owned the place. Schiffer was momentarily shocked. Hadn’t Philip broken up with her? Apparently, he hadn’t had the guts. Damn Oakland, she thought. Why was he so weak?

Lola came in while Schiffer was waiting for the elevator; as a consequence, Schiffer was forced to ride up with her. Lola gushed over Schiffer as if they were best friends, asking how the TV show was going and saying how much she liked Schiffer’s hair — although it was the same as always — and being careful to make no mention of Philip. So Schiffer brought him up. “Philip told me your parents are having some trouble,” she said.

Lola sighed dramatically. “It’s been awful,” she said. “If it weren’t for Philip, I don’t know what we’d do.”

“Philip’s a peach,” Schiffer remarked, and Lola agreed. Then, rubbing salt into the wound, Lola added, “I’m so lucky to have him.”

Now, thinking about the encounter, Schiffer glared at herself in the mirror. “You’re done,” the makeup artist said, flicking Schiffer’s nose with powder.

“Thank you,” Schiffer said. She went into the bedroom, put on the borrowed dress and the borrowed jewelry, and called to her publicist to help zip her up. She put her hands on her waist and exhaled. “I’m thinking about moving out of this building,” she said. “I need a bigger place.”

“Why don’t you get a bigger place here? It’s such a great building,”

Karen said.

“I’m sick of it. All these new people. It’s not like it used to be.”

“Someone’s in a mood,” Karen said.

“Really? Who?” Schiffer asked.

Then Schiffer, the publicist, and the hair and makeup people went downstairs and got into the back of a waiting limousine. Karen opened her bag, took out several sheets of paper, and began consulting her notes. “Let-terman’s confirmed for Tuesday, and Michael Kors is sending three dresses for you to try. Meryl Streep’s people are wondering if you’ll do a poetry reading on April twenty-second. I think it’s a good idea because it’s Meryl and it’s classy. On Wednesday, your call time is one P.M., so I scheduled the Marie Claire photo shoot for six in the morning, to get that out of the way — the reporter will come to the set on Thursday to interview you. On Friday evening, the president of Boucheron is in town, and he’s invited you to a private dinner for twenty. I think you should do that, too — it can’t hurt, and they might want to use you in an advertising campaign. And on Saturday afternoon, the network wants to shoot promos. I’m trying to push the call time to the afternoon so you can get some rest in the morning.”

“Thank you,” Schiffer said.

“What do you think about Meryl?”

“It’s so far away. I don’t even know if I’ll be alive on April twenty-second.”

“I’ll say yes,” Karen said.

The makeup artist held up a tube of lip gloss, and Schiffer leaned forward so the woman could touch up her lips. She turned her head, and the stylist fluffed her hair and sprayed it. “What’s the exact name of the organization again?” Schiffer said.

“The International Council of Shoe Designers. ICSD. The money is going to a retirement fund for shoe workers. You’re giving the award to Christian Louboutin, and you’ll be sitting at his table. Your remarks are on the teleprompter. Do you want to go over them beforehand?”

“No,” Schiffer said.

The car turned onto Forty-second Street. “Schiffer Diamond is arriving,” Karen said into her phone. “We’re a minute away.” She put down the phone and looked at the line of Town Cars and the photographers and the crowd of bystanders roped off from the entrance by police barricades. “Everyone loves shoes,” she said, shaking her head.

“Is Billy Litchfield here?” Schiffer asked.

“I’ll find out,” Karen said. She talked into her cell phone like it was a walkie-talkie. “Has Billy Litchfield arrived? Well, can you find out?” She nodded and snapped the phone shut. “He’s inside.”

The car was waved forward by two security men, one of whom opened the door. Karen got out first and, after consulting briefly with two women dressed in black and wearing headsets, motioned for Schiffer to come out of the car. A ripple of excitement went through the crowd, and the blaz-ing flashes began.

Schiffer found Billy Litchfield waiting just inside the door. “Another night in Manhattan, eh, Billy?” she said, taking his arm. Immediately, she was accosted by a young woman from Women’s Wear Daily who asked if she could interview her, and then a young man from New York magazine, and it was another half hour before she and Billy were able to escape to their table. Making their way through the crowd, Schiffer said, “Philip is still seeing that Lola Fabrikant.”

“Do you care?” Billy said.

“I shouldn’t.”

“Don’t. Brumminger is at our table.”

“He keeps turning up like a bad penny, doesn’t he?”

“More like a million-dollar bill,” Billy said. “You can have any man you want. You know that.”

“Actually, I can’t. There’s only a certain kind of man who will deal with this,” Schiffer said, indicating the event. “And he’s not necessarily the kind of man one wants.” At the table, she greeted Brumminger, who was seated opposite her on the other side of the centerpiece. “We missed you in Saint Barths,” he said, taking her hands.

“I should have come,” she said.

“We had a great group on the yacht. I’m determined to get you on it.

I don’t give up easily.”

“Please don’t,” she said, and went to her seat. A plate of salad with a couple of pieces of lobster was already set at her place. She opened her napkin and picked up her fork, realizing she hadn’t eaten all day, but the head of the ICSD came over, insisting on introducing her to a man whose name she didn’t catch, and then a woman came over who claimed to have known her from twenty years ago, and then two young women rushed over and said they were fans and asked her to sign their programs. Then Karen arrived and informed her it was time to go backstage to get ready for her speech, and she got up and went behind the platform to wait with the other celebrities, who were being lined up by handlers and mostly ignoring each other. “Do you need anything?” Karen asked, fussing. “Water?

I could bring you your wine from the table.”

“I’m fine,” Schiffer said. The program began, and she stood by herself, waiting to go on. She could see the crowd through a crack in the plasterboard, their eager and politely bored faces lifted in the semi-darkness.

She felt a creeping loneliness.

Years and years ago, she and Philip would go to these kinds of events and have fun. But perhaps it was only because they were young and so wrapped up in each other that every moment had the vibrancy of a scene in a movie. She could see Philip in his tux, with the white silk scarf he always wore slung over his shoulders, and she remembered the feel of his hand around hers, muscular and firm, leading her out of the crowd and across the sidewalk to the waiting car. Somehow they would have gathered an entourage of half a dozen people, and they’d pile into the car, laughing and screaming, and go on to the next place, and the next place after that, finally heading home in the gray light of dawn with the birds singing. She would lie halfway across the seat with her head on Philip’s shoulder, sleepily closing her eyes. “I’d like to shoot those birds,” he’d say.

“Shut up, Oakland. I think they’re sweet.”

Peeking once more through the crack, she spotted Billy Litchfield at the front table. Billy looked weary, as if he’d tilted his head too many times at too many of these events over the years. He had recently pointed out that what was once fun had become institutionalized, and he was right, she realized. And then, hearing the MC announce her name, she stepped out into the lights, remembering that there was not even a warm hand to lead her away at the end of the evening.

When she was able to return to the table, the main course had been served and taken away, but Karen made sure the waiters had saved a plate for her. The filet mignon was cold. Schiffer ate two bites and tried to talk to Billy before she was interrupted again by the woman from the ICSD, who had more people Schiffer had to meet. This went on for another thirty minutes, and then Brumminger was by her side. “You look like you’ve had enough,” he said. “Why don’t I take you away?”

“Yes, please,” she said gratefully. “Can we go someplace fun?”

“You have a seven A.M. call tomorrow,” Karen reminded her.

Brumminger had a chauffeur-driven Escalade with two video screens and a small refrigerator. “Anyone for champagne?” he asked, extracting a half-bottle.

They went to the Box and sat upstairs in a curtained booth. Schiffer let Brumminger put his arm around her shoulder and lace his fingers through hers, and the next day, Page Six reported that they’d been spotted canoodling and were rumored to be seeing each other.

Returning to Philip’s apartment on Tuesday, Lola dug out the old Vogue magazine with the photo spread of Philip and Schiffer (he hadn’t, at least, tried to hide it, which was a good sign), and looking at the young, handsome Philip with the gorgeous young Schiffer made her want to march down to Schiffer’s apartment and confront her. But she didn’t quite have the guts — what if Schiffer didn’t back down? — and then she thought she should simply throw out the magazine, the way Philip had thrown out hers. But if she did that, she wouldn’t have the pleasure of staring at Schiffer’s photographs and hating her. Then she decided to watch Summer Morning.

Viewing the DVD was a kind of divine torture. In Summer Morning, the ingenue saves the boy from himself, and when the boy finally realizes he’s in love with her, he accidentally kills her in a car crash. The story was somehow supposed to be autobiographical, and while Philip wasn’t actually in the movie, every line of dialogue delivered by the actor playing Philip reminded her of something Philip would say. Watching the love story unfold between Schiffer Diamond and the Philip character made Lola feel like the third wheel in a relationship where she didn’t belong. It also made her more in love with Philip, and more determined to keep him.

The next day, she got to work and enlisted Thayer Core and his awful roommate, Josh, to help her officially move into Philip’s apartment. The task required Thayer and Josh to pack up her things in boxes and plastic bags and, like Sherpas, carry it all to One Fifth.

Josh grumbled throughout the morning, complaining about his fingers, his back (he had a bad back, he claimed, just like his mother), and his feet, which were encased in thick white sports shoes that resembled two casts. Thayer, on the other hand, was surprisingly efficient. Naturally, there was an ulterior motive behind Thayer’s efforts: He wanted to see the inside of One Fifth and, in particular, Philip Oakland’s apartment.

Therefore, he didn’t object when Lola required him to make three trips, back and forth, dragging a garbage bag filled with Lola’s shoes down Greenwich Avenue. In the past two days, Lola had sold off everything in her apartment, posting the details of the sale on Craigslist and Facebook, and presiding over the sale like a dealer of fine antiques. She took nothing less than top dollar for the furnishings her parents had purchased under a year ago, and consequently, she had eight thousand dollars in cash. But she refused to pay for a taxi to transport her belongings.

If the last month of penury had taught her anything, it was this: It was one thing to lavishly spend someone else’s money but quite another to shell out your own.

On the fourth trip, the trio ran into James Gooch in the lobby of One Fifth. James was pushing two boxes of hardcover copies of his book across the lobby with his foot. When he spotted Lola, he reddened. Her visits and text messages had stopped abruptly after his encounter with Philip, leaving James confused and hurt. Seeing Lola in the lobby with what appeared to be a young asshole and a young loser, James wondered if he should speak to her at all.

But in the next minute, she’d not only engaged him but convinced him to help her carry her things. So he found himself squeezed next to her in the elevator with the young asshole, who glared at him, and the young loser, who kept talking about his feet. It could have been his imagination, but holding a box of old shampoo bottles in his arms, James swore he felt waves of electricity coming from Lola and commingling with the electricity from his own body, and he imagined their electrons doing a little sex dance right there in the elevator in front of everyone.