Кэндес Бушнелл - One Fifth Avenue

Lola huffed and puffed but went to the end of the line.

She was stuck on the line for two hours. Finally, after she inched through the hallway and into the waiting room, it was her turn. She went into a rehearsal room, where four people sat behind a long table.

“Name?” one of them asked.

“Lola Fabrikant,” she said, tossing her head.

“Do you have a photo and résumé?”

“I don’t need one,” Lola scoffed, surprised that they didn’t seem to know who she was. “I have my own column online. My picture is on it every week.”

She was asked to sit in a small chair. A man aimed a video camera at her while the producers began asking questions.

“Why did you come to New York?”

“I ...” Lola opened her mouth and froze.

“Let’s start again. Why did you come to New York?”

“Because ...” Lola tried to continue but was stifled by all the possible explanations. Should she tell them about Windsor Pines and how she’d always thought she was destined for bigger things? Or was that too arrogant? Maybe she should start with Philip. Or how she had always seen herself as a character in Sex and the City. But that wasn’t exactly true. Those women were old and she was young.

“Er ... Lola?” someone asked.

“Yes?” she said.

“Can you answer the question?”

Lola reddened. “I came to New York,” she began again stiffly, and then her mind went blank.

“Thank you,” one of the producers said.

“What?” she asked, startled.

“You can go.”

“Am I done?”

“Yes.”

Lola stood up. “Is that it?”

“Yes, Lola. You’re not what we’re looking for, but thank you for coming in.”

“But ...”

“Thank you.”

Opening the door, she heard one of them call out, “Next.”

In a state of confusion, Lola stepped into the elevator. What had just happened? Had she blown it? Wandering down Ninth Avenue toward her apartment, she felt numb, then angry, then full of grief, as if someone had just died. Climbing the worn steps to her apartment, she wondered if the person who had just died was her.

She flopped onto the unmade bed, staring at a large brown-rimmed water stain on the ceiling. She’d pinned her whole future on that audition — on getting the part. And now, two hours later, it was over. What was she supposed to do with her life now? Rolling over, she checked her e-mails. There was one from her mother, wishing her luck on the audition, and a text from James. James, she thought. At least she still had James. “Call me,” he’d written.

She punched in his number. It was nearly five o’clock, meaning it was a little late to be calling, as his wife sometimes came home early, but Lola didn’t care. “Hello?” James asked in a stage whisper.

“It’s me. Lola.”

“Can I call you right back?”

“Sure,” Lola said. She hung up, rolled her eyes, and tossed the phone onto the bed. Then she began pacing, walking back and forth before the cheap full-length mirror she’d placed against one of the bare walls. She looked damn good — so what was wrong with those producers? Why hadn’t they seen what she saw? She closed her eyes and shook her head, trying not to cry. New York wasn’t fair. It just wasn’t fair. She’d been in New York an entire year, and not one thing had worked out properly.

Not Philip, or her “career,” or even Thayer Core. Her phone rang — James.

“What?” she said in annoyance. And then, remembering that James was one of her last meal tickets left at the moment, she lightened her tone.

“Do you want to come over?” she asked.

James was outside in the Mews with Skippy, not daring to make this call in his own apartment. “I need to talk to you about that,” he said tensely.

“So come over,” Lola replied.

“I can’t,” he hissed, looking around to make sure he wasn’t being overheard. “My wife found out. About us.”

“What?” Lola shrieked.

“Take it easy,” James said. “She found your sex column. And apparently, she read it.”

“What’s she going to do?” Lola asked with interest. If Mindy divorced James, it opened up new possibilities.

“I don’t know,” James whispered. “She hasn’t said anything yet. But she will.”

“What did she say?” Lola asked, growing irritated.

“She says we have to buy a house. In the country.”

“So?” Lola shrugged. “You’ll get divorced and she’ll live in the country and you’ll be in the city.” And I will move in with you, she thought.

James hesitated. “It’s not that simple. Mindy and I ... we’ve been married for fifteen years. We have a son. If we got divorced, I’d have to give her half. Of everything. And I don’t exactly want to do that. I’ve got another book to write, and I don’t want to leave my son.”

Lola cut him off. In a steely voice, she said, “What are you trying to say, James?”

“I don’t think we can see each other anymore,” James said in a rush.

Suddenly, Lola had had enough. “You and Philip Oakland,” she screamed. “You’re all the same. You’re all a bunch of wimps. You disgust me, James. You all do.”

In anticipation of the date for Sandy Brewer’s trial, The New York Times did a series of stories about the Cross of Bloody Mary. A famous historian claimed the cross was the cause of not just one crime but, over the last four hundred years, several, including murder. A priest, guarding the treasure in eighteenth-century France, was bludgeoned to death in a routine robbery of the sacristy. The list of stolen items included four francs and a bedpan, as well as the cross. The robbers likely hadn’t known what they had, and it was speculated that they sold it to a junk dealer. Nevertheless, from there the cross appeared to have ended up as part of the property of an ancient dowager duchess named Hermione Belvoir. When she died, the cross once again disappeared.

Now it was back, and Sandy Brewer was to be tried for art theft. If Billy had lived, Annalisa reminded herself, he probably would have taken the fall for the crime. But dead men couldn’t talk, and the defense had never been able to find the mysterious wooden box left to Billy by Mrs.

Houghton — or, for that matter, anything else connecting him to the crime. So the prosecution opened its jaws on Sandy Brewer. He tried to plea-bargain, offering to pay a huge fine of over ten million dollars, but in the months since the discovery of the cross, the stock market had dipped precipitously, the price of oil had surged, and regular people were losing their houses and retirement savings. A recession was just around the corner, if not already in the backyard. The people, claimed the DA’s office, demanded the head of the grotesquely rich hedge-fund manager, who had not only made more than his share of money off the little people but had stolen another country’s national treasure as well.

As a corollary, there was renewed interest in Mrs. Houghton. Her good works, personality, and motivations were examined in another big piece in the Times. In the seventies, when the Metropolitan Museum was nearly broke, Mrs. Houghton had single-handedly saved the venerable institution with a donation of ten million dollars. Nevertheless, the rumor that she had taken the Cross of Bloody Mary resurfaced. Several old coots who had known her were interviewed, including Enid, all of whom insisted that Mrs. Houghton was incapable of such an act. Someone remembered that the rumor was started by Flossie Davis, and the reporter tried to interview Flossie, but Enid intervened. Flossie was a very old lady with dementia, she said, and was easily agitated. An interview might literally kill her.

Taking advantage of the moment, Sotheby’s held an auction of Mrs.

Houghton’s jewelry. Now deeply curious about the apartment’s previous owner, Annalisa Rice attended the preview. She wasn’t a great lover of jewelry, but as she stared down into the cases that contained Mrs.

Houghton’s extensive collection, she was overcome with emotion. A sentiment, perhaps, about the connective thread of tradition and how one woman’s life might lead into another’s. It was why mothers passed things on to their daughters, she supposed. There was a transfer of power in the transference of possessions. But mostly, Annalisa decided, it was about belonging, and about things being in their rightful place. Mrs.

Houghton’s jewelry belonged where it always had been, in the penthouse apartment in One Fifth. Bidding fiercely at the auction, she was able to buy twelve pieces. When she brought the jewelry home and placed it in the large velvet jewelry box on her bureau, she experienced an odd sensation, as if the apartment were nearly complete.

Now, on the evening of the King David gala, Annalisa Rice planned to wear Mrs. Houghton’s jewels for the first time. Leaning in to the mirror in the vast marble bathroom, she clipped on a pair of diamond and pearl earrings and stood back to study the effect. The large pearls were a natural yellow, which complemented her auburn hair and gray eyes.

This reminded her once again of Billy and how pleased he would have been with the apartment and with her. Adjusting the earrings, she was startled by Paul’s voice.

“What are you thinking about?” he asked.

She looked up and found him standing in the doorway, staring at her.

“Nothing,” she replied quickly, then added, “What are you doing home?

I thought you were going to meet me at the gala.”

“I changed my mind,” he said. “It’s our big night. I thought we should go together.”

“How nice.”

“You don’t sound happy.”

“I am, Paul. I was just thinking about Billy Litchfield. That’s all.”

“Again?” Paul said.

“Yes, again,” she repeated. “He was my friend. I’ll probably always think about him.”

“Why?” Paul said. “He’s dead.”

“Yes, he is,” she replied sarcastically, walking past him into the master bedroom. “But if Sandy hadn’t been caught, he would still be alive.”

She opened her closet. “Shouldn’t you start getting ready?”

“What did Billy have to do with it?” Paul said. He took off his shoes and began removing his tie. “I want you to stop thinking about Billy Litchfield.”

“Are you the thought police now, too?”

“It’s time to move on,” Paul said, unbuttoning his shirt.

“Billy sold Sandy the cross,” Annalisa said. “Sandy must have told you.”

Paul shrugged. “He didn’t. But in every business maneuver, there’s usually a random element that you don’t foresee. I suppose Billy Litchfield was that element.”

“What are you talking about now, Paul?” Annalisa said, coming out of the closet with a pair of strappy gold high-heeled shoes. “What business maneuver?” She opened the jewelry box and took out a platinum-and-diamond art deco bracelet that had also belonged to Mrs. Houghton.

“Sandy Brewer,” Paul said. “If I hadn’t taken him out, you wouldn’t be standing here putting on Louise Houghton’s jewelry.”

Annalisa froze. “What do you mean?” she said, fumbling with the bracelet.

“Come on,” Paul said. “You knew Sandy was probably going to fire me.

Over that glitch. On the China deal. How was I supposed to know Billy Litchfield was involved with Sandy and the cross? But if you trace it back to the source, it’s really Sam Gooch’s fault. If Sam hadn’t cut the wires, I wouldn’t have had to do what I did.”

“What did you do, Paul?” Annalisa asked softly.

“Sent that e-mail to the Times about the cross,” Paul said, stretching his neck as he placed his bow tie around his collar. “Kids’ stuff,” he said, jerking the ends of the tie. “A simple game of dominoes. Knock one down and they all fall over.”

“I thought Craig Akio sent the e-mail,” Annalisa said, being careful to keep her tone even.

“Also kids’ stuff,” Paul said. “A fake e-mail account — anyone can do it.”

He slipped on his tuxedo jacket. “That was a stroke of brilliance — and luck. Best way to get rid of two people at once. Get them to take each other out.”

“Goodness, Paul,” Annalisa said, her voice trembling slightly. “Is no one safe around you?”

“Not in this building,” he said, going into his closet. “I still need to figure out how to get Mindy Gooch and that bastard son of hers out of One Fifth. When they’re gone, I plan to restore their apartment to its original glory — luggage space.”

He slipped on his patent-leather dress shoes and held out his arm. “Are you ready?” he demanded, seeing her still standing there, fumbling with the bracelet. “Let me help you.”