“You all set for the big trial next week?” he asks.
I reach for my Diet Coke and take a long sip before I answer. “Not particularly.”
“It should be pretty easy, though, right?” Phil jams a straw into his cup. “You just get up there, talk about the morning you saw him and what he said, and then wait for them to prosecute the shit out of that dickbag.” I don’t say anything, so he looks at me a little closer and says, “Right?”
“Guys, I . . .” I look around to make sure no one else is listening, but we almost have the entire place to ourselves, except for the older man waiting for a take-out order at the counter, his newspaper spread before him. “Do you think Donovan was abused?”
Phil frowns. “You think he wasn’t?”
“I don’t know.” I wrap my hands around the cool, smooth paper cup. “Everyone thinks so . . .”
“But?”
“Not but,” I say, shaking my head so he won’t get the wrong idea. “It’s just . . . there’s no proof and he’s still not talking and what if things didn’t go down like we think they did?”
“Okay, but let’s think about this.” Phil is using the voice teachers employ when it’s clear how wrong you are but they want you to come to the conclusion on your own. “How many kidnapping cases do you know where kids go back to their families, totally unharmed? And I’m not talking about custody battle kidnappings—just regular old cases like this one. Can you remember any? I can’t think of one.”
“I’m not saying it didn’t happen.” I press my palms flat against the table. “I just . . . How will we ever know what happened for sure if Donovan isn’t talking?”
“That’s what the trial is for,” Phil says, shrugging. “And Donovan’s lawyers are trying to make sure they have as much evidence against this guy as possible . . . because Donovan isn’t talking.”
“Also.” Sara-Kate has been sipping on her root beer this whole time but she looks at both of us now, says, “Also . . . don’t you think it means something? I looked up selective mutism and he fits the profile. People with PTSD get it all the time.”
“Yeah,” Phil says with finality. He fingers the slanted edge of his black tie. “I don’t think there’s any other explanation.”
I look down at my soda and nod. This wasn’t helpful. Ruthie says Chris raped me every time we were alone in his car, but if that’s true, why didn’t I stop talking? Why didn’t someone see the same signs in me?
Rape isn’t supposed to be this vague notion. It’s a harsh reality and everyone knows what it is, can define it in two seconds flat. Chris didn’t rape me.
The stocky guy at the counter calls the number for our order, looks around the place like it could be anyone, even though the take-out guy left and we’re the only people in here now.
Phil stands up to grab the tray but stops to look at me first. “I know it sucks thinking about what happened to him,” he says. “It makes me want to strangle that guy myself. But you’re just nervous. Even if Donovan doesn’t talk . . . things will work out. They have to. No one in their right mind would let that piece of shit go free after what he did. I mean, Jesus. He kept someone’s kid for four years.”
My phone buzzes in my purse and I’ve never been more grateful for the interruption. I look down at a new text. A text from Hosea.
Meet me later in the lab?
I thought I was quiet but Sara-Kate catches my little intake of breath, glances over, and asks what I’m looking at.
“Nothing,” I say as I key a message back to him (What time?) with shaking fingers. “Just my mom. She wants me to check in with them later.”
Sara-Kate looks away quickly and I know she doesn’t believe me, but the truth won’t make her happy. And we can’t discuss this right now. Because the truth is that my life could change forever in a few days, and I have to live in the moment, and I’m not going to feel bad about it.
Phil returns to the table with our dinner, slides the Styrofoam bowl of salad in front of me. I nod thank you, pretend to be extremely engrossed in the pale mixture of iceberg lettuce and shaved carrots that came from a bag, but really all I’m thinking about is Hosea, wondering when his response will come through.
And when it does: I’ll text you later. Keep your phone on.
I pause for a moment, look at Sara-Kate to see if she’s still interested in what I’m doing. But she’s examining the pizza with Phil, trying to assess who got the larger slice of sausage and whose piece has more discs of greasy pepperoni.
As soon as I determine they’re not paying attention to me, I write back: What if you get caught?
Not three seconds later: You’re worth it.
I slip the phone back into my purse and try to ignore the gooey slices of pizza in front of them. The smell of salted meat and melted cheese is so damn good, it’s offensive. But I touch my fingers to my side, pinch and pinch until the pain makes me forget my hunger.
I spear a forkful of dry salad, let it hover over my bowl for a moment as I consider what Phil said earlier. I don’t think there’s any other explanation. I don’t know what to believe, but I do know I have to make the most of this evening.
The dance is held in the cafeteria, which has been transformed into An Enchanted Evening, according to student council. The room still reeks of boiled meat, but the dance committee hung giant silver stars and sparkly snowflakes from the ceiling so we’ll forget about it, at least temporarily.
Everything’s a little hazy, though. We smoked a bowl on the drive from Pizza Bazaar to school and I’m feeling it. I almost passed; I don’t want to be too out of it when I see Hosea or risk the chance of missing him because I forget to check my phone. But I won’t forget—how could I possibly forget when seeing him will be the highlight of the whole evening?
Besides, I’m just the right amount of stoned to get through this thing. Bryn Davenport accosts me at the entrance to the cafeteria—and so it begins.
“Theo, your dress is amazing,” she says, reaching out to touch the strap.
Her shining eyes match the smile on her mouth and she looks nice, too. She’s in a simple black dress that only looks simple because of how expensive it is, and a tasteful white rose corsage decorates her left wrist.
“Yours is really nice, too, Bryn.” I return her smile, then gesture toward the corsage, ask about her date.
“Oh.” Her face flushes but she composes herself just as quickly as the blush rose to her cheeks. “David Tulip. I mean, it’s not like a date date. I’m pretty sure he’s taking shots with Joey in the bathroom right now. But he asked and no one else had, so . . .”
She shrugs as if to say, What’s a girl to do? Then her eyes sweep over my bare wrist and she looks behind me, says, “You’re here with Sara-Kate and Phil?”
“Also not a date date,” I respond with a wry smile.
“Yeah, but what’s their deal? Are they together now or what?”
I look over my shoulder to find Sara-Kate pinning something to Phil’s suit jacket. “After tonight? The answer will probably be yes.”
“Good,” Bryn says with a quick nod that sends her shiny black hair swaying by her chin. “They belong together, don’t you think?”
I look back at them again. Sara-Kate gave him a boutonniere—a plastic one in the likeness of a mounted deer head. It’s so miniature and even from here, I can tell it’s incredibly detailed. Phil is beaming and can’t stop looking down at his lapel to admire it.
“Yeah,” I say, turning back to her. “They do.”
I don’t have much time to figure out the feeling that flared up in that moment—jealousy that they can be together without any complications? Worry that they’ll forget about me once they become an official couple?—because David and Joey walk up to us then. Stinking of tequila. I can’t believe they didn’t bother with chasers or breath mints, but as Joey’s shoulder slams into the wall I think maybe the smell won’t be what gives them away after all.
David comes up behind Bryn, slides an arm around her waist. He nods at me, then moves his head close to hers. “What do you say we go out there and tear up that dance floor?”
She moves her nose out of the line of his tequila breath, but she smiles. “Only if you promise to hold off on the rest of that until we get to Klein’s?”
“Of course,” David says, already leading her toward the dance floor. “I was saving it for you.”
“Hey, Joey.” I tug on his elbow to stop him before he follows. “Do you have any more?”
“The te-kill-ya? Oh, yeah.” He pats the inside of his suit jacket.
“Let me borrow it?” I say, batting my eyes as I look up at him. Joey is a total pushover for a damsel in distress, even if the “distress” is needing to get as fucked up as possible.
He lumbers over me, swaying like a drunken giant, and I think maybe I’m doing him a favor. Taking it off his hands and all, because one more shot and he’d be facedown on the linoleum.
“Sure thing, Theo.” He turns his back to the cafeteria entrance, blocking us from everyone’s view as he deposits a silver flask into my beaded, black clutch. It fits perfectly, settled into the satin lining between my phone and a tube of lip gloss. “Finish it. Man, I am blitzed.”
He totters off to the cafeteria, and I walk over to Sara-Kate and Phil, who are being so cute, it makes me self-conscious about being here with them. If it weren’t for my plan to see Hosea later, I would wish I hadn’t come at all.
“Bathroom,” I say, then pantomime taking a drink.
“Seriously?” Phil’s fingers run over the edges of his boutonniere. “I’m pretty baked right now.”
“I think I’ll pass, too,” Sara-Kate says, her eyes apologetic.
But I don’t think she’s all that stoned. She only took a couple of hits; she just wants to stay close to Phil. Suddenly, it’s like I’m not here with them at all.
“Okay, well.” I shrug. “I promised Joey I’d take good care of the tequila, so I can’t let him down. I’ll be back soon.”
The bathroom at the end of the hall isn’t empty, but I walk past the girls retouching makeup at the sinks and sneaking cigarettes by the window and lock myself into the handicapped stall. I lean against the stall divider with my clutch in one hand, Joey’s flask in the other. The pale blue walls were repainted at the start of the school year and they’re already covered in graffiti. Declarations of love (LB
But the accusations. There are so many. Scrawled onto the wall with permanent black marker and layers of black and blue ink. Who’s a whore and who slept with him or her and whose number you should call for a real good time. I recognize some of the initials. Some names are crossed out and replaced with new ones—a slut-shaming war taking place on the wall.
God. If people found out I dated Chris, they’d never run out of things to say, no matter how many times the custodian painted over them.
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