"Something I'm working on. Didn't your reporter ask the cops for details?"
"Who was that — Clemente, right? Didn't last around here very long. Sloppy, you know? I can't say if he did or not. Look, I've got to split." He headed for the stairs, then rapped his knuckles on the side of his head. "Yeah, yeah." He headed up the steps backward, watching Finn. "Seems to me I heard one of the other reporters talking. He said Lew caught the bullet in the face. Nasty, huh?"
"Yeah." A grim satisfaction swam through Finn's blood. "Very nasty."
Jenner munched a midmorning danish, washing down the cherry filling with sweetened coffee. As he ate and sipped, he studied the grisly photos tacked to the corkboard. The conference room was quiet now, but he'd left the blinds open on the glass door that separated it from the bull pen of the precinct.
Angela Perkins. Marshall Pike. He stared at what had been done to them. If he stared long enough, he knew he could go into a kind of trance — a state of mind that left the brain clear for ideas, for possibilities.
He was just annoyed enough at Finn for emotion to interfere with intellect. The man should have told him the details of his conversation with Pike. However slight it had been, it had been police business. The idea of Finn interviewing Pike alone burned Jenner more bitterly than the station house coffee.
He remembered their last meeting, in the early hours of the morning that Pike had been murdered.
"We're clear that the shooter knows Miss Reynolds." Jenner ticked the fact off on a finger. "Was aware of her relationship, or at least her argument, with Pike." He held up a second finger. "He or she knows Deanna's address, knew Pike's and had enough knowledge of the studio to set up the camera after killing Angela Perkins."
"Agreed."
"The notes have shown up under Deanna's door, on her desk, in her car, in the apartment she still keeps in Old Town." Jenner had lifted a brow, hoping that Finn would offer some explanation for that interesting fact. But he hadn't. Finn knew how to keep information to himself. It was one of the things Jenner admired about him. "It has to be someone who works at CBC," Jenner concluded.
"Agreed. In theory." Finn smiled when Jenner let out a huff of breath. "It could be someone who worked there. It's possible it's a fan of Deanna's who's been in the studio. A regular audience member. Lots of people have enough rudimentary knowledge of television to work a camera for a still shot." "I think that's stretching it."
"So let's stretch it. He sees her every day on TV."
"Could be a woman."
Finn let that cook a moment, then shook his head. "A remote possibility. Let's shuffle that aside for a minute and try out this theory: It's a man, a lonely, frustrated man. He lives alone, but every day Deanna slips through the television screen right into his living room. She's sitting right there with him, talking to him, smiling at him. He's not lonely when she's there. And he wants her there all the time. He doesn't do well with women. He's a little afraid of them. He's a good planner, probably holds down a decent job, a responsible one, because he knows how to think things through. He's thorough, meticulous."
Impressed, Jenner pursed his lips. "Sounds like you've done your homework."
"I have. Because I'm in love with Deanna I think I understand him. Thing is, he's got this temper, this rage. He didn't kill in a rage. I think he did that coolly." And that was what chilled Finn's blood. "But he trashes my house, Deanna's office. He writes his feelings of betrayal on the wall. All but splatters them there. How did she betray him? What changed from the time she got the first note to Angela's murder?"
"She hooked up with you?"
"She'd been involved with me for two years." Finn leaned forward. "We got engaged, Jenner. The official announcement had barely hit the streets when we had Angela's murder and the break-ins."
"So he killed Angela because he was ticked at Deanna Reynolds?"
"He killed Angela, and Pike, because he loves Deanna Reynolds. What better way to show his devotion than to remove people who upset or annoy her? He trashed her things, taking special care with the wedding-gown sketches, the newspaper reports of the engagement, photographs of Deanna and me. He was enraged because she'd announced, publicly, that she preferred another man to him. That she was willing to take vows to prove it."
Nodding slowly, Jenner doodled on a sheet of paper. "Maybe you didn't get your psychiatrist's degree at Sears.
Why hasn't he gone after you?" Instinctively, Finn reached up to run his fingers over his sleeve. Beneath it was a scar from a bullet. A bullet that hadn't come from the sniper or the SWAT team. But he couldn't be sure. "Because I haven't done anything to hurt Deanna. Marshall did, on the day he was killed, and a couple of years ago, when he fell into Angela's trap."
"I should have talked to him." Jenner tapped a fist lightly on his files. "He could have known something, seen something. It's possible he'd received threats."
"I doubt that. He was the type who'd have come running to the cops. Or he would have told me when I talked with him."
"You were too busy beating him up." "I didn't beat him up." Finn folded his arms across his chest. "He swung, I swung. Once. In any case, I meant he would have told me when I talked to him at his office a few days ago."
Jenner stopped doodling. "You went to see him about Angela Perkins's murder?"
"It was a theory."
"One you didn't feel necessary to share?" "It was personal."
"Nothing's personal on this, nothing." Jenner edged forward, eyes narrowed. "I've let you in on this investigation because I think you're a smart man, and I sympathize with your position. But you cross me and you're out."
"I'll do what I have to do, Lieutenant, with or without you."
"Reporters aren't the only ones who can harass. Keep that in mind." Jenner closed his file, rose. "Now I have work to do."
No, Jenner thought now, sympathy and admiration aside, he wasn't about to let Finn go off on his own. He might be wearing blinders to the fact that his life was in danger, but Jenner knew better.
He rose to refill his coffee cup, and glanced through the glass door. "Speak of the devil," he murmured. Jenner pulled open the door. "Looking for me?" he asked Finn, and waved away the uniform who was blocking Finn's path. "It's all right, officer. I'll see Mr. Riley." He nodded briefly at Finn. "You've got five minutes."
"It's going to take a little longer." Finn studied the police photos on the board dispassionately. There were snapshots of both victims taken prior to and after death. Side by side, they were like before-and-after shots gone desperately wrong. "You're going to need to put one more set up there."
Twenty minutes later, Jenner completed his conversation with the detective in Brooklyn Heights. "They're faxing us the file," he told Finn. "Okay, Mr. Riley, who knew that Mcationeil was passing information on to Angela?"
"Deanna's staff. I'd be certain of that. I'd also give odds that it would have leaked downstairs." There was an excitement brewing in him now. The kind he recognized as energy from a puzzle nearly solved. "There's always been a lot of interaction between Deanna's people and the newsroom. Are we on the same wavelength here? Three people are dead because they threatened Deanna in some way."
"I can't comment about that, Mr. Riley." Finn shoved back from the table. "Damn it, I'm not here as a reporter. I'm not looking for a scoop, the latest tidbit from an unnamed police source. You want to frisk me for a mike?"
"I don't think you're after a story, Mr. Riley," Jenner said calmly. "If I'd ever thought that, you never would have gotten your foot in the door. But maybe I think you're too used to doing things your own way, to running your own show to handle the delicate matter of cooperation."
Finn slammed his hands down on the table. "If you think you're going to brush me off, you're wrong. You're right about the harassment, Lieutenant. One phone call and I can have a dozen cameras dogging your every move. I can put so much pressure on you that you won't be able to sneeze without someone sticking a mike up your nose. Before you catch your next breath Chicago will be buzzing about a serial killer. The commissioner and the mayor will love that, won't they?" He waited half a beat. "You use me, or I'll use you. It's your choice."
Jenner folded his arms on the table, leaned forward against them. "I don't like threats." "Neither do I. But I'll do a lot more than threaten if you try to block me out now." He looked at the victims on the board. "He could lose it." He spoke quietly now, carefully. "He could lose it anytime and try to put her up there. You're pissed because I did some tracking on my own, fine. Be pissed. But use me. Or by God I'll use you."
Objectively, Jenner buried his irritation, calculating how much damage would be done by a media war. Too much, he mused. It was always too much.
"Let's do this, Mr. Riley. Let's say we theorize that Mcationeil was the first victim of three — and we'll want to keep that under our hat."
"I told you I'm not interested in a story." "Just laying down the ground rules. We'll theorize that, and that only a limited number of people had the knowledge that would lead to motive for his murder." He gestured to a chair, waiting for Finn to sit again. "Tell me about those people. Start with Loren Bach." In the spirit of compromise, Jenner opened the file on Loren that Angela had commissioned from Beeker.
Cassie walked into Deanna's office, then let out a long, long sigh. Deanna stood on a stool in the center of the room, the seamstress at her feet. Yards of shimmering white silk billowed.
"It's gorgeous."
"It's barely started." But Deanna was almost sighing herself as she brushed a hand over the sweeping skirt neatly pinned to the lacy bodice. Irish lace, she mused. For Finn. "But you're right."
"I've got to get my camera." Inspired, Cassie bolted for the door. "Don't move."
"I'm not going anywhere."
"You must be still," the seamstress complained over a mouthful of pins. Her voice was raspy, as if she'd already swallowed more than her share.
Deanna used all her willpower not to shift from foot to foot. "I am being still."
"You're vibrating like a spring." "Sorry." Deanna took a long, steadying breath. "I guess I'm nervous."
"The bride-to-be," Cassie recited as she walked back in with a Palmcorder blocking her face. "Deanna Reynolds, the reigning queen of daytime TV, has chosen an elegant gown of…"
"Italian silk," the seamstress prompted. "With touches of Irish lace and a sea of freshwater pearls."
"Exquisite," Cassie said soberly. "And tell us, Miss Reynolds—" with an expert's touch, she zoomed in on Deanna's face—"how do you feel on this exciting occasion?"
"Terrified." She crossed her eyes. If the fitting took five minutes over the allotted hour, she'd be making up time all week. "And partially insane. Other than that I'm enjoying every minute of it."
"If you'll just stand perfectly still, I'll do a little circle around so that our viewers can get the full effect." Cassie sidestepped, panned back. "This'll go in my growing library of life behind Deanna's Hour."
Deanna felt her smile stiffen. "Do you have a lot of tape?"
"Oh, a little of this, a little of that. Simon pulling what's left of his hair out. Margaret tossing spitballs. You racing for the elevator."
Beneath the sparkling bodice, Deanna's heart thudded thickly. "I guess I've never paid much attention. So many cameras around. You always keep that at hand, don't you?"
"You never know what historical, or humiliating, moment you might capture."
Someone had captured her, Deanna remembered, while she'd slept at her desk. Coming to work, going from, shopping, playing with Fran's baby in the park.
They'd captured her unconscious in the studio beside Angela's body.
Cassie, who was in and out of the office dozens of times a day. Cassie, who knew every detail of Deanna's schedule. Cassie, who had dated one of the studio camera operators.
"Turn it off, Cassie."
"One more second."
"Turn it off." Her voice sharpened, and Deanna set her teeth to steady it.
"Sorry." Obviously baffled, Cassie lowered the camera. "I guess I got carried away."
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