If they were married, and if they were alone…

She flushed.

But she already knew: She would not mind it.

Not with him.


The gentlemen had barely rejoined the ladies in the drawing room when Mrs. Graves announced that Millie would play for the gathering.

“Millicent is splendidly accomplished at the pianoforte,” she said.

For once, Millie was excited about the prospect of displaying her skills—she might lack true musicality, but she did possess an ironclad technique.

As Millie settled herself before the piano, Mrs. Graves turned to Lord Fitzhugh. “Do you enjoy music, sir?”

“I do, most assuredly,” he answered. “May I be of some use to Miss Graves? Turn the pages for her perhaps?”

Millie braced her hand on the music rack. The bench was not very long. He’d be sitting right next to her.

“Please do,” said Mrs. Graves.

And just like that, Lord Fitzhugh was at Millie’s side, so close that his trousers brushed the flounces of her skirts. He smelled fresh and brisk, like an afternoon in the country. And the smile on his face as he murmured his gratitude distracted her so much that she forgot that she should be the one to thank him.

He looked away from her to the score on the music rack. “Moonlight Sonata. Do you have something lengthier?”

The question rattled—and pleased—her. “Usually one only hears the first movement of the sonata, the adagio sostenuto. But there are two additional movements. I can keep playing, if you’d like.”

“I’d be much obliged.”

A good thing she played mechanically and largely from memory, for she could not concentrate on the notes at all. The tips of his fingers rested lightly against a corner of the score sheet. He had lovely looking hands, strong and elegant. She imagined one of his hands gripped around a cricket ball—it had been mentioned at dinner that he played for the school team. The ball he bowled would be fast as lightning. It would knock over a wicket directly and dismiss the batsman, to the roar of the crowd’s appreciation.

“I have a request, Miss Graves,” he spoke very quietly.

With her playing, no one could hear him but her.

“Yes, my lord?”

“I’d like you to keep playing no matter what I say.”

Her heart skipped a beat. Now it was beginning to make sense. He wanted to sit next to her so that they could hold a private conversation in a room full of their elders.

“All right. I’ll keep going,” she answered. “What is it that you want to say, sir?”

“I’d like to know, Miss Graves, are you being forced into marriage?”

Ten thousand hours before the pianoforte was the only thing that kept Millie from coming to an abrupt halt. Her fingers continued to pressure the correct keys; notes of various descriptions kept on sprouting. But it could have been someone in the next house playing, so dimly did the music register.

“Do I—do I give the impression of being forced, sir?” Even her voice didn’t quite sound her own.

He hesitated slightly. “No, you do not.”

“Why do you ask, then?”

“You are sixteen.”

“It is far from unheard of for a girl to marry at sixteen.”

“To a man more than twice her age?”

“You make the late earl sound decrepit. He was a man in his prime.”

“I am sure there are thirty-three-year-old men who make sixteen-year-olds tremble in romantic yearning, but my cousin was not one of them.”

They were coming to the end of the page; he turned it just in time. She chanced a quick glance at him. He did not look at her.

“May I ask you a question, my lord?” she heard herself say.

“Please.”

“Are you being forced to marry me?”

The words left her in a spurt, like arterial bleeding. She was afraid of his answer. Only a man who was himself being forced would wonder whether she, too, was under the same duress.

He was silent for some time. “Do you not find this kind of arrangement exceptionally distasteful?”

Glee and misery—she’d been bouncing between the two wildly divergent emotions. But now there was only misery left, a sodden mass of it. His tone was courteous. Yet his question was an accusation of complicity: He would not be here if she hadn’t agreed.

“I—” She was playing the adagio sostenuto much too fast—no moonlight in her sonata, only storm-driven branches whacking at shutters. “I suppose I’ve had time to become inured to it: I’ve known my whole life that I’d have no say in the matter.”

“My cousin held out for years,” said the earl. “He should have done it sooner: begotten an heir and left everything to his own son. We are barely related.”

He did not want to marry her, she thought dazedly, not in the very least.

This was nothing new. His predecessor had not wanted to marry her, either; she had accepted his reluctance as par for the course. Had never expected anything else, in fact. But the unwillingness of the young man next to her on the piano bench—it was as if she’d been forced to hold a block of ice in her bare hands, the chill turning into a black, burning pain.

And the mortification of it, to be so eager for someone who reciprocated none of her sentiments, who was revolted by the mere thought of taking her as a wife.

He turned the next page. “Do you never think to yourself, I won’t do it?”

“Of course I’ve thought of it,” she said, suddenly bitter after all these years of placid obedience. But she kept her voice smooth and uninflected. “And then I think a little further. Do I run away? My skills as a lady are not exactly valuable beyond the walls of this house. Do I advertise my services as a governess? I know nothing of children—nothing at all. Do I simply refuse and see whether my father loves me enough to not disown me? I’m not sure I have the courage to find out.”

He rubbed the corner of a page between his fingers. “How do you stand it?”

This time there was no undertone of accusation to his question. If she wanted to, she might even detect a bleak sympathy. Which only fed her misery, that foul beast with teeth like knives.

“I keep myself busy and do not think too deeply about it,” she said, in as harsh a tone as she’d ever allowed herself.

There, she was a mindless automaton who did as others instructed: getting up, going to sleep, and earning heaps of disdain from prospective husbands in between.

They said nothing more to each other, except to exchange the usual civilities at the end of her performance. Everyone applauded. Mrs. Clements said very nice things about Millie’s musicianship—which Millie barely heard.

The rest of the evening lasted the length of Elizabeth’s reign.

Mr. Graves, usually so phlegmatic and taciturn, engaged the earl in a lively discussion of cricket. Millie and Mrs. Graves gave their attention to Colonel Clements’s army stories. Had someone looked in from the window, the company in the drawing room would have appeared perfectly normal, jovial even.

And yet there was enough misery present to wilt flowers and curl wallpaper. Nobody noticed the earl’s distress. And nobody—except Mrs. Graves, who stole anxious looks at Millie—noticed Millie’s. Was unhappiness really so invisible? Or did people simply prefer to turn away, as if from lepers?

After the guests took their leave, Mr. Graves pronounced the dinner a succès énorme. And he, who’d remained skeptical on the previous earl throughout, gave his ringing endorsement to the young successor. “I shall be pleased to have Lord Fitzhugh for a son-in-law.”

“He hasn’t proposed yet,” Millie reminded him, “and he might not.”

Or so she hoped. Let them find someone else for her. Anyone else.

“Oh, he will most assuredly propose,” said Mr. Graves. “He has no choice.”


Do you really have no other choices, then?” asked Isabelle.

Her eyes were bright with unshed tears. Futility burned inside Fitz. He could do nothing to halt this future that hurtled toward him like a derailed train, and even less to alleviate the pain of the girl he loved.

“If I do, it is only in the sense that I am free to go to London and see if a different heiress will have me.”

She turned her face away and wiped her eyes with the heel of her hand. “What is she like, this Miss Graves?”

What did it matter? He could not recall her face. Nor did he want to. “Unobjectionable.”

“Is she pretty?”

He shook his head. “I don’t know—and I don’t care.”

She was not Isabelle—she could never be pretty enough.

It was unbearable to think of Miss Graves as a permanent fixture in his life. He felt violated. He raised the shotgun in his hands and pulled the trigger. Fifty feet away, a clay pigeon exploded. The ground was littered with shards: It had been an excruciating conversation.

“So, this time next year, you could have a child,” said Isabelle, her voice breaking. “The Graveses would want their money’s worth—and soon.”

God, they would expect that of him, wouldn’t they? Another clay pigeon burst apart; he scarcely felt the recoil in his shoulder.

It hadn’t seemed quite so terrible at first, becoming an earl out of the blue. He realized almost immediately he’d have to give up his plan of a career in the military: An earl, even a poor one, was too valuable for the front line. The blow, although harsh, was far from fatal. He’d chosen the military for the demands it would place on him. Returning an estate from the brink of ruin was just as demanding and honorable an occupation. And he did not think Isabelle would at all mind becoming a ladyship: She would cut a dashing figure in Society.

But as he stepped into Henley Park, his new seat, his blood began to congeal. At nineteen, he had not become a poor earl, but a desperately destitute one.

The manor’s decline was frightful. The oriental carpets were moth-eaten, the velvet curtains similarly so. Many of the flues drew not at all; walls and paintings were grimy with soot. And in every last upper-story room, the ceiling was green and grey with growth of mold, spreading like the contours of a distorted map.

Such a large house demanded fifty indoor servants and could limp by with thirty. But at Henley Park, the indoor staff had been reduced to fifteen, roughly divided between the too young—several of the maids were barely twelve—and the too old, retainers who had been with the family for their entire lives and had nowhere else to go.

Everything in his room creaked: the floor, the bed, the doors of the wardrobe. The plumbing was medieval—the long decline of the family’s fortune had precluded any meaningful modernization of the interior. And for the three nights of his stay, he’d gone to sleep shivering with cold, listening to the congregation of rats in the walls.

It was a step above outright dilapidation, but only a very small step.

Isabelle’s family was thoroughly respectable. The Pelhams, like the Fitzhughs, were related to several noble lineages and in general considered just the sort of solid, upstanding, God-fearing country gentry that did the squirearchy proud. But neither the Fitzhughs nor the Pelhams were wealthy; what funds they could scrape together would not keep Henley Park’s roof from leaking, or her foundation from rotting.

But if it were only the house, they might still have somehow managed with various economies. Unfortunately, Fitz also inherited eighty thousand pounds in debt. And from that, there was no escape.

Were he ten years younger, he could bury his head in the sand and let Colonel Clements worry about his problems. But he was only two years short of majority, a man nearly grown. He could not run away from his troubles, which assuredly would only worsen during any period of inattention.

The only viable solution was the sale of his person, to exchange his cursed title for an heiress with a fortune large enough to pay his debts and repair his house.

But to do that, he would have to give up Isabelle.

“Please, let’s not speak of it,” he said, his teeth clenched.

He didn’t want much in life. The path he’d delineated for himself had been simple and straightforward: officer training at Sandhurst, a commission to follow, and when he’d received his first promotion, Isabelle’s hand in marriage. She was not only beautiful, but intelligent, hardy, and adventurous. They would have been deliriously happy together.

Tears rolled down her face. “But whether we speak of it or not, it’s going to happen, isn’t it?”