I was the one who reached over and turned the motor off. The dashboard light went off a second later, plunging us into absolute darkness.

"So," I said. The silence in the car was pretty deafening. There were no cars on the road behind us. If I opened the window, I knew the sounds of the wind and waves would come rushing in. Instead, I just sat there.

Slowly, the darkness outside the car became less consummate. As my eyes adjusted to it, I could even make out the horizon where the black sky met the even blacker sea.

Michael turned his head. "It was Carrie Whitman," he said. "The girl who had the party."

I nodded, not taking my gaze off the horizon. "I know."

"Carrie Whitman," he said again. "Carrie Whitman was in that car. The one that went off the cliff last Saturday night."

"You mean," I said quietly, "the car you pushed off the cliff last Saturday night."

Michael's head didn't move. I looked at him, but I couldn't quite read his expression.

But I could hear the resignation in his voice.

"You know," he said. It was a statement, not a question. "I thought you might."

"After today, you mean?" I reached down and undid my seatbelt. "When you nearly killed me?"

"I'm so sorry." He lowered his head, and finally, I could see his eyes. They were filled with tears. "Suze, I don't know how I'll ever - "

"There was no seminar on extraterrestrial life at that institute, was there?" I glared at him. "Last Saturday night, I mean. You came out here, and you loosened the bolts on that guardrail. Then you sat and waited for them. You knew they'd come here after the dance. You knew they'd come, and you waited. And when you heard that stupid horn, you rammed them. You pushed them over the side of that cliff. And you did it in cold blood."

Michael did something surprising then. He reached out and touched my hair where it curled out from beneath the knit watch cap I was wearing.

"I knew you'd understand," he said. "From the moment I saw you, I knew you, out of all of them, were the only one who'd understand."

I seriously wanted to throw up. I mean it. He didn't get it. He so didn't get it. I mean, hadn't he thought about his mother at all? His poor mother, who had been so excited because a girl had called him? His mother, who already had one kid in the hospital? Hadn't he thought how his mother was going to feel when it came out that her only son was a murderer? Hadn't he thought about that at all?

Maybe he had. Maybe he had, and he thought she'd be glad. Because he'd avenged what had happened to his sister. Well, almost, anyway. There were still a few loose ends in the form of Brad … and everyone else who'd been at that party, I suppose. I mean, why just stop at Brad? I wondered how he'd managed to secure the guest list, and if he intended to kill everyone on it or just a select few.

"How did you know, anyway?" he asked in what I suppose he meant to be this tender voice. But all it did was make me want to throw up even more. " About the guardrail, I mean? And their car horn. That wasn't in the papers."

"How did I know?" I jerked my head from his reach. "They told me."

He looked a little hurt at my pulling away from him. "They told you? Who do you mean?"

"Carrie," I said. "And Josh and Felicia and Mark. The kids you killed."

His hurt look changed. It went from confused, to startled, and then to cynical, all in a matter of seconds.

"Oh," he said with a little laugh. "Right. The ghosts. You tried to warn me about them before, didn't you? Right here, as a matter of fact."

I just looked at him. "Laugh all you want," I said. "But the fact is, Michael, they've been wanting to kill you for a while now. And after the stunt you pulled today with the Rambler, I am seriously thinking about letting them."

He stopped laughing. "Suze," he said. "Your strange fixation with the spirit world aside, I told you: today was an accident. You weren't supposed to be in that car. You were supposed to ride home with me. Brad was the one. Brad was the one I wanted dead, not you."

"And what about David?" I demanded. "My little brother? He's twelve years old, Michael. He was in that car. Did you want him dead, too? And Jake? He was probably delivering pizzas the night your sister was hurt. Should he die for what happened to her? Or my friend Gina? I guess she deserves to die, too, even though she's never even been to a party in the Valley."

Michael's face was white against the bits of sky I could see through the window behind his head.

"I didn't mean for anyone to get hurt," he said, in an oddly toneless voice. "Anybody except for the guilty, I mean."

"Well, you didn't do a very good job," I said. "In fact, you did a lousy job. You really messed up. And do you know why?"

I saw his eyelids, behind his glasses, narrow.

"I think I'm starting to," he said.

"Because you tried to kill some people I happen to care about." I swallowed. Something hard, that hurt, was growing in my throat. "And that's why, Michael, it's going to stop. Right here. Right now."

He continued to stare at me though those narrowed eyelids.

"Oh," he said in the same expressionless voice. "It's going to stop, all right. Believe me."

I knew what he was driving at. I almost laughed. If it hadn't been for the painful lump in my throat, I would have.

"Michael," I said. "Don't even try. You so don't know who you're messing with."

"No," Michael said quietly. "I guess I don't, do I? I thought you were different. I thought you, out of everyone at school, would be able to see things from my point of view. But I can see now that you're just like everybody else."

"You don't have any idea," I said, "how much I wish I were."

"I'm sorry, Suze," Michael said, undoing his own seatbelt. "I really thought you and I could be … well, friends, anyway. But I am getting the distinct impression that you don't approve of what I've been doing. Even though no one - no one - will miss those people. They really were wastes of space, Suze. They had nothing meaningful to contribute. I mean, look at Brad. Would it be such a tragedy if he simply ceased to exist?"

"It would," I said, "to his father."

Michael shrugged. "I suppose. Still, I think the world would be a better place without all the Josh Saunderses and Brad Ackermans." He smiled at me. There was nothing, however, warm in that smile. "You, however, disagree, I can see. It even sounds to me as if you're contemplating trying to stop me. And I really can't have that."

"So what are you going to do?" I gave him a very sarcastic look. "Kill me?"

"I don't want to," he said. "Believe me."

Then he cracked his knuckles. Can I just tell you, I found this quite creepy. I mean, aside from the fact that cracking your knuckles in front of somebody is creepy, anyway, this was especially disturbing since it drew attention to the fact that Michael's hands were actually quite large, and were attached to these arms that I remembered from the beach were remarkably muscular, and filled with ropy sinews. I'm not exactly a delicate flower, but hands attached to a pair of arms like that could do a girl like me some serious damage.

"But I guess," Michael said, "you haven't left me with much choice, have you?"

Oh, sure. Blame the victim, why don't you?

I don't know if I said the words aloud, or simply thought them. I only know I went, "Now would be a good time for Josh and his friends to show up," and that a second later Josh Saunders, Carrie Whitman, Mark Pulsford, and Felicia Bruce all appeared, standing in the gravel by the passenger side door of Michael's rental car.

They stood there blinking for a second, as if unsure what had happened. Then they looked beyond me, at the boy behind the steering wheel.

And that's when all hell broke loose.

CHAPTER 18

Was it what I intended to happen all along?

I don't know. Certainly there'd been a moment in Dopey's room when I'd been seized by a kind of rage. It was rage, not bicycle pedals, that had propelled me down into the Valley, and rage that had prompted me to put that quarter into that pay phone and call Michael.

Some of that rage, however, dissipated when I spoke to Michael's mother. Yes, he was a murderer. Yes, he'd tried to kill me and a number of people I cared about.

But he had a mother. A mother who loved him enough to be excited because a girl was calling him, maybe for the first time in his life.

Still, I got into that car with him. I told him to drive to the Point, even though I knew what was there waiting for him. And I got him to admit it. All of it. Out loud.

And then I called them. There was no doubt about that. I called the RLS Angels. And when they showed up, all I did was calmly get out of the car.

That's right. I got out of the way. And I let them do what they'd been wanting to do for so long … since the night of their deaths, actually.

Look, I'm not proud of it. And I can't say that I stood there and watched it with any relish. When the seatbelt Michael had removed suddenly wrapped around his throat, and his adjustable car seat started creeping inexorably toward the steering wheel, crushing his legs, I didn't feel good about it.

The Angels sure seemed to, however.

And they probably should have. Their telekinetic powers, I could see, had come a long way. They weren't messing around with any seaweed ropes or mardi gras decorations now. The force of their combined power was strong enough to have flicked on the rental car's lights and windshield wipers. Through the rolled up windows, I could hear the radio blare to life. Britney Spears was bemoaning her latest heartache as Michael Meducci clawed at the seatbelt around his neck. The car had begun to rock and was lit eerily from inside, almost as if the dashboard lights were halogens that someone had set on bright.

And all the while, the RLS Angels stood there in eerie silence, their hands stretched out toward the car, and their gazes fixed on Michael. I mean, even for ghosts they looked spooky, glowing in that unearthly way, the girls in their long dresses and wrist corsages, and the boys in their tuxes. I shuddered, watching them, and it wasn't just from the cold breeze coming off the ocean, either.

I hate to say it, but it was Britney that broke the spell for me. I mean, she's likable enough, but to have to die while listening to her? I don't know. It just seemed a bit harsh, somehow.

And then there was poor Mrs. Meducci. She had already lost one child - well, more or less. Could I really just stand there and watch her lose another?

Minutes - maybe even seconds - before, the answer to that question might have been yes. But when it came down to it, I just couldn't. I couldn't, in spite of what Michael had done. I simply had too many years of mediation behind me. Too many years, and too many deaths. I couldn't stand there and allow yet another one to occur right before my eyes.

Michael's face was contorted and purple, his glasses askew, when I finally shouted, "Stop!"

Instantly, the car stopped rocking. The windshield wipers stilled. Britney's voice was cut off mid-note, and Michael's car seat started sliding slowly back. The seatbelt loosened around his neck enough to allow him to gasp for air. He collapsed against the back of the seat, looking confused and frightened, his chest heaving.

Josh blinked at me like someone newly wakened from a trance. "What?" he said, sounding annoyed.

I said, "I'm sorry. But I can't let you do this."

Josh and the others exchanged glances. Mark was the first to speak. He gave a little laugh and went, "Oh, right."

Then the radio blared to life again, and suddenly, the car was rocking on its shocks.

I reacted swiftly and decisively by hammering a fist into Mark Pulsford's gut. This threw off the Angels' concentration enough so that Michael was able to scrape open the driver's side door and throw himself out of the car before anything else could start strangling him. He lay in the gravel, moaning.

Mark, on the other hand, recovered all too quickly from my assault.

"You bitch," he said, looking mightily offended. "What gives?"

"Yeah." Josh was clearly livid. His blue eyes were like shards of ice as they glinted at me. "First you say we can't kill him. Then you say we can. Then you say we can't. Well, guess what? We're tired of this mediation crap. We're killing him, and that's the end of it."

That was when the car started rocking with enough energy that it looked as if it was going to flip over, right on top of Michael.