“—is handsome enough and charming enough to make any woman wish she were young again to set her cap at him,” Aunt Gertrude said. “But it is a good thing we are not young hopefuls, Martha. He had eyes for no one but Frances tonight.”

“He was very charming to us,” Aunt Martha said, “but every time he looked at Frances, his eyes fairly devoured her and he forgot our very existence. Did you notice how he went to sit beside her, Gertrude, the moment we drew the attention of Lord Edgecombe and Miss Marshall away from them?”

“Well, of course I noticed,” Great-Aunt Gertrude said. “I would have been severely disappointed if our ruse had not worked, Martha.”

“Oh, goodness,” Frances protested. “You must not see romance where there simply is none. Or try to promote it.”

“You, my love,” Aunt Martha said, “are going to be the Viscountess Sinclair before the summer is out unless I am much mistaken. Poor Miss Hunt is just going to have to find someone else.”

Frances held both hands to her cheeks, laughing despite herself.

“I absolutely agree with Martha,” Aunt Gertrude said. “And you cannot tell us that you are indifferent to him, Frances. We would not believe you, would we, Martha?”

Frances bade them a hasty good night and fled to her room.

They did not understand.

Neither did he.

Was there such a thing as fate?

But if there were, why was it such a cruel thing? For what it had set in her path three separate times now since Christmas was quite, quite unattainable.

Did fate not understand?

But one important question remains unanswered. Who is to be the bride?

Did he still want to marry her, then? Had it not been mere rash impulse that had prompted him to offer for her in Sydney Gardens while the rain poured down all around them?

Did he love her?

Did he?

Frances had agreed to sing at Marshall House, though she had imposed a sort of condition.

Very well, then. I will come and sing, my lord, just for you and my aunts.

They were words that echoed in Lucius’s head during the coming days while he schemed ruthlessly to thwart her modest will. She had not meant those words literally, he told himself.

At least, she probably had, he conceded, since there was something very strange, almost unnatural, about Frances’s attitude to her own talent. But she ought not to have meant them. Anyone with her voice ought to be eager to sing for an audience of a million if that many persons could only be packed within one room. It would be a criminal waste to allow her to sing just for his grandfather and her great-aunts—and presumably for his mother and sisters and him too.

Frances Allard had shuttered herself—body, mind, and soul—behind the walls of Miss Martin’s School for Girls for far too long, and it was time she came out and faced reality. And if she would not do it voluntarily, then by God he would take the initiative and drag her out. Perhaps she would never give him the chance to make her happy in any personal sense—though even on that matter he had not yet conceded final defeat. But he would force her to see that a glorious future as a singer awaited her. He would do everything in his power to help her to that future.

Frances had not been born to teach. Not that he had ever been present in one of her classrooms to discover that she was not up to the task, it was true. She very probably was, in fact. But she had so clearly been born to make music and to share it with the world that any other occupation was simply a waste of her God-given talent.

He was going to bring her out into the light. He was going to help her—force her, if necessary—to be all she had been born to be.

And so he ignored the words she had spoken to his grandfather—I will come and sing, my lord, just for you and my aunts.

He knew someone. The man was a friend of his and had only recently married. He was a renowned connoisseur of the arts, notably music, and was particularly well known for the concert he gave at his own home each year, at which he entertained a select gathering of guests with prominent musicians from all over the Continent and with new discoveries of his own. Just this past Christmas his star performer had been a young boy soprano whom he had discovered among a group of inferior church carolers out on

Bond Street

. He had married the boy’s mother in January.

It was strange to think of Baron Heath as a married man with two young stepchildren. But it seemed to happen to all of them eventually, Lucius thought gloomily—marriage, that was. At least Heath had had the satisfaction of choosing his own bride and marrying for love.

Lucius invited him to attend a concert at Marshall House and promised him a musical treat that would make his hair stand on end.

“She has an extraordinarily lovely voice,” he explained, “but has had no one to bring her to the attention of people who can do something to sponsor her career.”

“And I will soon be clamoring to be that sponsor, I suppose,” Lord Heath said. “I hear this with tedious frequency, Sinclair. But I do trust your taste—provided we are talking of taste in voices, that is, and not in women.”

Lucius felt a touch of anger, but he quelled it.

“Come,” he said, “and bring Lady Heath. You may listen and judge for yourself whether her singing voice does not equal her beauty.”

But a singer needed an audience, Lucius believed. How could Frances sing as she had in Bath with only his family and hers and the Heaths looking on? Yet even in Bath the audience had been modest in size.

The music room in Marshall House would seat thirty people in some comfort. If the panels between it and the ballroom were removed, there would be room for many more, and the size of the combined rooms would give range for the power of a great voice.

And a concert needed more than one performer . . .

His schemes became more grandiose by the hour.

“I am thinking of inviting a few people to join us in the music room after dinner on the evening Miss Allard comes here with her great-aunts to dine, sir,” he told his grandfather at tea three days before the said dinner. “Including Baron Heath and his wife.”

“Ah, a good idea, Lucius,” the earl said. “I should have thought of it for myself—and of Heath. He can do something for her. I do not imagine Miss Allard will have any objection.”

She well might, Lucius suspected. He knew her better than his grandfather did. But he held his peace.

“I have the distinct impression,” the viscountess said, “that it is this Miss Allard rather than Mrs. Melford and Miss Driscoll who is to be the guest of honor at our table. It is extraordinary when one remembers that she is a schoolteacher.”

“You will see, Louisa,” the earl told her, “that it is she who is extraordinary.”

Caroline meanwhile had uttered a muffled shriek at Lucius’s words.

“And I am expected to accompany Miss Allard before an audience that includes Baron Heath?” she said. “When is she coming here to practice, Luce?”

“The afternoon after tomorrow,” he said. “You had better not mention Lord Heath to her, though, Caroline, or any other guests. You will only make her nervous.”

“Make her nervous!” Her voice had risen almost to a squeak. “How about me?”

“When she begins to sing,” Amy said kindly, “no one will even notice your playing, Caroline.”

“Well, thank you for that,” Caroline said before laughing suddenly.

Amy laughed with her. “I did not mean it quite the way it sounded,” she said. “Your playing is quite superior—far better than mine.”

“Which is not much of a compliment, Amy, when one really thinks about it,” Emily said dryly.

“And you, Father,” the viscountess said firmly, “are looking tired. Lucius will help you to your room, and you will lie down until dinnertime.”

“Yes, ma’am,” the earl said with a twinkle in his eye—and a slight gray tinge to his complexion.

No one had voiced any objection to the idea of making the musical part of the evening into a full-blown concert, though, Lucius thought as he climbed the stairs slowly, his grandfather leaning heavily on his arm. Not that he had used those words exactly, of course, to describe his plans. But any small—or large—gathering of people for the purpose of listening to a few musical performances could be loosely defined as a concert.

He had three days during which to gather a respectably sized audience to do Frances Allard’s talent justice—at the height of the Season, when every day brought a flood of invitations to every ton household. But it could be done, by Jove, and he would do it. Her feet were going to be set firmly on the road to success and fame that evening. He had no doubt of it.

And it would be all his doing.

That might prove small comfort in the years ahead, of course.

But all was not yet lost on the personal front. He was not married yet, or even betrothed—not officially anyway. The Balderstons were back in town, but he had contrived to avoid them for all of twenty-four hours.

He had never been a man to give up lightly on what he badly wanted. And new leaf or no new leaf, he had not changed in that particular.

He desperately wanted Frances Allard.

Marshall House was a grand mansion on

Cavendish Square

in the heart of Mayfair, Frances discovered on the afternoon of the day before she was to dine there. She might have expected as much, of course, since it was the town house of the Earl of Edgecombe. But she felt apprehensive and strangely conspicuous as she bowed her head and hurried inside after Thomas had handed her down from the ancient carriage outside the doors.

She was very aware that she really was back in London.

She saw no one within, though, except for a few servants and the young lady who awaited her in the room to which she was shown and introduced herself as Miss Caroline Marshall. She was tall and poised and pretty and bore little resemblance to her brother.

Of him there was no sign.

The room was massive and gorgeously decorated, with its high ceiling painted with a scene from mythology and gilded friezes and crystal chandeliers and mirrored walls and a gleaming wood floor. It fairly took Frances’s breath away. This was where she was to sing for the earl and her aunts tomorrow evening?

It was very clearly not the family drawing room.

Miss Marshall offered an explanation that partly reassured her, though.

“The pianoforte in here is superior to the one in the drawing room,” she explained, “and my grandfather insists that nothing but the best is good enough for you, Miss Allard. I cannot understand why the panels have been removed, though. This is the music room and the ballroom combined. Tomorrow evening they will have been replaced, I do not doubt, and your voice will not have to fill such a vast space. But really this is not good enough. You ought to be able to practice in the space you will be singing in.”

How glorious it would be, though, Frances thought wistfully as her eyes feasted upon the opulent splendor of the double chamber, to rise to the challenge of singing to an audience that filled this vast space. She had once dreamed of singing in just such a place.

As she warmed up her voice with scales and exercises she had learned as a girl, she fit her voice to the room, well aware though she was that tomorrow evening she would have to make an adjustment to a smaller space.

“Oh, goodness,” Miss Marshall said even before they began to practice either of the pieces they had chosen for the occasion, “the combined room is not too big for you after all, is it? How extraordinary!”