A meddler.

A tyrant.

A bully.

You do not manipulate someone you care for or go out of your way to make her miserable.

Damnation!

His next instinct was to stalk off to the music room and shoo everyone out of the house. There must be a dozen and one other entertainments for them to take themselves off to, after all—there always were during the Season. But though he was frequently impulsive and even reckless, he was almost never bad-mannered—not on such a colossal scale, anyway. Besides, this was not his house. And his grandfather had looked forward so much to this evening.

What he actually ended up doing was going to the music room to see who had come and to make himself agreeable. And it looked, he thought as soon as he walked into the room, as if everyone he had asked had come—and that was actually a vast number of people. The music room was crowded. So was the ballroom, though admittedly many people had not yet taken their seats but were milling about making a great deal of noise.

He greeted Baron Heath and his wife and showed them to the seats in the front row that had been reserved for them. He exchanged pleasantries with a number of friends and acquaintances. He made a point of welcoming Lady Lyle and assured her that she was going to particularly enjoy the concert. When she looked slightly mystified, he smiled at her and told her that she would see what he meant soon enough.

He made his way toward Portia Hunt and the Balderstons and realized with something of a grimace that this was the first time he had given them a thought all evening. The Marquess of Godsworthy, he noticed, was in conversation with his grandfather.

“This is very pleasant,” Lady Balderston said. “A concert at Marshall House is an unusual treat.”

“It will be the best treat, ma’am,” Lucius assured her.

“Caroline told me that the schoolteacher from Bath is to sing,” Portia said. “Is it wise, Lucius? The audience here is likely to be far superior in taste to what she is accustomed to.”

“Miss Allard was not born a schoolteacher, Portia,” he told her. “Nor was she born in Bath. She grew up here in London as a matter of fact and had the best of singing masters.”

“One can only hope,” she said, “that those seated at the back will be able to hear her. Forgive me, Lucius, but your mama is busy with the guests. Is she aware that Amy is here?”

“There is not much concerning her daughters of which my mother is unaware,” he said. “Amy is a member of this family, and this is a family evening that has been opened up to our friends.”

He nodded amiably and walked away before he could start feeling irritable again. He already felt a number of negative things without adding irritability to the list.

The other entertainers had already arrived, and more and more of the members of the audience were taking their seats. There was nothing worse than concerts that started late. It was time to fetch Frances.

She would have his head on a platter when she saw the size of the audience, he thought as he made his way back up to the drawing room. For some reason that escaped his understanding she had given up her dream three years ago and was more than reluctant to take it up again.

A meddler. A tyrant. A bully.

Well, he was guilty as charged, he supposed. Better to be a meddler than a milksop. He had always met life head-on. He was not likely to change at this late date.

She was standing by the window, her back to the room, looking out into the heavy dusk. She looked very straight-backed, but when she turned at the sound of the door, he could see that her face and general demeanor were calm and composed.

He was, he realized, in the presence of the consummate professional. She had been taken by surprise and she had not liked it one bit, but she was now ready to sing.

“Shall we go?” he asked.

She crossed the room without a word and took his offered arm.

It was perhaps, he thought, the last time he would walk anywhere with Frances Allard. She did not want him—or rather she would not have him. And it was time he gave up the pursuit. After tonight she would have a clear choice—he was convinced of that. She could return to Bath or she could put herself into Heath’s hands and forge a new and glorious career.

At least he had arranged matters so that she would have that choice. But he would meddle no more.

If proving his love for her meant letting her go, then he would do it.

It would be the hardest thing he had ever done, though. Passivity did not come naturally to him.

Frances paused when they reached the doorway into the music room and her hand tightened slightly on his sleeve.

“Ah,” she said softly, “so this is what some friends look like.”

There was no question in her words. He did not offer any answer but led her to the empty seat between her great-aunts in the front row.

“Is this not a delightful surprise, dearest?” Miss Driscoll asked her as she seated herself.

“You are not too dreadfully nervous, my love?” Mrs. Melford asked.

Lucius moved away to take his own place on the other side of the center aisle. But everyone was seated, he had seen. And a near hush had fallen at his appearance. He stood again, welcomed everyone, and introduced the first performer of the evening, a violinist of his acquaintance who had been enjoying some success in Vienna and other parts of the Continent during the past year.

His performance was flawless and well received by the audience. So was that of the pianist who followed him and that of the harpist who followed her. But it was hard for Lucius to concentrate. Frances’s turn was next.

Had he made a dreadful error in judgment?

He did not doubt that she would acquit herself well, but . . . Would she ever forgive him?

But, devil take it, someone had to shake her out of her torpor.

He got to his feet to introduce her.

“My grandfather and my youngest sister and I attended a soiree in Bath several weeks ago,” he said, “at which there was musical entertainment. It was there, as part of that entertainment, that we heard for the first time a voice my grandfather still describes as the most glorious soprano voice he has heard in almost eighty years of listening. It was a voice we felt both honored and privileged to hear. Tonight we will hear it again, as will you. Ladies and gentlemen, Miss Frances Allard.”

There was polite applause as Frances got to her feet and Caroline took her place at the pianoforte and spread out sheets of music on the stand.

Frances looked slightly pale but as composed as she had been in the drawing room. She looked calmly at the audience and then lowered her head and even closed her eyes for a few moments. She was, Lucius could see while a hush fell in the combined rooms, filling her lungs slowly with air and then releasing it.

Then she opened her eyes and nodded to Caroline.

She had chosen “Let the Bright Seraphim” from Handel’s Sampson, an ambitious piece for trumpet and soprano. There was no trumpet, of course, only the pianoforte and her voice.

And so her voice became the trumpet, soaring through the intricate runs and trills of the music, filling both rooms with pure sound, which was never shrill, which never overpowered the space or overwhelmed the listeners. Voice, music, space—all were one glorious, perfect blend.

“Let the bright Seraphim in burning row, their loud, uplifted angel trumpets blow.”

She looked at the audience as she sang. She sang to them and for them, involving them all in the triumph of the lyrics and the brilliance of the music. And yet it was clear that this was no mere performance to her. This time—and for the first time—Lucius could see her as she sang, and it was clear to him that she was deep in the world of the music, creating it anew with every note she sang.

He was in that world with her.

So immersed was he, in fact, that he started with surprise when a loud and prolonged applause followed the song. Belatedly he joined in, his throat and chest constricted with what could only be unshed tears.

To say that he was proud of her would be an imposition. He had no right to claim any such feelings. What he felt was . . . joy. Joy in the music, joy for her, joy for himself that he was part of the experience.

And then, even more belatedly, he realized that he should have stood and made some comment and asked for another song. But it was unnecessary to do so. The applause had died away, to be succeeded by a few shushing noises as Caroline spread out another sheet of music and awaited the signal to begin playing.

Frances sang “I Know That My Redeemer Liveth.”

What had been pure brilliance in the first piece became sheer raw emotion in the second. Before she had finished Lucius was blinking back tears, totally unaware of the ignominy of weeping in public at a mere musical performance. She sang it better than she had the last time, if that was possible. But the last time, of course, he had had to fight distractions in order to hear her.

He was on his feet even before the final note had died away, though he did not immediately applaud. He watched her, tall and regal and beautiful, stay in the world of the music until the last echo of sound had died away.

During the timeless moment between the last bar of music and the first sounds of applause, Lucius knew beyond all doubt that Frances Allard was the woman he would love deep in his soul for the rest of his life even if he never saw her again after tonight. And, despite everything, despite all she had accused him of earlier in the drawing room, he was not sorry for what he had done.

By God, he was not sorry. He would do it all again.

And she would never be sorry. She could surely never ever regret tonight.

Finally she smiled and turned to indicate Caroline, who really had done a superb job at the pianoforte. Both of them bowed, and Lucius stood beaming at both, happier than he could ever remember feeling in his life.

It was impossible in that moment not to believe in happy endings.


Frances was happy. Consciously, gloriously happy.

She was where she belonged—she knew that. And she was doing what she knew she had been born to do.

She was filled to the brim and overflowing with happiness.

And instinctively, without thought, she turned as the applause gradually died down to smile at Lucius, standing in the front row, beaming back at her with what she could not avoid seeing was pride and an answering happiness.

And surely more than that.

How foolish she had been! From almost the first moment of their acquaintance she had been given the chance to reach for the stars, to risk all for the vividness of life—for passion and for love itself. And then for music too.

She had chosen not to take the risk.

And so he had taken it for her.

She felt a rush of love so intense that it fairly robbed her of breath.

But the Earl of Edgecombe was making his way toward her. He took her right hand there in front of everyone, bowed over it, and raised it to his lips.

“Miss Frances Allard,” he said, addressing the audience. “Remem-ber the name, my friends. One day soon you will boast of having heard her here before she became famous.”

The concert was over then, and there was the buzz of conversation as some people rose from their places and a line of footmen appeared at the ballroom doors, bearing trays of food and drink to set on the white-clothed tables at the back.

But Frances was not left unattended even though the earl turned away to speak with her great-aunts. Viscount Sinclair stepped up to take his place. He was looking wary again.