She did it! She got the job! If Matt Hallahan hadn't been so overwhelmingly virile she would have kissed him, but she instinctively knew kissing Matt Hallahan would be serious stuff. It would start out as a spontaneous act of happiness and gratitude, and it would end up as pure pleasure. A fairy wouldn't have hesitated for a second, but Lizabeth Kane wasn't a fairy. She was a mother, so she gave herself a mental hug and smiled.

Matt couldn't help smiling back. Her joy was infectious. He stuffed his hands into his pockets to keep from touching her, and wondered what the devil he was going to do with a soft, gullible, 123-pound laborer.

Jason Kane looked at his mother with the sort of cynical excitement peculiar to eight-year-old boys. "Man, this is awesome. My mom, a construction worker. You're gonna bust your buns," he said gleefully. "Those construction workers are tough. They have muscles out to here. They chew tobacco, and they have tattoos. Are you gonna get a tattoo, Mom?"

Lizabeth paused with her knife in the peanut butter jar. "Excuse me? Bust your buns?"

"That's construction-worker talk, Mom. You'd better get used to it."

Ten-year-old Billy was less enthusiastic. "You sure you can handle this, Mom? You're pretty puny. And you're old."

"I'm not that old. I'm thirty-two!" She slathered peanut butter on a slice of bread. "I'm going to be fine. I won't be far away, and I'll have a good-paying job. You two can watch television until Aunt Elsie gets here."

Their eyes opened wide. "Aunt Elsie is coming?" they said in unison.

"She's agreed to come stay with us for the summer so you won't be on your own all day."

Jason sprang out of his seat. "Mom, Aunt Elsie is a hundred years old. She talks to pigeons."

"Aunt Elsie isn't a hundred years old," Lizabeth said. She wrapped her peanut butter and jelly sandwich in a plastic bag and dropped it into a brown paper sack, along with a can of root beer and an apple. "Aunt Elsie is seventy-two and she's almost as good as new."

"They keep her locked up in a camp for old people," Billy said.

Lizabeth tossed the rest of her coffee down her throat. "I have to go. I don't want to be late the first day. And it's not a camp. It's a retirement village, and the man at the gate keeps trespassers out. He doesn't keep Aunt Elsie locked in."

Billy and Jason looked at each other as if they didn't believe her.

Lizabeth stood at the front door. "You guys know the rules. Don't open the door to strangers. Call Mrs. Fee next door if there's a problem. My work address and phone number are posted on the bulletin board in the kitchen."

Billy put his arm around his little brother. "Don't worry, Mom. I can handle it."

"Mmmmm." They were great kids, Lizabeth thought, but Jason had his "ice cream for lunch" look. Good thing Elsie said she'd be there by ten. She kissed both boys and locked the door behind her.

The morning air felt cool on her face. Birds sang. Cicadas droned. Harbingers of hot weather, Lizabeth thought, taking a moment to listen to the insects. Bucks County was lovely in the summer. Lush and green, the air fragrant with the smell of flowers, cut grass, and fresh-turned dirt. The land bordering the Delaware River was a flat, rich floodplain, steeped in history, dotted by quaint towns unmarred by shopping centers and suburban sprawl. This was where Lizabeth chose to live. Chase Mills, Pennsylvania. Seven miles from Washington's Crossing and a forty-five-minute drive from downtown Philadelphia.

Lizabeth wore jeans and a yellow T-shirt and she swung her lunch bag as she walked. The smell of coffee percolating in kitchens carried through the open windows. The newspaper boy cut through front yards, slinging his papers onto porches. Lizabeth could hear him marching up Gainsborough Drive. "Thunk," the paper would hit against a front door. A patch of silence and then another "thunk." In new neighborhoods, like the small cul-de-sac Matt was building, there would be the whir of central air conditioners. Lizabeth's street had no whirring sounds. The houses on Lizabeth's street were old, each one unique, built before the age of the subdivision, and they lacked some of the fancier amenities. The sidewalks were cracked and sometimes tilted from tree roots snaking beneath them. Houses sat back from the street, shaded by mature, thickly leaved maples and hundred-year-old oaks. Bicycles waited on wooden porches that wrapped around clapboard houses. It was a family neighborhood that was gently dealing with mid-life crises. A few homes had succumbed to vinyl siding, but as yet no one had installed a hot tub. Dogs ran loose. Lawns were trimmed but were far from manicured. There was too much shade, too many roots, too many tiny feet tramping through yards for perfect lawns. Rosebushes lined driveways and grew along the occasional picket fence.

Lizabeth walked to the end of Gainsborough Drive and turned into the new, blacktopped cul-de-sac that pushed into a small bit of woods. There were three houses under construction. There was room for four more. A plumber's truck was parked in front of the first house, which was a large colonial, almost completed. Two pickups and a jeep were parked farther down the street. A radio blared. Hammers rhythmically slammed into wood and from inside one of the houses a saw whined. Lizabeth could barely hear any of it over the pounding of her heart. She wiped sweaty palms on her jeans and tried to move forward, but her feet refused to budge. She had no business being here! She belonged back home, in her kitchen. Lizabeth, she told herself, you're a liberated woman. There's no reason for you to live your life in a kitchen. Yes there is, she silently wailed, I like my kitchen. I feel comfortable there. I know how to use a food processor. I do not know how to use a caulking gun. Okay, bottom line. She didn't get paid for working in her kitchen. But why had she chosen this? What had she been thinking yesterday? The answer was obvious. She was thinking of her kids. She took a deep breath. "Okay. I can do it," she said under her breath. "I'm ready. Come on, feet. Get going."

Matt's office was in a small corner of the colonial's unfinished basement. It consisted of a desk, a file cabinet, and a telephone. He spent the first hour of each morning on the phone tracking down building inspectors, roofers, landscapers, and carpenters. As Matt finished his first call, Howie White stood at the top of the stairs and yelled down. "Hey, boss, maybe you'd better come take a look at this. There's a lady standing at the end of the street and she's talking to herself. I don't think she's got both oars in the water."

"Is she pretty, about five feet six, with curly brown hair?"

"Yeah."

"Her name's Lizabeth. Go fetch her. Tell her I sent you."

Five minutes later Lizabeth stood in front of the desk. "I was just getting ready to look for you," she said.

"I figured." He cradled the phone to his ear and poured out two cups of coffee. "Howie had other ideas, though. He figured you were waiting to jump in front of a bus."

"I was having trouble with my feet," Lizabeth said. "They were cold."

Matt handed her a cup of coffee. "Here. Maybe this will warm them up. I have to make a few more phone calls and then we can get out of this basement. As you can see, this is a pretty small operation. I have a partner, but he's in the hospital in a body cast."

"How awful. What happened?" Visions of failed building machinery filled her head.

"Fell off his kid's skateboard and broke his hip. Anyway, we own seven building lots on this cul-de-sac. We've got three houses going up. This one's sold. The other two are spec houses." He saw the question in her eyes. "That means we're building them on speculation. We're using our own money to build and hoping to sell the houses at a good profit when they're done. We subcontract plumbers, carpenters, roofers, drywallers, but we do a lot of the work ourselves."

Lizabeth drank her coffee and watched him. Today he wore a black T-shirt tucked into a pair of faded jeans, and Lizabeth thought he was the most awesome man she'd ever encountered. He was a genetic masterpiece. He was freshly shaven, his blond hair was parted and combed, and his shirt and jeans still held the crease from being laundered and folded. Concessions to civilization, Lizabeth thought. She wasn't about to be fooled by the crease in his jeans. Anyone with eyebrows like that and a tattoo on his arm had to be part barbarian. She guessed at which part, and her conclusion triggered a rush of adrenaline.

"Okay, I'm done." He pushed the phone away and flipped the switch on the answering machine. "I'm going to have you paint trim today." It was the easiest job he could come up with on short notice. She wouldn't have to lift anything heavy, and she wouldn't be near power tools. He handed her a can of white latex enamel. "All you have to do is put a coat of this over the wood that's been primed." He gave her a narrow brush and led the way up the stairs. "You can put your lunch in the refrigerator in the kitchen, and feel free to use the phone to call home if you want to check on your kids."

"Thanks, but they'll be fine. My Aunt Elsie is coming to baby-sit for a while."

Matt nodded. He didn't want to leave her. He wanted to stay and talk to her about her kids, her Aunt Elsie, her sorry house. And he wanted to touch her. He wanted to splay his hand against the small of her back, draw her tight against him, and kiss her for a very long time. He wasn't sure why he found her so desirable. Lately, it seemed the women he met were far less interesting than the houses he built. Lizabeth Kane was the exception. Lizabeth Kane seemed like she would be fun. She reminded him of a kid, waiting in line for her first ride on a roller coaster. She had that frightened look of breathless expectation. He thought about the kiss and decided it might be considered job harassment. He'd been called a lot of things in his thirty-four years. He didn't want to add "sexist pig" to the list. "Well," he said, "if you need me just give a holler." For lack of a better gesture he gave her a light punch in the arm and left her alone with her can of paint.

Two hours later Matt looked in on Lizabeth. She'd made her way up to the second floor, and she was happily singing the theme song from Snow White.

"Hi ho, hi ho, it's off to work we go…" Lizabeth sang as she swiped at the woodwork on her hands and knees.

"Which one are you?" Matt asked. "Dopey? Doc? Sneezy? Sexy?"

Lizabeth stood and cocked an eyebrow. "There's no dwarf named Sexy."

Matt searched his mind. "Are you sure?"

"Trust me on this."

She had paint on her arms, her jeans, her shoes. It was in her hair, splattered on the front of her shirt, and she had a smudge running the length of her cheek. Matt couldn't keep a grin from surfacing. "You're a mess." He reached out and touched a drooping curl. "You have paint in your hair." He'd meant to keep his touch light, his voice casual and teasing, but his hand lingered. His fingertip traced a line down her temple to just below her ear, and desire flared unexpectedly between them.

Lizabeth heard her own breath catch in her throat when he stepped closer. She was scared to death he was going to kiss her, and scared to death that he wouldn't. They watched each other for a long moment, assessing the attraction.

Matt had always felt fairly competent at second-guessing women-until this moment. He didn't want to make any mistakes with Lizabeth Kane. He didn't want to come on too strong or too fast and frighten her away. And he didn't want to make working conditions awkward. And besides that, she was a mother. He'd never before been involved with a mother. In his eyes motherhood was in the same category as a PhD in physics. It was outside his sphere of knowledge. It was intimidating. And the thought of bedding someone's mother-felt a smidgeon irreverent. Not enough to stop him, he thought ruefully. Just enough to slow him down. He considered asking her out, but the words stuck in his throat.

He was standing very close to her with his fingertip barely skimming the smooth, warm line of her jaw. He'd heard the brief intake of breath at his touch and wondered if it was an indication of desire or distress. Perhaps he'd just caught her by surprise. Probably she thought he was a dunce to be standing here with his heart on his sleeve. He dropped his hand and managed a small smile. "You have some paint on your cheek."

Lizabeth blinked at him. "I thought you were going to kiss me."

Matt grimaced. "I was thinking about it, but I chickened out."

She could identify with that. She'd backed away from a lot of frightening situations in the past ten years. Now she was trying to broaden her horizons, get some courage, assert herself. It wasn't easy.