I am standing behind the queen’s chair when I see a small disturbance at the end of the great hall, through the heat haze of the central fire, which the duke has proudly retained here at Penshurst, keeping the old ways in his grand hall. Someone is talking urgently to one of Cardinal Wolsey’s men, and then the message is passed from one to another down the hall, until it reaches the lawyer Thomas More, who leans over the fat red shoulder and whispers in the attentive ear.

“Something has happened,” I say quietly to the queen.

“Find out,” she replies. I step back from her chair into the shadows of the hall and go—not to the cardinal, who has kept his seat and his bland smile, beating time to the dance as if he has heard nothing—but out of the great hall and across the courtyard, where the stable boy is holding the messenger’s steaming horse, and another is taking off the sweaty saddle.

“He looks hot,” I remark, walking past as if on my way to somewhere else.

They both bow low to me. “Nearly foundered,” complains one lad. “I wouldn’t ride a beauty like this so hard.”

I hesitate and pat the horse’s damp neck. “Poor boy. Did he have to come far?”

“From London,” the lad says. “But the messenger is in a worse state—he rode all the way from Essex.”

“That is a long way,” I agree. “It’ll be for the king, then.”

“It is. But worth the effort. He said he would get a gold noble at the very least.”

I laugh. “Well, you will have to reward the poor horse,” I say, and stroll past.

I turn as soon as I am out of sight and walk through the little courtyard at the side of the great hall, entering through the side door with a nod to the guards. I find Thomas More at the back of the hall, watching the dancing. He smiles and bows to me.

“So Bessie Blount has a boy,” I assert.

He has not been long enough at court to learn to veil his honest brown eyes. “Your ladyship . . . I cannot say,” he stammers.

I smile at him. “You don’t need to say,” I tell him. “Indeed, you didn’t say,” and I return to my place beside the queen before anyone notices that I have gone.

“It’s news from Bessie Blount,” I say to her. “Compose yourself, Your Grace.”

She smiles and leans forward to clap her hands in time with the music as the king steps into the center of the circle, puts his hands on his hips, and dances a rapid jig, his feet pounding the ground.

“Tell me,” she says over the shouts of applause.

“She must have had a boy,” I say. “The messenger was counting on a reward. The king would only pay for news of a boy. And Wolsey’s man Thomas More did not deny it. He’ll never make a courtier, that man, he can’t lie at all.”

Her fixed smile never wavers. Henry twirls around at the burst of applause that greets the end of his dance and sees his wife jumping to her feet in her pleasure at his performance. He bows to her and leads another girl into the ring.

She sits down again. “A boy,” she says flatly. “Henry has a live son.”

GREENWICH PALACE, LONDON, SPRING 1520

Bessie comes out of confinement and finds herself promptly churched and married off to Cardinal Wolsey’s ward, young Gilbert Tailboys, whose father is so weak in the head that he cannot protect his son from a wife who is used goods. Just as the queen foresaw, the king does not return to his former lover, as if birth has given him a distaste for her. As he matures the king seems to be developing a taste for either notorious beauties or unspoiled girls.

Queen Katherine says nothing: nothing about Bessie, nothing about Henry Fitzroy, nothing about Mary Boleyn, the daughter of my steward Sir Thomas, who now comes to court from France, and attracts attention for her fair prettiness. She is an inconsequential little thing, newly married to William Carey, who seems to enjoy the court’s admiration of his charming wife. The king singles her out, asks her to dance, promises her a good horse of her very own. She laughs at his pleasantries, admires his music, and clasps her hands in delight like a pretty child when she sees the horse. She plays the part of an innocent, and the king likes to spoil her.

“Better for me that he amuses himself with a wife rather than a maid,” the queen remarks quietly. “It feels less . . .” She chooses her word “. . . injurious.”

“Better for us all,” I reply. “If he has her, and gives her a son, then the bastard will be put in the Carey cradle, named Henry Carey, and we won’t have another Henry Fitzroy.”

“D’you think she will have a boy as well?” she asks me with a sad little smile. “You think Mary Boleyn can carry a Tudor boy? Birth him live? Raise him? You think that it is only I who cannot give the king a son?”

I take her hand, but I cannot look her in the eyes and see her pain. “I didn’t mean to say that, because I don’t know, Your Grace. No one can know.”

What I do know as the Lenten lilies come out along the riverbank and the blackbirds start to sing at dawn, which comes earlier every day, is that the king is certain to bed Mary Boleyn, for the affair has gone beyond little gifts—he is writing poetry. He hires a choir to sing under her window on May Day morning and the court crowns her Queen of the May. Her family—my steward Sir Thomas and his wife, Elizabeth, daughter of the old Duke of Norfolk—see their pretty daughter in a new light, as a step to wealth and position, and like a pair of cheerful bawds wash her and dress her and bejewel her and present her to the king as if she were a fat little pigeon ready for the pie.

THE FIELD OF THE CLOTH OF GOLD, FRANCE, SUMMER 1520

They call it the Field of the Cloth of Gold, for the canopies and the standards and even the tents gleam with real gold thread, and the damp fields around Calais become the dazzling center of Christendom. Here the two greatest kings come together in a competition of beauty and strength, swearing peace, a peace that will last forever.

Henry is our golden king, as dashing and handsome and stylish as the King of France, extravagant as his father could never have been, generous in his politics, sincere in his quest for peace: everyone in his train is proud of him. And at his side, rejuvenated, beautiful, taking her place on the greatest stage in Christendom, is my friend the queen, and I am glowing with pride for her, and for them both, for the long struggle they have had to get to peace with France, prosperity in England, and a settled loving accord with each other.

It does not matter to me or to the queen that all of her ladies fold into a curtsey, almost a swoon, when the king—either king—comes by. It does not matter to me that Francis of France kisses every one of the queen’s ladies except old Lady Eleanor, the Duchess of Buckingham, Ursula’s fierce mother-in-law. Katherine and Queen Claude of France strike up an immediate friendship and understanding of each other. They are both married to handsome young kings; I imagine they share more difficulties than they discuss.

My sons Montague and Arthur shine in these two hotly competitive courts; Geoffrey is at my side, learning courtly manners at this, the greatest event that the world will ever see; Ursula is in attendance on the queen, though she will have to go into confinement in the autumn; and one afternoon, without warning, my son Reginald comes into my private room on the queen’s side of the castle, and kneels at my feet for my blessing.

I am breathless with surprise. “My boy! Oh! My boy, Reginald.”

I raise him up and kiss him on both cheeks. He is taller than me and he has filled out; he is a handsome young man now, strong and serious, twenty years old. He has thick brown hair and dark brown eyes. Only I can see in his face the little boy that he was. Only I remember leaving him at Sheen Priory, when his lip trembled but they told him he could not speak to ask me to stay.

“Are you allowed to be here?” I ask.

He laughs. “I am not sworn to an order,” he reminds me. “I am not a child at school. Of course I can be here.”

“But the king—”

“The king expects me to study throughout Christendom. I often travel from Padua to visit a library or a scholar. He expects that. He pays for it. He encourages it. I wrote to him to tell him I would come here. I am to meet with Thomas More. We have written so much to each other and we have promised ourselves an evening of debate.”