‘No. He said once you go down that road you never get back to being taken seriously as a musician, but, of course, Paul Ziller does it and my mother… She’s already so grateful to you for getting work for my father and she’d come to see you and you’d hate it.’

‘Would I?’ said Quin, in a voice she hadn’t heard him use before. ‘Well, perhaps. Anyway, I’ll phone Dick and he’ll get some new papers drawn up. Don’t worry, we’ve probably only lost a month or two.’

She smiled. ‘Thank you. It’s such a relief. I can face my essay on “Parasitism in the Hermit Crab” now. It was just a blur before.’

It was not till the end of the day that Quin, mysteriously restored to good humour, could ring his lawyer.

‘She has done what?’ said Proudfoot incredulously.

‘I’ve told you. Left the annulment papers on the bus.’

‘I don’t believe it! They were in a damn great roll as long as an arm and tied up with red tape.’

‘Well, she has,’ said Quin, outlining the saga of the edible boletus. ‘So it’s back to the drawing board, I’m afraid. Can you get another lot drawn up?’

‘I can, but not this week — my clerk’s off ill. And after that I’m going to Madeira for a fortnight so you can forget the next sitting of the courts.’

‘Well, it can’t be helped,’ said Quin — and it seemed to Dick that if he wanted to marry Verena Plackett, he did not do so badly. ‘What are you going to do in Madeira?’

‘Have a holiday,’ said Proudfoot. ‘And paint. Your wife thought I should take it up again.’

‘My —’ Quin broke off, aware that he had never used those words about Ruth.

‘Well, she is your wife, isn’t she? God knows why you want to get rid of her — you must be mad. However, it’s none of my business.’

‘No, it isn’t,’ said Quin pleasantly. ‘And I warn you, when she comes to see you again don’t mention Professor Freud or you’ll get your head bitten off.’

‘Why the devil should I mention him? I don’t understand the first thing about all that stuff.’

‘That’s all right then. I’m only warning you.’

Chapter 23

It was Paul Ziller who introduced Heini to Mantella.

‘He’s a very good agent. A bit of a thruster, but they have to be. Why don’t you go and see him?’

‘Do you use him?’

Ziller shook his head. ‘He’s only interested in soloists and celebrities.’

‘Well, you could be a soloist.’

‘No. I’m an ensemble player.’ Ziller was silent, pursuing his thoughts. Returning to the Day Centre to re-establish his claim, he had found, among the wash basins, an emaciated and exceedingly shabby man playing the cello — and playing it well. This had turned out to be Milan Karvitz from the Prague Chamber Orchestra, just returned from the International Brigade in Spain… and Karvitz, in turn, had brought along the viola player from the disbanded Berliner Ensemble. The three of them played well together though it was a tight fit in the cloakroom, but the repertoire for string trio was limited and now a man had written from Northumberland where he was working as a chauffeur. Ziller knew him by reputation — a fine violinist, an unselfish player — but it was out of the question. He could never replace Biberstein; never. ‘Anyway,’ he went on, pulling himself out of his reverie, ‘I’ve spoken to him about you. Why don’t you go along?’

Mantella, though brought up in Hamburg, was a South American by birth, with an olive skin, a pointed black beard and a legendary nose for sniffing out talent. In Heini, presenting himself the following day in the elegant Bond Street office, he at once saw possibilities. The musical gift could not be in doubt — all those medals from the Conservatoire and a debut with the Philharmonic promised in Vienna — but more importantly, the boy had instant emotional appeal. Even Mantella, however, could not get a concert for a pianist unknown in England and not yet established on the continent.

He had, however, a suggestion to make.

‘There’s an important piano competition here at the end of May. It’s sponsored by Boothebys — the music publishers. They’re big in the States and here too. No, don’t look like that; it may be commercially sponsored, but the judges are absolutely first class. They’ve got Kousselovsky and Arthur Hanneman and the Director of the Amsterdam Conservatoire. The Russians are sending two candidates and Leblanc’s entered from Paris.’

‘He’s good,’ said Heini.

‘I tell you, it’s big. After all, Glyndebourne is run by auctioneers! The commercial sponsorship means that the prizes are substantial and the press is getting interested. The finals are held in the Albert Hall — they’ve got the BBC Symphonia to accompany the concertos — and that isn’t all!’ He paused for dramatic effect. ‘Jacques Fleury is coming over from the States!’

That settled it. Fleury was one of the most influential concert impresarios in the world with houses in Paris and London and New York. ‘What are the concertos? I could learn a new one, but I’ve only got a rotten little piano and I’d rather play something I’ve studied.’

Mantella pulled out the brochure. ‘Beethoven’s Number 3, the Tchaikovsky Number 1… Rachmaninoff 2… and Mozart Number 17.’

Heini smiled. ‘Really? Number 17? The Starling Concerto? Well, well!’

Mantella’s glance was sharp. ‘What do you mean, the Starling Concerto?’

‘The last movement is supposed to be based on the song of a starling Mozart had. My girlfriend would want me to play that — I used to call her that… my starling — but it isn’t showy enough. I’ll play the Tchaikovsky.’

‘Wait a minute — didn’t I see something in the papers? Did she ever work as a waitress?’

‘Yes, she did. She still does in the evening, but she won’t for long; I’ll see to that.’

‘I remember… some article by a chap who went into a refugee café. There was a picture… lots of hair and a snub nose.’ Mantella twiddled his silver pencil. The girl had been very pretty — girls with short noses always photographed well. ‘I think you should play the Mozart.’

Heini shook his head. ‘It’s too easy. Mozart wrote it for one of his pupils. I’d rather play the Tchaikovsky.’

‘You can give them the pyrotechnics in the preliminary rounds. You get the chance to play six pieces and only two of them are obligatory: a Handel suite and Beethoven’s Hammerklavier. You can dazzle them with Liszt, Chopin, Busoni… show them nothing’s too difficult. Then when you’re through to the finals come on quietly and play the Mozart.’

‘But surely —’

‘Heini, believe me; I know what I’m talking about. The Russians will go for Tchaikovsky and Rachmaninoff and you can’t beat them. And we can use the story — you and the girl. Your starling. After all, we’re not just trying to win, we’re trying to get you engagements. America’s not out of the question — I have an office there.’

‘America!’ Heini’s eyes widened. ‘It’s what I’ve dreamt of. You mean you’d be able to get me a visa?’

‘If there’s enough interest in you. Fleury could fix it if he wished. Now here are the conditions of entry and the dates. There’s a registration fee, but I expect you can manage that.’

‘Yes.’ The Bergers were funny about Dr Friedlander — they wouldn’t take anything from him, but that was silly. The dentist was musical; he’d be glad to help.

‘Good.’ Mantella rose as a sign that the interview was over. ‘Come back next week with the completed form — and bring the girl!’

Heini left the office in a daze. Passing Hart and Sylvesters in Bruton Street, he stopped to stare at a pair of hand-stitched gloves in the window. Liszt had always come onto the platform in doeskin gloves and dropped them onto the floor before he went to the instrument. He was glad Mantella had mentioned Liszt — he’d play the Dante Sonata; it was hellishly difficult but that was all to the good. It was time virtuoso playing came back into fashion. People like Ziller were all very well, but even the greatest musicians had not been averse to an element of showmanship.

How pleased Ruth would be that he had decided to play the Mozart! Well, Mantella had decided, but there was no need to mention that; no point in depriving her of the happiness she would feel. And if it meant America! They would be married over there — he’d rather dreaded a scrappy wedding in the squalor of Belsize Park.

Abandoning the hand-stitched gloves, dreaming his dreams, Heini made his way to Dr Friedlander’s surgery in Harley Street.

‘She’s done it!’ said Dr Felton gleefully, pushing away the pile of exam papers he had been marking. He’d checked and double checked to make sure he’d been completely fair, and he had. Ruth had beaten Verena Plackett by two marks in the Marine Zoology paper, and by three in the Parasitology.

‘Which, considering what she’s been up against, is quite an achievement,’ said Dr Elke, inviting her fellow members of staff to a celebratory glass of sherry in her room.

They had all been worried about Ruth who had been found asleep in various unexpected places in the college and had ended up in the Underground terminus of the Northern Line after a longer night than usual discussing the fingering of Beethoven’s Hammerklavier.

‘And Moira’s decided to adopt!’ said Dr Felton, in the grip of end-of-term euphoria. ‘So no more thermometers!’

The marks, when they went up on the board, gave general satisfaction. Verena was top in the other two theory papers and since one of these was Palaeontology, she was content. Sam had done unexpectedly well, and both Huw and Janet were comfortably through.

But it was Pilly’s results that were the most surprising. She had failed only the Physiology practical in which she had fainted while pricking her finger to get a sample of blood, and was to be allowed to take her Finals without a resit.

‘And it’s all because of you, Ruth,’ said Pilly, hugging her friend.

The party on the last day of term was thus a cheerful affair. Heini came, and even those of Ruth’s friends who had been critical of his demands were charmed by his broken accent and wistful smile. Since his meeting with Mantella, he had been in excellent spirits and when Sam produced a pile of music from the piano stool and begged him to play, he did so without demur.

Quin, on the same evening, had been bidden to a pre-Christmas gathering of eminent academics at the Vice Chancellor’s Lodge. Arriving purposely late, he paused for a few moments outside the lighted windows of the Union Hall.

Heini was at the piano and Ruth sat by his side. She wore the velvet dress she had worn on the Orient Express and her head was bent in total concentration as she followed the score. Then she rose, one arm curved over the boy’s head… her fingers, in one deft movement, flicked the page.

‘You have to be like a wave when you turn over,’ she had told him on the train. ‘You have to be completely anonymous.’

Quin walked on across the darkened quadrangle. It seemed to him that he had never seen an action express such dedication, such gracefully given service — or such love!

Christmas Eve in the Willow would have surprised passers-by who were given to understand that it was a refugee café largely frequented by displaced persons and run by austere and frugal spinsters.

The tables had been pushed to the edge of the floor and in the centre stood the tree in all its festive glory. This tree had not been dug out of the garden of Mrs Weiss’s son, Georg, while her daughter-in-law slept, though the old lady had been perfectly willing to attempt this foul deed. It had been bought in a shop, yet it was Mrs Weiss who was its source. A week before Christmas the hard-pressed Moira had paid a secret visit to Leonie and struck a bargain. A liberal sum of money which Moira could well spare if Leonie could guarantee that her mother-in-law was out of the house for the whole of Christmas Eve.

‘I’ve got some people coming in — clients of George’s; important ones. You understand?’

Leonie, at first, had been inclined to refuse, but on reflection it seemed to be a fair bargain. She herself, while still prosperous and in her native land, would have paid twice what Moira was offering to be sure of Christmas Eve without Mrs Weiss. She took the money and went shopping with the old lady for the tree, the silver tinsel, the candles, the spices, the rum…

Now the café was a bower of green, the glockenspiel of the banker’s wife set up a sweet tinkling over the hubbub of voices… Voices which were stilled as Miss Maud, now primed in the mysteries of an Austrian Holy Night, handed the matches to Ruth.