9. Is Hitler cruel toward Eva? How would you expect him to treat her?

10. On their first date, Hitler compliments Eva on “the pleats in my dress saying he loves repetition.” How is this love of repetition a symbol of his regime to come?

11. To what extent does the author expect us to know about the world outside the bunker? Are these offstage events important to understanding the full scope of the novel?

12. Where does history leave off and fiction begin in Mueller’s novel?

13. How does Eva’s status change once she moves into the bunker?

14. Life in the bunker meant everybody lived under stressful, unpleasant, and hazardous conditions. How did Eva cope?

15. Above the bunker the war is raging to its catastrophic end. How much do you think Eva knows or cares about what’s happening to Germany?

16. Until they moved into the bunker, Eva was more or less an invisible figure on the sidelines of Hitler’s life. Why?

17. Could Eva have been as innocent as she appears, or must she be judged an accomplice to Hitler’s barbarity?

18. Did Eva show any awareness or feeling about Hitler’s Jewish policy?

19. What does “patient” refer to in the title?

20. Hitler’s charisma—his magnetism—is legendary. To what extent is his charisma palpable in the novel?

21. During an intimate encounter between Hitler and Eva, he speaks of ideal love as a German and a French soldier atop each other in the trenches who blow themselves up with a grenade. There’s been speculation over the years that Hitler was a homosexual. Does this story suggest he was?

22. Did it surprise you that Hitler does not have sexual relations in a normal fashion? Mueller never actually explains what prompts their unorthodox sexual practice in the book. What’s your speculation? Psychological or physical?

23. Why do you think he calls Eva his grenade? Does this foreshadow their suicidal end? Or is it a sexual metaphor for the sexual act?

24. Eva’s attitude about Hitler is total acceptance, idealization, and obsession, totally sublimating her own needs. Do you know women who act similarly with powerful or controlling men? What do you make of this phenomenon?

25. Though Hitler was responsible for some of the most inhumane acts in history, he’s presented in this book with some positive qualities, such as love of animals, promotion of healthy living, etc. How do these descriptions affect your view of him?

26. Eva says when she first met Hitler in the camera shop, he struck her as being very “ordinary.” Were his ordinary qualities part of his extraordinary rise?

27. Does Hitler believe he is an ethical person?

28. Is it a moral or ethical mistake to humanize somebody as evil as Hitler ? Is there a danger we will begin to forgive his atrocities as a result?

29. By denying Hitler’s humanity, does a writer risk severing connection to the rest of us? Or by making Hitler a mythical monster, do we rule out the possibility we may find something of him in each of us ?

30. Why would an author want to enter a mind of such dehumanizing evil as Adolf Hitler’s?

31. What about the other residents of the bunker? Do they also have positive and negative qualities?

32. The philosopher Primo Levi warns, “More dangerous are the common men” in Nazi Germany. Do you agree? Who are the “common men” in the novel?

33. Did reading about Hitler’s days in the bunker remind you of Osama bin Laden and his entourage in hiding? Do you see any similarities between the two men in terms of their beliefs and lifestyles?

34. Magda has the chance to get her children out but chooses not to. What do you think about that decision? What does her character add to the overall atmosphere of the book?

35. How do you think you’d react faced with a brutal social injustice, especially one that might endanger your own life or your family’s if you were to take a stand against it?

36. What do you think about Hitler’s decision to commit suicide rather than face certain capture? Do you agree that his capture would have been certain?

37. How was the act of suicide portrayed? Was it an act of cowardice? Or was it more complex?

38. Did Eva die for a cause or for blind obedience or for love? Hitler urges her to escape. Why does she refuse?

39. What do you think would have become of Eva had she not committed suicide? Would she have been executed for war crimes? Placed in an asylum? Allowed to return to civilian life? What would the fate of “Hitler’s wife” have been post-World War II?

40. What questions would you have liked to ask Eva if she had lived to be fifty? Remember, she ended her life at a relatively young age.

41. To what extent do we see Hitler through a romantic lens? Can you imagine having a romantic fantasy about Hitler? Women in the Soviet Union were openly besotted by Stalin. Some women found Osama bin Laden attractive. What is it about sheer power that can act as an aphrodisiac?

42. What was the most difficult part of the novel to accept? Did you find the novel offensive in any way?

43. How do you think the child or grandchild of a Holocaust survivor might react to the novel? Would you give this novel to a Jewish friend?

44. Should the author have more openly condemned Eva’s attitudes or Hitler’s actions? If she had taken a more judgmental tone, how would that have altered your own interaction with the story and the life of its characters?

45. What about “stand by your man”? Is there a connection so deep between man and woman that nothing one can do will turn the other against him or her? What do you think about the women who turn in their men after discovering a serious wrongdoing? At what point, if any, can your mate cross a line that forces you to sever the relationship and expose the crime? Or is there no line when it comes to love?

46. Why does Eva sometimes wish Hitler were just an artist with “only colors to capture”?

47. If Hitler as a young man had been accepted as an artist, how might history have been different?

Copyright

NEW YORK AN OPUS ORIGINAL

Copyright © 2013 by Lavonne Mueller

All rights reserved.

No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

Publisher’s Cataloging-in-Publication

Mueller, Lavonne.

The patient ecstasy of Fräulein Braun : a novel / Lavonne Mueller.— New York : Opus, c2013.

ISBN: 978-1-62316-008-1 (cloth); 978-1-62316-009-8 (epub); 978-1-62316-010-4 (Kindle); 978-1-62316-011-1 (Adobe PDF)

Includes bibliography.

Summary: A disturbing, erotic novel about Hitler seen through the eyes of the woman who worshipped him, set in the claustrophobic and morally twisted underground world of the Führerbunker and the Third Reich’s last gasp.

1. Braun, Eva—Fiction. 2. Hitler, Adolf, 1889-1945—Fiction. 3. Germany—History—1933-1945—Fiction. 4. World War, 1939-1945—Germany—Fiction. 5. Statesmen’s spouses—Fiction. 6. Mistresses—Fiction. 7. Man-woman relationships—Fiction. 8. Biographical fiction. 9. Historical fiction. 10. Erotic fiction. 11. Love stories. I. Title.

PS3563.U346 P38 2013

813/.54—dc23 1304

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