'Oh well,' I say hurriedly. 'That's neither here nor there, really.'

'So you wrote all this yesterday?' says Dad. 'On my typewriter?' He seems astounded.

'Yes,' I say smugly. "It looks good, doesn't it? Have you seen my by-line? "By Rebecca Bloomwood".'

'Janice'll be thrilled,' says Martin. 'I'm going to buy two copies.'

'I'm going to buy three,' says Dad 'Your granny will love to see this.'

'And I'll buy one,' I say. 'Or two, perhaps.' I carelessly reach for a handful and plonk them on the counter.

'Six copies?' says the assistant. 'Are you sure?'

'I need them for my records," I say, and blush slightly.

When we get home, Mum and Janice are both waiting at our front door, desperate to see a copy.

'My hair!' wails Janice as soon as she sees the picture.

'It looks terrible! What have they done to it?'

'No it doesn't, love!' protests Martin. 'You look very nice.'

'Your curtains look lovely, Janice,' says Mum, looking over her shoulder.

'They do, don't they?' says Martin eagerly. 'That's just what I said.'

I give up. What kind of family have I got, that are more interested in curtains than top financial journalism?

Anyway, I don't care. I'm mesmerized by my byline. 'By Rebecca Bloomwood.' 'By Rebecca Bloom wood.'

After everyone's peered at the paper, Mum invites Janice and Martin round to ours for breakfast, and Dad goes and puts on some coffee. There's a rather festive air to the proceedings, and everyone keeps laughing a lot. I don't think any of us can quite believe that Janice and Martin are in the Daily World. (And me, of course. 'By Rebecca Bloomwood'.)

At ten o'clock, I slope off and ring up Eric Foreman. Just casually, you know. To let him know I've seen it. 'Looks good, doesn't it?' he says cheerfully. 'The editor's really going for this series, so if you come up with any more stories like this just give me a shout. I like your style. Just right for the Daily World.'

'Excellent,' I say, although I'm not quite sure whether that's a compliment or not.

'Oh, and while I'm at it,' he adds, 'you'd better give me your bank details.'

My stomach gives a nasty lurch. Why does Eric Foreman want my bank details? Shit, is he going to check that my own finances are in order or something? Is he going to run a credit check on me?

'Everything's done by transfer these days,' he's saying.

'Four hundred quid. That all right?'

What? What's he-

Oh my God, he's going to pay me. But of course he is. Of course he is!

'That's fine,' I hear myself say. 'No problem. I'll just ahm… give you my account number, shall I?'

Four hundred quid! I think dazedly as I scrabble for my chequebook. Just like that! I can't quite believe it.

'Excellent,' says Eric Foreman, writing the details down. 'I'll sort that out for you with Accounts.' Then he pauses. 'Tell me, would you be in the market for writing general features? Human interest stories, that kind of thing?'

Would I be in the market? Is he kidding?

'Sure,' I say, trying not to sound too thrilled. 'In fact…I'd probably prefer it to finance.'

'Oh right,' he says. 'Well, I'll keep an eye out for bits that might suit you. As I say, I think you've got the right style for us.'

'Great,' I say. 'Thanks.'

As I put the phone down, there's a huge smile on my face. I've got the right style for the Daily World! Ha! At last I've found my niche!

The phone rings again, and I pick it up, wondering if it's Eric Foreman offering me some more work already.

'Hello, Rebecca Bloomwood,' I say in a businesslike voice.

'Rebecca,' says Luke Brandon's curt voice – and my heart freezes. 'Could you please tell me what the fuck is going on?'

Shit.

Shit, he sounds really angry. For an instant I'm paralysed. My throat feels dry; my hand is sweaty round the receiver. Oh God. What am I going to say?

What am I going to say to him?

But hang on a minute. I haven't done anything wrong.

'I don't know what you mean,' I say, playing for time. Keep calm, I tell myself. Calm and cool.

'Your tawdry effort in the Daily World,' he says scathingly. 'Your one-sided, unbalanced, probably libellous little story.'

For a second I'm so shocked I can't speak. Tawdry? Libellous?

'It's not tawdry!' I splutter at last. 'It's a good piece. And it's certainly not libellous. I can prove everything I said.'

'And I suppose getting the other side of the story would have been inconvenient,' he snaps. 'I suppose you were too busy writing your purple prose to approach Flagstaff Life and ask for their version of events. You'd rather have a good story than spoil it by trying to give a balanced picture.'

'I tried to get the other side of the story!' I exclaim furiously. 'I phoned your stupid PR company up yesterday and told them I was writing the piece!'

There's silence.

'Who did you speak to?' says Luke.

'Alicia,' I reply. 'I asked her a very clear question about Flagstaff's policy on switching funds, and she told me she'd get back to me. I told her I had an urgent deadline.'

Luke gives an impatient sigh.

'What the fuck were you doing, speaking to Alicia? Flagstaff's my client, not hers.'

'I know! I said that to her! But she said you were a very busy man and she could deal with me.'

'Did you tell her you were writing for the Daily World?'

'No,' I say, and feel myself flush slightly red. 'I didn't specify who I was writing for. But I would have told her if she'd asked me. She just didn't bother. She just assumed I couldn't possibly be doing anything important.' In spite of myself, my voice is rising in emotion. 'Well, she was wrong, wasn't she? You were all wrong. And maybe now you'll start treating everybody with respect. Not just the people you think are important.'

I break off, panting slightly, and there's a bemused silence.

'Rebecca,' says Luke at last, 'if this is about what happened between us that day – if this is some kind of petty revenge'

God, I'm really going to explode now.

'Don't you bloody insult me!' I yell. 'Don't you bloody try and make out this is some kind of personal thing! It's got nothing to do with that! It's your company's incompetence that's to blame! I was completely professional. I gave you every chance to put your side of the story. Every chance. And if you blew it, that's not my fault.'

And without giving him the chance to reply, I slam the phone down.

I'm feeling quite shaky as I go back into the kitchen. To think I ever liked Luke Brandon. To think I tablehopped with him. To think I let him lend me twenty quid. He's just an arrogant, self-centred, chauvinistic-

'Telephone!' says Mum. 'Shall I get it?'

Oh God. It'll be him again, won't it? Ringing back to apologize. Well, he needn't think I'm that easily won round. I stand by every word I said. And I'll tell him so. In fact, I'll add that-

'It's for you Becky,' says Mum.

'Fine,' I say coolly, and make my way to the telephone. I don't hurry; I don't panic, I feel completely in control.

'Hello?' I say.

'Rebecca? Eric Foreman here.'

'Oh!' I say in surprise. 'Hi!'

'Bit of news about your piece.'

'Oh yes?' I say, trying to sound calm. But my stomach's churning. What if Luke Brandon's spoken to him? What if I did get something wrong? Oh shit, I did check all the facts, didn't I?

'I've just had Morning Coffee on the phone,' he says. 'You know, the TV programme? Rory and Emma. They're interested in your story.'

'What?' I say stupidly.

'There's a new series they're doing on finance. "Managing your Money." They get some financial expert in every week, tell the viewers how to keep tabs on their dosh.' Eric Foreman lowers his voice. 'Frankly, they're running out of stuff to talk about. They've done mortgages, store cards, pensions, all the usual cobblers…'

'Right,' I say, trying to sound intelligent. But as his words slowly sink in, I'm feeling a bit dazed. Rory and Emma have read my article? Rory and Emma themselves? I have a sudden vision of them holding the paper together, jostling for a good view. But of course, that's silly, isn't it? They'd have a copy each.

'So, anyway, they want to have you on the show tomorrow morning,' Eric Foreman's saying. 'Talk about this windfall story, warn their viewers to take care. You interested in that kind of thing? If not, I can easily tell them you're too busy.'

'No!' I say quickly. 'No. Tell them I'm…' I swallow. 'I'm interested.'

As I put down the phone, I feel faint. I can't quite believe it. I'm going to be on television.


***

BANK OF HELSINKI

HELSINKI HOUSE

124 Lombard st

London EC2D 9YF


Rebecca Bloomwood

c/o William Green Recruitment

39 Farringdon Square

London EC4 7TD


27 March 2000

Hyvi Rebecca Bloomwood

Oli erittiin hauska tavata teidit viime viikolla, vaikka tapaaminen jiikin lyhyeksi. Olitte selvisti hermostunut, miki on aivan ymmirrettivai. Siiti huolimatta mini ja kollegani ihailimme tavalli suudesta poikkeavaa luonteenlaatuanne. Olemme varmoja, etti tgisti olisi yhtiall emme paljon hyatyi, ja mielellimme tapaisimme teidit uudestaan, ehki lounaan merkeissi.

Haluaisin onnitella teiti suurenmoisesta artikkelis tanne Daily World -lehdessi. Olette selvisti taitava ilmaisemaan ajatuksianne, ja on suuri ilo piisti pian keskustelemaan kanssanne iidinkielel lini. Toivoisin etta ottaisitte minuun yhteytta ylli mainitulla osoitteella.


Parhain terveisin

Ystivillisesti

Jan Virtanen

Nineteen

The car to take me to the television studios arrives promptly at 7.30 the next morning. As the doorbell rings, Mum, Dad and I all jump, even though we've been waiting in a tense silence for ten minutes.

'Well,' says Dad gruffly, glancing at his watch. 'They're here, anyway.'

Ever since I told him about the arrangements yesterday, Dad's been predicting that the car won't turn up and that he'll have to drive me to the studios himself. He even worked out a route last night, and phoned up Uncle Malcolm as a standby. (To be honest, I think he was quite looking forward to it.)

'Oh Becky,' says Mum in a trembling voice. 'Good luck, darling.' She looks at me, then shakes her head.

'Our little Becky, on television. I can't believe it.'

I start to get up, but Dad puts out a restraining arm.

'Now before you answer the door, Becky,' he says. You are sure, aren't you? About the risk you're taking.'

He glances at Mum, who bites her lip.

'I'll be fine!' I say, trying to sound as soothing as possible. 'Honestly, Dad, we've been over it all.'

Last night, it suddenly occurred to Dad that if I went on the telly, my stalker would know where I was. At first he was adamant I'd have to call the whole thing off – and it took an awful lot of persuasion to convince him and Mum I'd be perfectly safe in the TV studios.

They were even talking about hiring a bodyguard, can you believe it? I mean, what on earth would I look like, turning up with a bodyguard?

Actually, I'd look pretty cool and mysterious, wouldn't I? Damn. That might have been quite a good idea.

The doorbell rings again and I leap to my feet.

'Well,' says Dad. 'You just be careful.'

'I will, don't worry!' I say, picking up my bag. I walk to the door calmly, trying not to give away how excited I feel. But inside I feel as light as a bubble.

I just can't believe how well everything's going. Not only am I going to be on the telly – but everyone's being so nice to me! Yesterday I had several phone conversations with an assistant producer of Morning Coffee, who's a really sweet girl called Zelda. We went over exactly what I was going to say on the programme, then she fixed up for a car to come and pick me up – and when I told her I was at my parents' house with none of my clothes handy, she thought for a bit, then said I could choose something to wear from the wardrobe. I mean, how cool is that? Choosing any outfit I like from the wardrobe! I expect they'll let me keep it afterwards, too.

As I open the front door, my stomach gives an excited leap. There, waiting in the drive, is a portly, middle-aged man in a blue blazer and cap, standing next to a shiny saloon car. My own private chauffeur!