'Let me go!' Alys said, suddenly shaking Eliza off. 'Let me go, damn you! Let me go!'

She pushed Eliza roughly aside and fled down the stairs, through the hall where the servants were putting out great jugs of ale and beer, and out across the yard to the bakehouse. Only there, when she had slipped through the door and slammed it behind her and sunk down to the hearthstone, did she let herself weep. And then, to her horror, she felt her vomit rising, rising up in her throat again.

She kneeled and faced the embers of the bakehouse fire and felt her throat clench against the rising tide of bile. Then she vomited, spewing it out into the ashes. Six times she heaved and puked until her belly was empty and her mouth sour.

And it was then that Alys knew fear. For in the embers of the fire, whole and untouched, unblemished in its white circle, was the sanctified wafer. Not a mark on it, as whole as when she had sworn an oath and chewed it and swallowed it. It had choked her as she had known it would.

Ten

The night drew in, darker and colder, and Alys, still hidden in her refuge at the bakehouse, heard the shouts and clatter of supper and then the querulous voices of tired servants clearing up. From the courtyard she could hear the shouts of servants who were leaving the castle and going into town, she could hear the march of the soldiers coming from their duty at the castle gates, a few steps in rhythm and then a disorderly straggle towards the guardroom, a few shouted jests and then the numbing silence of night. Still Alys waited, shrouded in silence and darkness, waited for the moon to rise above the dark squat bulk of the great hall, waited for the last flickering candles to go out at the little windows. Waited for the peak of the night, sitting on the cooling hearthstone of the bakehouse fire.

As it grew more and more chill she took a ragged old coat from the back of the door, wrapped it around her thin shoulders and put a few little pieces of kindling into the embers. When they flickered into flame she tossed on a dry log. Then she sat very still, watching the flames and saying nothing. Alys sat still and silent in a little island of solitude, as if she were waiting for something to come to her – some clarity or some hope. She knew that she was a sinner; far, far from the God of her mother, from the God of her innocent childhood in the nunnery. Despite the hours on her knees, despite the smile on the face of the statue, she would not be forgiven for running from her sisters when the fires of hell had opened around them. She would not be forgiven for the sin of lust. She could not take the devil on loan. She was so far from the peace of Christ that she vomited if she ate his bread.

Alys threw on another log. The firelight flickered and threw ominous moving shadows around her. Out in the yard someone screamed in mock fright and cried out 'Jesu save me!' but Alys did not cross herself. She knew that she alone, of all the castle, could never be saved. She squatted at the stone hearthside like a stone herself, and watched the flames burn up her hopes, her chance of returning to the abbey, her chance of forgiveness. All night she watched and waited by the dying fire as a mother will watch by the bed of a dying child. All night Alys watched her future cool and crumble, and finally faced her despair. 'I'm lost,' she said softly, just once. All her plans – of escape from the castle, of return to an abbey, of the revival of the Church of Rome and a haven for her – they were all gone. Alys knew that she would never be an abbess nor even a novitiate again. She could not trust herself in a holy place. God had put his mark on her – as she had feared – during that panic-stricken run. She could not whisper in the confessional, she could not eat the sacred bread. Holy wine would curdle if she came close – and turn to blood. Holy water would ice over. The holy bread would rise up in her throat and choke her and if she vomited it out on the chancel steps they would all see, everyone would see, the wafer untouched by her soiled, sinful mouth. No abbess could miss the signs of a woman mired in sin, a woman given over to the devil. She could not coax nor lie her way back to sanctity. She could not confess and be absolved. She was in too deep. She was in too deep. She was black as the deeps of the river at midnight.

Alys breathed out a long, slow sigh of despair. The old life was gone indeed, as surely as Mother Hildebrande – and all her wisdom and love and kindness -was blown away on the moorland winds in a puff of white ash and charred gown. The old life was gone and Alys would never have it back.

She sat and mourned for it, for two long hours, with her eyes on the flames and the white consecrated wafer gleaming palely among the red hot embers. Alys watched it – unburned, not even charred – and knew she was far from Christ, and from His mother, and from her own mother, the abbess. She was as far away from them already as if she were in hell.

At that thought she paused and nodded. 'I'm damned,' she said wonderingly. 'Damned.' She had a moment of pity for herself. In quieter times, in an easier world, she would have made a good nun, a holy woman, a wise woman. As wise and beloved as her Mother Hildebrande. 'I'm damned,' Alys said again, tasting eternal judgement on her tongue. 'Damned without hope of forgiveness.'

She sat still for a few moments longer, then she reached for the fire tongs and hooked the unburned wafer out of the flames. It was cool to the touch. Alys looked at it and her face was stony in the presence of a miracle. Then she took it between her hands and tore and ground it until it broke into one, twenty, a thousand pieces, and she fed each little piece to the flames until they caught and burned and were gone. Alys smiled.

'Damned,' she said again, and this time it sounded like a direction for her to follow.

She knew now she would stay in the castle until she could see which way the wind blew for the old lord and for young Hugo. There could be no abbey, no convent in the future. Alys would be in the world forever and she would take her power in the world with her woman's strengths and the power of a woman damned to hell. She had to turn the eyes of Hugo from her. She had to make him lie with his wife. Catherine had to conceive. Any other outcome from today's black business would end badly for Alys, she knew. Her only chance of using the castle as a stepping stone to higher things, her only chance of escape, was to see the man she desired turn away from her and return to his wife. To watch her triumph, and to see a son in her arms.

Alys nodded, her face brightening in the firelight. If she could accomplish that – then she would be safe for months, even years. She was high in the old lord's favour, she would earn Catherine's gratitude. Between the two of them she might build a reputation which could take her to the highest houses in the land. Even if she only stayed with Lord Hugh and won his complete trust she would eat well and sleep warm and be free to travel when and where she wished. But Lady Catherine must conceive. If she did not conceive, and soon, she would look around her for a scapegoat. There would be another ordeal. And then another after that. And in an ordeal by water, or an ordeal with fire, or an ordeal with holy wine, in any one of them Alys would fail. And then she would face a nightmarish death.

'I have no way out,' she said softly to herself.

In the early hours of the morning, when the bakehouse was as dark as pitch, and reason and the learned code of morality at its lowest ebb, Alys leaned forward and pulled out the log which hid the candlewax figures.

With the cloak as a shield around her shoulders she ranged the three figures on the lap of her blue gown and started to chant the spell Morach had taught her. The words meant nothing to her but as she whispered them into the silence of the darkened bakehouse they seemed to shroud her in power, a new power, one she could claim as her own. The rhythm of the words was like a song. Alys said them over and over, three times, in a low monotone. As she said them she stroked the wax dolls with her fingers until the wax grew as warm as skin, and took the glow from the fire. Three more times Alys whispered the spell to them, and caressed them, and made them her own, then she thrust her hand into the purse at her girdle and brought out a twist of paper. Wrapped in it were three hairs. The long brown one Alys stuck on the head of the doll to represent Lady Catherine, the short black hair was from Hugo, and Alys had one long silver hair from the old lord's comb.

The dolls gleamed in the firelight, each one with a strand of hair, each one moving slightly as Alys stroked them and whispered to them, naming each one of them and claiming them for her own. The embers sighed and settled in the fireplace like the whisper of a ghost. In the dim firelight and the shadows of Alys leaned forward to see more clearly. The little wax torsos moved very, very slightly under her gentle fingertips. The dolls were breathing. They were alive.

Alys let out a little sigh of awe and fear. She leaned over them and looked at them more closely. Then she put the one to represent the old lord carefully down on the hearthstone. 'I want nothing from you,' she said softly to it. 'I want you to be well and strong. And I want you to care for me and protect me for as long as I wish to stay here. And then I want you to let me go.'

The little doll's face was impassive in the firelight. Alys watched it for some moments. Then she took up the doll which was the young lord. For a moment she looked at it, at the clear features and the strong arrogant face. Then gently, very gently, she drew her fingernail across its right eyeball.

'Don't see me,' she whispered. 'Don't watch for me. Don't look at me with love. Don't notice me when I come into a room, don't turn to catch sight of me. Be blind to me. Be blind to me!'

She stroked her finger gently over the other eye. 'Don't look at me, don't notice me, don't watch for me! Be blind to me! Be blind to me!' she said again.

She blinked to clear her own gaze and was surprised to find tears on her checks. She rubbed them aside with the back of her hand. The little figure of Hugo was sightless, a smooth smear where each eye had been. Alys nodded. She felt shrouded in her own power. The tender, longing part of her was stilled, hidden. Her eyes gleamed in the darkness, her face shone with a sense of her own magic. She looked witchy. She licked her lips like a cat.

She held the little figure of Hugo closer, then she started to work on his fingertips. With delicate little movements she started to scrape the tips of his fingers away.

'Don't long to touch me,' she said. 'Don't touch me. Don't long for the feel of my skin. Don't stroke your hand against my face. Don't caress my hair. Don't reach for me, don't hold me. I am stealing away your desire to feel me. I am stealing your power to feel me. Don't touch me, don't reach out for me, don't caress me.'

The fingertips of both hands were flattened; the fingernails, so delicately carved by Morach, had melted away. 'Don't touch my body, or my face, or my hair,' Alys said. 'Don't put your hand between my thighs, or on my breasts, or hold the nape of my neck. Don't desire the feel of me. Don't touch me.'

She laughed, a low delighted laugh, at the tingling sense of her own power which flowed so powerfully from her belly to her fingertips, down to the soles of her feet. Then she heard the echo of her laugh in the deserted bakehouse and looked around her fearfully. She hitched her cloak a little closer, turned the doll of Hugo to one side and started stroking at his ear.

'Don't listen for me,' she said, her voice a low whisper. 'Don't hear my voice. Don't have pet names for me. Don't recognize my voice among all others. Don't listen for my singing. Don't waken when you cannot hear my breathing in the bed beside you. Don't harken for me when I am away. Don't listen for my step when I am close.'

Delicately she stroked at one ear until it was smoothed quite away, and then she turned the doll around and stroked and rubbed the second ear until it too was gone.

Then she put the doll on its back on her lap again and pressed her index finger to its lips. 'Don't speak to me,' she said. 'Don't whisper to me, don't sing for me, don't joke with me, don't pray for me.' With jerky little motions she scratched at Hugo's mouth. 'Don't call me,' she said. 'Don't call me. Don't dream of me and speak my name, don't wake and say my name. Don't let my name come to your lips.'

His mouth was a smooth smear, but still Alys rubbed and rubbed at it.