“Goddam!” Tacoma springs to his own feet, yelling to the squads behind him. “They’re headed back toward the bridge! They’re going to try to cross!” Then into his com, “Recalibrate! They’re retreating!”

“Got it,” the gunner answers through a crackle of static. “I’m gonna put up a spotter. Give me some distance between you and them.”

“You keep firing as long as you have ammo! Never mind where anyone is!”

“Sarge—“

“Goddammit, you keep shooting, you hear me? They don’t have the ordnance to deal with those things on the other side! We gotta get ‘em before they make the crossing! You got that, goddammit?”

“Got,” says the gunner, meekly. A half second later, a mortar round comes flying over Tacoma’s head, landing in the rear rank of the now retreating droids. It leaves a quite satisfactory hole where a half dozen of them had been.

Tacoma’s world shrinks then to a small sphere of space where the only sound is a cacophony of explosions: mortars, grenades, shoulder-fired rockets going off all about him. His actions become mechanical, repeated by troops up and down the length of the line. There are fewer than there were before; as near as he can tell, he has lost a quarter of his troops. A straggle of men and women, some of them hobbling, others trailing bloody arms and legs, stumbles forward from the position they have held across the road. Load, raise the launcher, fire.

Load, raise the launcher, fire. Over and over again.

And always the retreating backs of the enemy, spattered with earth and snow as they go down one after the other onto the rutted ground. The advance of his men, step by step, leaves fresh blood in the snow.

Some of it is h is own. Something, he is not quite sure what, has struck him on the forehead. Without breaking stride, he raises his hand to swipe at the blood pouring into his eyes. And he keeps moving without thought.

Load.

Raise the launcher.

Fire.

Over and over again.

“What the hell’s that?”

Koda swings the M-16 riding her shoulder down into position and raises her binoculars. A plume of dust from the rutted and drying road appears halfway down the hill where the command post stands, curving and backswitching as the path makes its crooked way up the slope. “It’s a couple Jeeps, I think.”

Maggie turns her attention from the field of battle to scan the newcomers. “It’s a couple Jeeps full of idiot flyboys.”

As the small convoy comes into closer focus, Koda can make out the unmistakable freckled face of Andrews at the wheel of the first vehicle. He has not bothered to change out of his flight suit or helmet and handles the bucking Jeep with much the same offhand élan as his Black Hawk.; some of the other pilots have changed into standard ground combat head buckets, but not bothered with the rest of their gear. The vehicles bristle with armaments: an M-60 apiece, grenade launchers, LAAWS.

“Just can’t leave well enough alone,” Maggie remarks tartly, but there is pride in her voice as much as exasperation.

“You lead by example, Colonel,” Kirsten says quietly. Koda turns swiftly to look at her, but there is no irony in the other woman’s face. That pleases her, in a quiet way she cannot now take time to analyze.

Maggie, too, has taken it as the compliment intended. She grins. “Never did know when to quit.”

One more steep climb, and the Jeeps pull, brakes squealing, into the small flat space where the troop carrier cum com center sits. He climbs out and salutes smartly, somehow managing to cover Maggie, Koda and Kirsten all in the gesture. “The Third Damn Fools, reporting for duty, Ma’am.”

Maggie looks them up and down with a drill sergeant’s scowl. “You can’t leave well enough alone, huh? Just gotta get in there and mix it up mano a mano.”

“YES, MA’AM!”

“Goddam Hallelujah Chorus,” she says. “Okay, here’s the deal—“

“Colonel!” Kirsten’s voice cuts through the banter. “The droids are almost to the bridge head. Sergeant Rivers just came through on clear. He’s going to try to get in front of them but doesn’t think he can hold all of them.”

Instantly serious, Maggie snaps, “And—“

“He requests covering fire from the mortars back in the woods.”

Maggie’s face goes grey. Then, quietly, “Tell Jurgensen to shell what’s left of the bridge. We’ll try that first.”

Kirsten turns back to her mike, speaking into it in English. The battle has reached the melee stage; strategic surprise is no longer possible. Fear catches at Koda’s throat. Shelling the bridge is a stalling tactic, a forlorn hope. Its complete destruction would require a howitzer, a bigger gun than they have, with a range too long for the relatively confined space of the valley below. Without speaking she turns her field glasses on the fight at the northwest end of the bridge. A company of the heavy military-model droids grinds its way slowly toward the bridgehead, flanked on one side by a much smaller human force that ducks and runs and ducks again, firing off grenade launchers and shoulder rockets at every possibly opening. The troops on the southeast side are completely engaged with the remnants of the human and domestic droid forces; they cannot spare a squad.

She searches the forces on the far bank, looking for one man. Tacoma is down there. She knows it. She cannot make out his face or tell one shape from another under the camo and the layers of Polartec and thermal nylon, but there is one soldier out front and to the side that she knows with utter certainty is her brother.

Her brother Tacoma, who has just called down a strike on his own position.

A red haze passes over her eyes. Her vision narrows to that one point where she knows he runs along the basalt table, sprawling where he can behind a low rise, heaving up the tube of his grenade launcher to fire when feasible. Impossibly keen, her ears bring her the clang of M-16 rounds on the metal skin of the droids on the near side; the scream of a soldier suddenly shot in the gut, doubling over in pain as his lifeblood runs out between his fingers. The hot metallic smell comes to her on the wind. Hardly aware of what she does, she passes her tongue over her teeth, tasting the richness of the odor.

With movements that seem ponderous, she slips loose of her rifle, lets the binoculars fall from her hand to go tumbling down the slope of the hill. Two long strides carry her to the back bumper of the last Jeep, another into the driver’s seat. Human voices batter at her, shouting, a jumble of words that she neither heeds nor cares to.

KODANOSTOPWAITDAMMIT

MAAMYOUCANTDOTHAT

ATLEASTWAITFORMEYOUIDIOT

And she is bouncing down the hill in the Jeep, accelerator to the floor on a forty-degree downslope that probably ought to send her flying hood over tailpipe, but somehow she manages to keep the damn donkey of a machine on the road. There are other people in it with her, hanging on for their lives, a tall lean dark-faced woman yelling something into her ear and a smaller one with hair that burns like white flame in the sunlight shrieking unintelligibly, and behind her she hears the roar and clatter of other engines as they speed down the hill straight toward the fighting, toward the near end of the bridge. As she pulls the vehicle onto the flat meadow at the foot of the rise the first of the mortar shells streaks toward the far bridgehead, landing just short of the northwest bank and impacting the shattered concrete with a roar and a cloud of grey-white dust that clears to show a few large pieces of the bridge smashed to smaller pieces but not much effect otherwise. A second shell screams over, and another and another.

In the narrow focus of her vision, Koda can see a figure scrambling out onto the spars of half-collapsed asphalt and cement where broken slabs jut up against each other at unlikely angles like some strange rock formation on a sea-beaten coast. She shifts gears and sets the Jeep straight for the near end, steering her way somehow through grenade craters and over the splintered remains of droids. Her helmet flies off her head, and her hair unfurls behind her with her spped. A huge shout goes up around her, but she pays no attention, noting only out of the edges of her sight a convoy no larger than the one she leads, streaking down on the battle out of nowhere, spilling out of the Black Hills, truck-mounted machine guns spraying bullets that bounce harmlessly as pebbles off the titanium hides of the androids.

Just short of the near end of the bridge Koda stands on the brakes, bringing the Jeep to a shuddering halt that nearly throws her free. Snatching a belt of grenades and a launcher from the back of the vehicle, she speeds for the bridge, her eyes on that lone figure now firing on the advancing droids from the meager cover of a broken pylon. Behind her someone is shouting CEASEFIRECEASEFIREDAMMIT, and the broken structure shakes beneath her as she leaps from concrete boulder to concrete boulder, grasping an upright length of rebar to steady herself as she plants her feet and fires. She pushes off from her position, finds footing again a meter ahead, fires again, catches a foot in a cage of steel supports and shakes herself free to kneel and fire yet again on the advancing metal demons. Dimly she is aware of voices behind her, screaming out her name, a warcry, curses, she cannot tell and does not care. She feels the recoil of weapons loosed behind her, though, and knows that more of the droids are going down than she can reasonably account for. Thank you Ina Maka the thought winds through her mind, never touching the part of her brain that drives her feet forward, powers her arms through the routine of load, life and fire again and again as the droids clustered at the far end of the bridge go down, crashing into those pressing forward behind them, some of those behind falling forward to strike the ruins of the span and tumble down into the metal-clotted water below.

There are fewer and fewer of them standing between her and the hills beyond, and finally there are none. She stares into a face inches from hers, her fingers caught up in gentle hands as a voice says, again and again, “Tanksi? Tanski! Koda, you in there? Answer me!”

Slowly the world takes shape around her. She is looking into the deep brown of her brother’s eyes, blurred where blood has run into them and carried streaks of his warpaint down his face in runnels crusted with dust and minute grains of cement. There is a strange silence, no more shooting, no more shouting. She can hear the force of the current as the Cheyenne finds its way in small rapids around the debris that juts out of the water.

Gingerly she glances around her. Andrews perches on a slab of concrete, teeth clenched, grimly cutting his left boot away from an ankle already swollen half again its size. I need to get up and tend to that, she thinks dimly. Maggie, beside her, leans on the tube of a rocket launcher, favoring her right foot. There is a streak of bright blood on the leg of her pants above it, but her face is clear and bright. Kirsten, face pale as her hair, rubs at her shoulder where the end of a grenade launcher is printed into the padded fabric of her jacket.

Koda’s eyes return to her own hands, scraped raw and bloody in her scramble across the ruins of the bridge. Gently she looses them from Tacoma’s grasp and looks around her, taking in the battlefield with its scattered dead and the deliberate movements of survivors walking among the fallen, looking for wounded.

She glances back at Maggie, then at her brother again. “We won?”

Yeah,” he says, slipping his hands under her arms and levering them both to their feet. Even at her height, he is taller still as she gazes up at him. Slowly he turns her to face the others. Somehow she cannot seem to find her boundaries; some part of her is still Koda Rivers, but she feels herself spread thin, strung out, strands of her substance mingled with her brother’s, Maggie’s, Kirsten’s, the thoughts of Andrews on his perch and the men still scattered on the field beyond.

“That’s the goddammedest thing I ever saw, Ma’am, like something out of a storybook,” Andrews says, images tumbling through his mind of Lancelot stampeding across an English meadow toward a dragon, a Greek general in a mountain pass called the Hot Gates, a long haired man in a kilt, wild with freedom, brandishing a sword almost as tall as himself.

Maggie shoots him a sharp glance, more than half-amused at the blatant hero-worship, but why the hell not, it’s the bravest thing she’s ever seen in her own life. She tells herself that the pride she feels in this woman is totally irrational; she has not had the teaching of her, and yet the pride is there. Pride and regret both. She glances briefly upward, to the high reach of sky where the hawk still circles, and knows that an ending has been reached; an ending that, like the rising circles of the red-tail’s spiral, is also a beginning. She lets her rocket launcher fall among the tumbled wreckage of the bridge and steps forward to put an arm around Koda’s shoulders. “You were born for this,” she says simply.